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Mala Vita
''Mala vita'' (Wretched Life) is an opera in three acts composed by Umberto Giordano to a libretto by Nicola Daspuro adapted from Salvatore Di Giacomo's and Goffredo Cognetti's Verismo (literature), verismo play of the same name. Giordano's first full-length opera, ''Mala vita'' premiered on 21 February 1892 at the Teatro Argentina. It was subsequently performed in Naples, Vienna, Berlin and Milan, and various Italian cities over the next two years. In 1897 a considerably re-worked and revised version under the title ''Il voto'' (The Vow) premiered in Milan. Within a few years, both versions had disappeared from the repertoire. Amongst its rare modern revivals was the 2002 performance at the Teatro Umberto Giordano in Foggia which was recorded live and released on the Bongiovanni (record label), Bongiovanni label. Set in a slum neighborhood of Naples during the early 19th century, the opera's story (and that of the play on which it is based) revolves around a love triangle between ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umberto Giordano
Umberto Menotti Maria Giordano (28 August 186712 November 1948) was an Italian composer, mainly of operas. His best-known work in that genre was Andrea Chénier (1896). He was born in Foggia in Apulia, southern Italy, and studied under Paolo Serrao at the Conservatoire of Naples. His first opera, ''Marina'', was written for a competition promoted by the music publishers Edoardo Sonzogno, Casa Sonzogno for the best one-act opera, remembered today because it marked the beginning of Italian ''verismo''. The winner was Pietro Mascagni, Mascagni's ''Cavalleria rusticana''. Giordano, the youngest contestant, was placed sixth among seventy-three entries with his ''Marina'', a work which generated enough interest for Sonzogno to commission the staging of an opera based on it in the 1891–92 season. The result was ''Mala vita'', a gritty ''verismo'' opera about a labourer who vows to reform a prostitute if he is cured of his tuberculosis. This work caused something of a scandal when per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conservatory Of San Pietro A Majella
This is a list of music conservatories in Naples, Italy. Conservatorio di San Pietro a Majella The Naples Conservatory of Music is a music school located in Naples, Italy. It is situated in the complex of San Pietro a Majella. It was originally located in the church of the former monastery of San Sebastiano and was called the ''Conservatorio di San Sebastiano'', formed in 1807 by the merger of the Conservatorio di Santa Maria di Loreto, the Conservatorio di Sant' Onofrio in Capuana, and the ''Conservatorio della Pietà dei Turchini''. It also became known as the ''Real Collegio di Musica'', and after 1826 when it moved to its current location, as the ''Conservatorio di Musica San Pietro a Majella''. The conservatory and adjacent church are today part of the old San Pietro a Majella monastic complex, built at the end of the 13th century and dedicated to the monk Pietro da Morone, who became Pope Celestine V in 1294. The conservatory houses an impressive library of manuscripts per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberto Stagno
Roberto Stagno (; 18 October 1840 ome sources give 1836 as his birth year – 26 April 1897) was a prominent Italian opera tenor. He became an important interpreter of verismo music when it burst on to the operatic scene during the 1890s; but he also possessed an agile bel canto technique which he employed in operas dating from earlier periods. In 1890, he created the pivotal verismo role of Turiddu. Career Stagno (real name Vincenzo Andrioli) was born in Palermo, Sicily, into a family with connections to the minor nobility. He studied in Milan in Northern Italy and made his operatic debut in Lisbon, Portugal, in 1862. His career breakthrough came three years later, however, when he substituted successfully for Italy's most celebrated dramatic tenor, Enrico Tamberlik, in a Madrid performance of ''Robert le diable''. During the next three decades, Stagno performed in a variety of operas at major opera houses in Spain, Italy, France and Russia, building and then consolida ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gemma Bellincioni Cropped
Gemma or GEMMA may refer to: People and fictional characters * Gemma (given name), including a list of people and fictional characters with the name * Gemma (surname), including a list of people with the name Science and technology Biology * Gemma (botany), an asexual reproductive structure in plants and fungi * Gemma, a monotypic genus of the Veneridae family of saltwater clams ** ''Gemma gemma'', the type species * Gemma, a bud-like appendage in ants of the ''Diacamma'' genus Other sciences and technology * Walter Gemma, a radial aero engine manufactured by Walter Aircraft Engines in the early 1930 * Gas phase electrophoretic molecular mobility analysis (GEMMA), a chemical analysis technique * Gemma (language model), family of models developed by Google * Alpha Coronae Borealis or Gemma, a binary star * Gemma, an Adafruit Industries Arduino-compatible microcontroller Ships * Italian submarine ''Gemma'' * MV ''Gemma'', a Dutch coastal tanker lost in 1951 * SS ''Gemma'', a Ger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tarantella
Tarantella () is a group of various Southern Italy, southern Italian Italian folk dance, folk dances originating in the regions of Calabria, Campania, Sicilia, and Apulia. It is characterized by a fast Beat (music), upbeat tempo, usually in Time signature, time (sometimes or ), accompanied by tambourines. It is among the most recognized forms of traditional southern Italian music. The specific dance-name varies with every region, for instance ''Calabrian tarantella, sonu a ballu'' in Calabria, ''tammurriata'' in Campania, and ''pizzica'' in Salento. Tarantella is popular in southern Italy, Greece, and Malta. The term may appear as ''tarantello'' in a Grammatical gender, linguistically masculine construction. History The present Southern Italy, southern part of Italy was not part of a single country until the mid to late 19th century. The place was a colony of ancient Greece, and even ''Naples, Napoli'' comes from the Greek word ''Neapolis'', which means 'New City'. Before t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Naples
Naples has played an important and vibrant role over the centuries not just in the music of Italy, but in the general history of western European musical traditions. This influence extends from the early music conservatories in the 16th century through the music of Alessandro Scarlatti during the Baroque period and the comic operas of Pergolesi, Piccinni and, eventually, Rossini and Mozart. The vitality of Neapolitan popular music from the late 19th century has made such songs as'' 'O Sole mio'' and '' Funiculì Funiculà'' a permanent part of our musical consciousness. Classical music In the mid-16th century, the Spanish throne established church-run conservatories in its vice-realm of Naples. These institutions were on the premises of four churches in the city of Naples: ''Santa Maria di Loreto'', ''Pietà dei Turchini'', ''Sant'Onofrio a Capuana'', and ''I Poveri di Gesù Cristo''. At the time, these institutions were called "conservatories" because they "conserved"—t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neapolitan Language
Neapolitan (Exonym and endonym, autonym: ; ) is a Romance language of the Italo-Romance languages, Italo-Romance group spoken in most of continental Southern Italy. It is named after the Kingdom of Naples, which once covered most of the area, and the city of Naples was its capital. On 14 October 2008, a law by the Region of Campania stated that Neapolitan was to be protected."Tutela del dialetto, primo via libera al Ddl campano" ("Bill to protect dialect green-lighted") from ''Il Denaro'', economic journal of South Italy, 15 October 2008 Re Franceschiello. L'ultimo sovrano delle Due Sicilie While the language group is native to much of continental Southern Italy or the former Kingdom of Naples, the terms ''Neapolitan'', ''napulitano'' or ''napoletano'' may also instead refer more narrowl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neapolitan Dialect
Neapolitan ( autonym: ; ) is a Romance language of the Italo-Romance group spoken in most of continental Southern Italy. It is named after the Kingdom of Naples, which once covered most of the area, and the city of Naples was its capital. On 14 October 2008, a law by the Region of Campania stated that Neapolitan was to be protected."Tutela del dialetto, primo via libera al Ddl campano" ("Bill to protect dialect green-lighted") from ''Il Denaro'', economic journal of South Italy, 15 October 2008 Re Franceschiello. L'ultimo sovrano delle Due Sicilie While the language group is native to much of continental Southern Italy or the former Kingdom of Naples, the terms ''Neapolitan'', ''napulitano'' or ''napoletano'' may also instead refer more narrowly to the specific [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'amico Fritz
''L'amico Fritz'' () is an opera in three acts by Pietro Mascagni, premiered in 1891 to a libretto by P. Suardon ( Nicola Daspuro) (with additions by Giovanni Targioni-Tozzetti), based on the 1864 French novel ' by Émile Erckmann and Alexandre Chatrian. While the opera enjoyed some success in its day and is probably Mascagni's most famous work after ''Cavalleria rusticana'', today it is performed far more rarely than ''Cavalleria'', which remains Mascagni's only enduringly popular work outside Italy, where ''L'amico Fritz'' and ''Iris'' are still in the active repertoire. The "Cherry Duet" between Fritz and Suzel in act 2 is the best known piece in the opera and is often performed separately in concert. Performance history The opera was first performed in Rome at the Teatro Costanzi, on 31 October 1891. Other first performances include those in Hamburg on 16 January 1892 with Gustav Mahler conducting; in London on 23 May 1892 at the Royal Opera House, Covent Garden;Eric Irvi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Verga
Giovanni Carmelo Verga di Fontanabianca (; 2 September 1840 – 27 January 1922) was an Italian Literary realism, realist (''Verismo (literature), verista'') writer. His novels ''I Malavoglia'' (1881) and ''Mastro-don Gesualdo'' (1889) are widely recognized as masterpieces. Verga has been called the greatest Italian novelist after Alessandro Manzoni, Manzoni. D. H. Lawrence translated several of his works into English language, English. Life and career Early life and works The first son of Giovanni Battista Catalano Verga and Caterina Di Mauro, Verga was born into a prosperous family of Catania in Sicily. He began writing in his teens, producing the historical novel ''Amore e Patria'' (''Love and Homeland'') when he was only 16 years old. Although nominally studying law at the University of Catania, he used money his father had given him to publish his ''I carbonari della montagna'' (''The Carbonari of the Mountain'') in 1861 and 1862. This was followed by ''Sulle lagune'' (' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verismo
In opera, , from , meaning 'true', was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini. ''Verismo'' as an operatic genre had its origins in an Italian literary movement of the same name. This was in turn related to the international literary movement of naturalism as practised by Émile Zola and others. Like naturalism, the ''verismo'' literary movement sought to portray the world with greater realism. In so doing, Italian ''verismo'' authors such as Giovanni Verga wrote about subject matter, such as the lives of the poor, that had not generally been seen as a fit subject for literature. History A short story by Verga called ' (), then developed into a play by the same author, became the source for what is usually considered to be the first ''verismo'' opera: ''Cavalleria rusticana'' by Mascagni, which premiered on 17 May 1890 at the Teatro Costan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music & Letters
''Music & Letters'' is an academic journal published quarterly by Oxford University Press with a focus on musicology. The journal sponsors the Music & Letters Trust, which makes twice-yearly cash awards of variable amounts to support research in the music field. A. H. Fox Strangways established the journal in 1920 and served as editor-in-chief until 1937. Eric Blom served as editor from 1937 to 1950 and again from 1954 to 1959. Other editors-in-chief have included Richard Capell (1950-54), J.A. Westrup (1959-76), Denis Arnold and Edward Olleson (1976-80), Nigel Fortune Nigel Cameron Fortune (5 December 1924 – 10 April 2009) was an English musicologist and political activist. Along with Thurston Dart, Oliver Neighbour and Stanley Sadie he was one of Britain's leading musicologists of the post-World War II ... and Olleson (1981-6), Fortune and John Whenham (1986-92), and Fortune and Tim Carter (1992-9). Nigel Fortune continued as co-editor until 2008. References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
