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Malibran
Maria Felicia Malibran (24 March 1808 – 23 September 1836) was a Spanish singer who commonly sang both contralto and soprano parts, and was one of the best-known opera singers of the 19th century. Malibran was known for her stormy personality and dramatic intensity, becoming a legendary figure after her death in Manchester, England, at age 28. Contemporary accounts of her voice describe its range, power and flexibility as extraordinary. Life and career Malibran was born in Paris as María Felicitas García Sitches into a famous Spanish musical family. Her mother was Joaquina Sitches, an actress and operatic singer. Her father Manuel García was a celebrated tenor much admired by Rossini, having created the role of Count Almaviva in his ''The Barber of Seville''. García was also a composer and an influential vocal instructor, and he was her first voice teacher. He was described as inflexible and tyrannical; the lessons he gave his daughter became constant quarrels between tw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Malibran (Maria) Par F
Maria Felicia Malibran (24 March 1808 – 23 September 1836) was a Spanish singer who commonly sang both contralto and soprano parts, and was one of the best-known opera singers of the 19th century. Malibran was known for her stormy personality and dramatic intensity, becoming a legendary figure after her death in Manchester, England, at age 28. Contemporary accounts of her voice describe its range, power and flexibility as extraordinary. Life and career Malibran was born in Paris as María Felicitas García Sitches into a famous Spanish musical family. Her mother was Joaquina Sitches, an actress and operatic singer. Her father Manuel García was a celebrated tenor much admired by Rossini, having created the role of Count Almaviva in his ''The Barber of Seville''. García was also a composer and an influential vocal instructor, and he was her first voice teacher. He was described as inflexible and tyrannical; the lessons he gave his daughter became constant quarrels between t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Stuarda
''Maria Stuarda'' (Mary Stuart) is a tragic opera (''tragedia lirica''), in two acts, by Gaetano Donizetti, to a libretto by Giuseppe Bardari, based on Andrea Maffei's translation of Friedrich Schiller's 1800 play '' Maria Stuart''. The opera is one of a number of operas by Donizetti which deal with the Tudor period in English history, including ''Anna Bolena'' (named for Henry VIII's second wife, Anne Boleyn), ''Roberto Devereux'' (named for a putative lover of Queen Elizabeth I of England) and '' Il castello di Kenilworth''. The lead female characters of the operas ''Anna Bolena'', ''Maria Stuarda'', and ''Roberto Devereux'' are often referred to as the "Three Donizetti Queens". The story is loosely based on the lives of Mary, Queen of Scots (Mary Stuart) and her cousin Queen Elizabeth I. Schiller had invented the confrontation of the two Queens, who in fact never met.Ashbrook 1972, pp. 17 to 30. After a series of problems surrounding its presentation in Naples after the fina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Auguste De Bériot
Charles Auguste de Bériot (20 February 18028 April 1870) was a Belgian violinist, artist and composer. Biography Charles de Bériot was born in 1802 in Leuven, Belgium (then under French rule) into a noble family but was orphaned at the age of nine. He was given custody of his music teacher and friend of his father, Jean-François Tiby (1772-1844). De Bériot began studying violin with Tiby, who trained him in the French style as exemplified by Giovanni Battista Viotti. In 1811 he performed for the first time in public, playing a concerto by Viotti. François-Joseph Fétis says that Tiby sent de Bériot to Paris at the age of 12 (1814), however de Bériot's own correspondence confirms that he only arrived in Paris in 1821. This mistake is attributed to the advanced age at which Fétis wrote his final biographical note on de Bériot. While in Paris, de Bériot studied briefly at the Paris Conservatory under Pierre Baillot and played for Rodolphe Kreutzer and Viotti. The latter e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pauline Viardot
Pauline Viardot (; 18 July 1821 – 18 May 1910) was a nineteenth-century French mezzo-soprano, pedagogue and composer of Spanish descent. Born Michelle Ferdinande Pauline García, her name appears in various forms. When it is not simply "Pauline Viardot", it most commonly appears in association with her maiden name García or the unaccented form, Garcia. This name sometimes precedes Viardot and sometimes follows it. Sometimes the words are hyphenated; sometimes they are not. She achieved initial fame as "Pauline García"; the accent was dropped at some point, but exactly when is not clear. After her marriage, she referred to herself simply as "Mme Viardot". She came from a musical family and took up music at a young age. She began performing as a teenager and had a long and illustrious career as a star performer. Early life Michelle Ferdinande Pauline García Sitches was born in Paris. Her father, Manuel, a tenor, was a Spanish singing teacher, composer and impresario. Her m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Conservatory Of Brussels
The Royal Conservatory of Brussels (french: Conservatoire royal de Bruxelles, nl, Koninklijk Conservatorium Brussel) is a historic conservatory in Brussels, Belgium. Starting its activities in 1813, it received its official name in 1832. Providing performing music and drama courses, the institution became renowned partly because of the international reputation of its successive directors such as François-Joseph Fétis, François-Auguste Gevaert, Edgar Tinel, Joseph Jongen or Marcel Poot, but more because it has been attended by many of the top musicians, actors and artists in Belgium such as Arthur Grumiaux, José Van Dam, Sigiswald Kuijken, Josse De Pauw, Luk van Mello and Luk De Konink. Adolphe Sax, inventor of the saxophone, also studied at the Brussels Conservatory. In 1967, the institution split into two separate entities: the , which teaches in Dutch, and the , which continued teaching in French. While the French-speaking entity remained an independent public instit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael William Balfe
Michael William Balfe (15 May 1808 – 20 October 1870) was an Irish composer, best remembered for his operas, especially '' The Bohemian Girl''. After a short career as a violinist, Balfe pursued an operatic singing career, while he began to compose. In a career spanning more than 40 years, he composed at least 29 operas, almost 250 songs, several cantatas and other works. He was also a noted conductor, directing Italian Opera at Her Majesty's Theatre for seven years, among other conducting posts. Biography Early life and career Balfe was born in Dublin, where his musical gifts became apparent at an early age. He received instruction from his father, a dancing master and violinist, and the composer William Rooke. His family moved to Wexford when he was a child. Between 1814 and 1815, Balfe played the violin for his father's dancing-classes, and at the age of seven composed a polacca. In 1817, he appeared as a violinist in public, and in this year composed a ballad, first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joaquina Sitches
Joaquina Sitches (born María Joaquina Sitches y Irisarri; 28 July 1780 – 10 May 1864), also known under the stage name of Joaquina Briones or, after her marriage, of Joaquina García, was a Spanish actress and operatic soprano. Life She was born as María Joaquina Sitches y Irisarri to Martín Sitches and Lorenza Irisarri. Joaquina Sitches was the second wife of the tenor, composer and impresario Manuel García, and the mother of the pedagogue Manuel García the younger, of the mezzo Maria Malibran, and of the mezzo and composer Pauline Viardot Pauline Viardot (; 18 July 1821 – 18 May 1910) was a nineteenth-century French mezzo-soprano, pedagogue and composer of Spanish descent. Born Michelle Ferdinande Pauline García, her name appears in various forms. When it is not simply "Paul .... All three children were gifted and benefited from the early training by their father. On her husband's death, when Pauline was not yet 11 years old, Sitches took charge of her vocal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an '' opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy '' The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for ''A Midsummer Night's Dream'' (which includes his " Wedding March"), the '' Italian Symphony'', the ''Scottish Symphony'', the oratorio '' St. Paul'', the oratorio '' Elijah'', the overture '' The Hebrides'', the mature Violin Concerto and the String Octet. The melody for the Christmas carol " Hark! The Herald Angels Sing" is also his. Mendelssohn's '' Songs Without Words'' are his most famous solo piano compositions. Mendelssohn's grandfather was the renowned Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion. He was baptised at the age of seven, becoming a Reformed Chr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Wilfrid De Bériot
Charles-Wilfrid de Bériot (12 February 183322 October 1914) was a French pianist, teacher and composer. He was born in Paris in 1833, the son of the violinist Charles Auguste de Bériot and his then common-law wife, the famed soprano Maria Malibran (they were to marry when Charles-Wilfrid was three, but his mother died only three months later as a result of a fall from a horse, while pregnant with Charles-Wilfrid's sibling). Charles-Wilfrid was brought up mostly by his aunt, Pauline Viardot. His stepmother, Maria Huber, was an orphan who had been adopted by Prince von Dietrichstein, the alleged natural father of Sigismond Thalberg. Thalberg was one of Charles-Wilfrid's earliest teachers. He became a professor of piano at the École Niedermeyer, and later at the Paris Conservatoire, where his pupils included Maurice Ravel and Ricardo Viñes. His private students included Enrique Granados. As a teacher, he insisted on extreme refinement in tone production, which strongly influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
