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MPFC
MPFC or mPFC may refer to: * Medial prefrontal cortex * ''Monty Python's Flying Circus ''Monty Python's Flying Circus'' (also known as simply ''Monty Python'') is a British surreal humour, surreal sketch comedy series created by and starring Graham Chapman, John Cleese, Eric Idle, Terry Jones, Michael Palin, and Terry Gilliam, w ...'' * Moyola Park F.C. {{Disambiguation ...
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Medial Prefrontal Cortex
In mammalian brain anatomy, the prefrontal cortex (PFC) covers the front part of the frontal lobe of the cerebral cortex. It is the association cortex in the frontal lobe. The PFC contains the Brodmann areas BA8, BA9, BA10, BA11, BA12, BA13, BA14, BA24, BA25, BA32, BA44, BA45, BA46, and BA47. This brain region is involved in a wide range of higher-order cognitive functions, including speech formation (Broca's area), gaze (frontal eye fields), working memory (dorsolateral prefrontal cortex), and risk processing (e.g. ventromedial prefrontal cortex). The basic activity of this brain region is considered to be orchestration of thoughts and actions in accordance with internal goals. Many authors have indicated an integral link between a person's will to live, personality, and the functions of the prefrontal cortex. This brain region has been implicated in executive functions, such as planning, decision making, working memory, personality expression, moderating social ...
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Monty Python's Flying Circus
''Monty Python's Flying Circus'' (also known as simply ''Monty Python'') is a British surreal humour, surreal sketch comedy series created by and starring Graham Chapman, John Cleese, Eric Idle, Terry Jones, Michael Palin, and Terry Gilliam, who became known collectively as "Monty Python", or the "Pythons". The first episode was recorded at the BBC on 7 September 1969 and premiered on 5 October on BBC1, with 45 episodes airing over four series from 1969 to 1974, plus two episodes for German TV. A feature film adaptation of several sketches, ''And Now for Something Completely Different'', was released in 1971. The series stands out for its use of Surreal humour, absurd situations, mixed with risqué and innuendo-laden humour, Visual gag, sight gags, and observational sketches without punch line, punchlines. Live-action segments were broken up with animations by Gilliam, often merging with the live action to form Segue#In film or broadcast news production, segues. The overall for ...
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