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Maharajapuram Santhanam
Maharajapuram Santhanam, (20 May 1928 – 24 June 1992) was an Indian Carnatic vocalist. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1989. Early life Santhanam was born on 20 May 1928 at Sirunangur, a village in the Tanjavur district of Tamil Nadu. He followed the footsteps of his father Maharajapuram Viswanatha Iyer who was also a renowned Carnatic vocalist. His mother was Visalakshi. Career Besides studying with his father, he was also a disciple of Melattur Sama Dikshitar. Maharajapuram Santhanam was also a distinguished composer. He wrote many songs on Lord Murugan and Kanchi Shankaracharya, Sri Chandrasekarendra Saraswati Swamigal (Maha Periyavar). He was the principal of Ramanathan College in Sri Lanka. Later he came and settled in Chennai. The songs which were popularised by Maharajapuram Santhanam are,"''Bho Shambo''" (Revati), "''Madhura Madhura''" (Bagheshri), both composed by Swami Dayananda Saraswati, "''Unnai Allal''" ( Kalyani Raga), "'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padma Shri
The Padma Shri (IAST: ''padma śrī'', lit. 'Lotus Honour'), also spelled Padma Shree, is the fourth-highest Indian honours system, civilian award of the Republic of India, after the Bharat Ratna, the Padma Vibhushan and the Padma Bhushan. Instituted on 2 January 1954, the award is conferred in recognition of "distinguished contribution in various spheres of activity including the arts, education, industry, literature, science, acting, medicine, social service and public affairs". It is awarded by the Government of India every year on Republic Day (India), India's Republic Day. History Padma Awards were instituted in 1954 to be awarded to citizens of India in recognition of their distinguished contribution in various spheres of activity including the arts, education, Private industry, industry, literature, science, acting, medicine, social service and Public affairs (broadcasting), public affairs. It has also been awarded to some distinguished individuals who were not citiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revati (ragam)
Revati is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a ''janya'' rāgam (derived scale), as it does not have all the seven ''swaras'' (musical notes). In Hindustani music a raga that closely resembles ''Revati'' is ''Bairagi Bhairav''.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It is said to evoke ''Karuṇa'' rasa (pathos). This scale has also been used in chanting Vedas. Structure and Lakshana ''Revati'' is a symmetric rāgam that does not contain ''gāndhāram'' or ''dhaivatam''. It is a pentatonic scale (''audava-audava'' ragam''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications in Carnatic music classification – ''audava'' meaning 'of 5'). Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : (notes used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rishikesh
Rishikesh, also spelt as Hrishikesh, is a city near Dehradun in the Indian state Uttarakhand. The northern part of Rishikesh is in the Dehradun district while the southern part is in the Tehri Garhwal district. It is situated on the right bank of the Ganges River and is a pilgrimage town for Hindus, with ancient sages and saints meditating there in search of higher knowledge. There are numerous temples and ashrams built along the banks of the river. It is known as the "''Gateway to the Garhwal Himalayas''" and "''Yoga Capital of the World''". The city has hosted the annual International Yoga Festival on the first week of March since 1999. Rishikesh is a vegetarian-only and alcohol-free city. The Tehri Dam is located away from Rishikesh. Uttarkashi, a popular yoga destination, is uphill on the way to Gangotri Dham, Gangotri. Rishikesh is the starting point for travelling to the four Chota Char Dham pilgrimage places: Badrinath, Kedarnath, Gangotri, and Yamunotri. It is also a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangeet Natak Akademi
Sangeet Natak Akademi (The National Academy of Music, Dance and Drama in English language, English) is the national level academy for performing arts set up by the Government of India. It is an autonomous body of the Ministry of Culture (India), Ministry of Culture, Government of India. History It was set up by the Indian education ministry on 31 May 1952 and became functional the following year, with the appointment of its first chairman, Dr. P. V. Rajamannar. Dr Rajendra Prasad, the first President of India, inaugurated it on 28 January 1953 in a special function held in the Parliament of India#Building, Parliament House. The academy's List of Sangeet Natak Akademi fellows, Fellowship and Sangeet Natak Akademi Award, Award are considered very prestigious. Functions Sangeet Natak Akademi is an autonomous body of the Ministry of Culture (India), Ministry of Culture, Government of India. The academy functions as the apex body of the performing arts in the country to preserve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viluppuram District
Viluppuram, Villupuram or Vizhuppuram is one of the 38 districts that make up the state of Tamil Nadu, India. It was founded on 30 September 1993, prior to which it was part of the Cuddalore district. Vizhuppuram district lies in the way of the national highway connecting Tiruchirappalli and Chennai, and contains historical landmarks like the 500 year-old Gingee Fort. __TOC__ History Vizhuppuram district was once a part of the South Arcot district along with the Cuddalore district. Later, the Cuddalore district was bifurcated and Vizhuppuram district came into existence on 30 September 1993. As a result, the Vizhuppuram district's history closely resembles that of Cuddalore's. The Cholas were among the earliest rulers. Karikala Chola was the most influential. Simhavishnu Pallava overthrew the Cholas, and the region came under the Pallava rule. Vijayalaya Chola restored the rule of Chola, marking the beginning of the Chola Empire. The entire district became a war zone durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tindivanam
Tindivanam is a municipality in Viluppuram district in the Indian States and territories of India, state of Tamil Nadu. It is the second largest town in Villupuram District after the headquarters town Villupuram. Important roads from north to south (NH 45) Tamil Nadu pass through Tindivanam and similarly from west to east (NH 66). History Tindivanam was earlier known as (திந்திரிவனம்) due to the shivan (Eswaran) temple located at Tindivanam. The name of Shiva(Suyambu linga) located there is திந்திரிஈஸ்வர். (Thinthrineeswarar) with Maragadhambigai Amman is a Thevara Vaipu Sthalam. Tindivanam is a Selection grade Municipal Town. Tindivanam was constituted as a Municipality in 01.04.1949 then it was upgraded as 2nd grade Municipality from 03.04.1970, 1st grade Municipality in 22.05.98 and Selection Grade in 02.12.2008. Ennairam, located near Tindivanam, has inscriptions about the Hindu shastras that date back to the 11th century. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rasa (aesthetics)
In Indian aesthetics, a rasa () literally means "juice, essence or taste".Monier Monier-Williams (1899)Rasa Sanskrit English Dictionary with Etymology, Motilal Banarsidass (Originally Published: Oxford) It is a concept in Indian arts denoting the aesthetic flavour of any visual, literary or musical work that evokes an indescribable feeling in the reader or audience.Rasa: Indian Aesthetic Theory Encyclopedia Britannica (2013) It refers to the emotional flavors/essence crafted into the work by the writer or a performer and relished by a 'sensitive spectator' or ''sahṛdaya,'' literally one who "has heart", and can connect to the work with emotion, without dryness. Rasas are created by one's bhava (one's state of mind). The ''rasa'' theory has a dedicated section (Chapter 6) in the Sanskrit text ''Natya Shastra'', an ancient te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shuddha Dhanyasi
Udayaravichandrika, or Shuddha Dhanyasi, is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a ''janya'' rāgam (derived scale), as it does not have all the seven ''swaras'' (musical notes). Closer to ''Udayaravichandrika'' in Hindustani music is '' Dhani'' aka Gaundgiri.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras But Dhani has N2 while Udayaravichandrika N3 in theory. Its Western equivalent is the '' Minor pentatonic scale''. This raga has a great association with the Chinese musicology, which is highly influenced by this raga, and is also called the ''"Chinese Scale"''. The ''Prati Madhyamam'' () equivalent of this raga is "Sumanesaranjani" (alias "Samudrapriya"), whose Hindustani Equivalent is "Madhukauns" Structure and Lakshana ''Udayaravichandrika'' is a sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narayana Ninna Namada
Narayana Ninna Namada () is a Kannada composition in Carnatic music by Purandara Dasa in the 16th century. It is set in the Shuddha Dhanyasi raga and the Khanda Chapu tala. It emphasizes the value of reciting God's name. The song is popular and has been performed by many musicians, including M. S. Subbulakshmi, Bombay Jayashri, Sudha Ragunathan, Maharajapuram Santhanam, M. Balamuralikrishna, E. Gayathri, Saindhavi and many others. Composition Pallavi: : Nārāyaṇa ninna nāmada smaraṇeya : Sārāmṛtavu enna nāligege barali (Nārāyaṇa…) Charanam 1: : Kaṣṭadallirali utkṛṣṭadallirali : Eṣṭādaru matigeṭṭu irali : Kṛṣṇa kṛṣṇa endu ṣiṣṭaru pēḷuva : Aṣhṭākṣara mahā-mantrada nāmava (Nārāyaṇa…) Charanam Charanam (meaning ''foot'') in Carnatic music (South Indian classical music) is usually the end section of a composition which is sung after the anupallavi. There may be multiple ''charanams'' in a composition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kriti (music)
A ''kriti'' () is a form of musical composition in the Carnatic music literature. The Sanskrit common noun ''Kriti'' means 'creation' or 'work'. A kriti forms the mental backbone of any typical Carnatic music concert and is the longer format of a Carnatic song. Structure A conventional ''kriti'' typically contain three parts: #''Pallavi'', the equivalent of a refrain in Western music #''Anupallavi (music), Anupallavi'', the second verse, which is sometimes optional #''Charanam'', the final (and longest) verse that wraps up the song The ''charanam'' usually borrows patterns from the ''anupallavi''. The ''charanam's'' last line usually contains the composer's signature, or ''mudra (music), mudra'', with which the composer leaves their mark. Variations Some Kritis have a verse between the ''anupallavi'' and the ', called the ''Chitta swara, ''. This verse consists only of notes, and has no words. Other ''krithis'', particularly some of Oothukkadu Venkata Kavi and Muthuswami Diks ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Purandaradasa
Purandara Dasa (IAST: Purandara Dāsa; (1470 – 1564) was a composer, singer and a Haridasa philosopher from present-day Karnataka, India. He was a follower of Madhvacharya's Dvaita philosophy. He was one of the chief founding proponents that shaped modern Carnatic music. In honor of his contributions to Carnatic music, he is referred to as the ''Pitamaha'' (''lit''. "grandsire") of Carnatic music. According to a legend, he is considered as an incarnation of Narada. Purandara Dasa was a wealthy merchant of gold, silver and other miscellaneous jewellery from Karnataka, who gave away all his material riches to become a Haridasa (literally meaning a servant of Vishnu or Krishna), a devotional singer who made the difficult Sanskrit tenets of Bhagavata Purana available to everyone in simple and melodious songs. He was one of the most important music scholars of medieval India. He formulated the basic lessons of teaching Carnatic music by structuring graded exercises known as '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shanmukhapriya
Shanmukhapriya is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 56th ''melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Chāmaram in Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It is said to be borrowed into Hindustani music from Carnatic music. Many compositions on Lord Murugan and Lord Shiva are based on this raaga. Structure and Lakshana It is the 2nd rāgam in the 10th ''chakra Disi''. The mnemonic name is ''Disi-Sri''. The mnemonic phrase is ''sa ri gi mi pa dha ni''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : This scale uses the ''swaras chatushruti rishabham, sadharana gandharam, prati madhyamam, shuddha dhaivatam'' and ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
