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Ludovisi Throne
The Ludovisi Throne is an ancient sculpted block of white marble hollowed at the back and carved with bas-reliefs on the three outer faces (it is not actually a throne for sitting on). Its authenticity is debated; the majority, who accept it, place it as Sculpture of Ancient Greece, Western Greek from Magna Graecia and date it from the Severe style it manifests (transitional between Archaic period in Greece, Archaic and Early Classical) to the period about 460 BCE. The Ludovisi Throne has been conserved at the National Museum of Rome, Museo Nazionale Romano of Palazzo Altemps, Rome, since its purchase for the Italian State in 1894. Description The central relief is most customarily read as Aphrodite rising from the sea, a motif known as Venus Anadyomene (height 0.9 m, length 1.42 m). The goddess, in clinging diaphanous draperies, is helped by two attendant Horae standing on the shore, who prepared to veil her with a cloth they jointly hold, which hides her from the waist down. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovisi Throne Altemps Inv8570
Ludovisi can refer to: *Ludovisi (family), a noble Italian family **Ludovisi papacy of Pope Gregory XV **Cardinals Ludovisi *** Cardinal Alessandro Ludovisi, later Pope Gregory XV **** Cardinal Ludovico Ludovisi (the Pope's Cardinal Nephew and Orazio's son) **** Cardinal Niccolò Albergati-Ludovisi (Ludovico's cousin), Prince of Piombino **Non-ecclesiastic family members ***Orazio Ludovisi (Pope Gregory XV's brother), Italian military commander and patrician of Bologna ****Niccolò Ludovisi (Orazio's son), Prince of Piombino *****Giovan Battista Ludovisi (Niccolò's son), Prince of Piombino *****Olimpia Ludovisi (Niccolò's daughter and grand-niece of two popes) *****Ippolita Ludovisi (Niccolò's daughter and grand-niece of two popes) **Villa Ludovisi, a suburban villa in Rome, built in the 17th century for Cardinal Ludovico, destroyed in the 19th century; its territory becoming the Ludovisi rione. *** Casino di Villa Boncompagni Ludovisi, a remaining portion of the villa, now h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semioti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Penelope
Penelope ( ; Ancient Greek: Πηνελόπεια, ''Pēnelópeia'', or el, Πηνελόπη, ''Pēnelópē'') is a character in Homer's ''Odyssey.'' She was the queen of Ithaca and was the daughter of Spartan king Icarius and naiad Periboea. Penelope is known for her fidelity to her husband Odysseus, despite the attention of more than a hundred suitors during his absence. In one source, Penelope's original name was Arnacia or Arnaea. Etymology Glossed by Hesychius as "some kind of bird" (today arbitrarily identified with the Eurasian wigeon, to which Linnaeus gave the binomial ''Anas penelope''), where () is a common Pre-Greek suffix for predatory animals; however, the semantic relation between the proper name and the gloss is not clear. In folk etymology, () is usually understood to combine the Greek word (), "weft", and (), "face", which is considered the most appropriate for a cunning weaver whose motivation is hard to decipher. Robert S. P. Beekes believed the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
State Hermitage
The State Hermitage Museum ( rus, Государственный Эрмитаж, r=Gosudarstvennyj Ermitaž, p=ɡəsʊˈdarstvʲɪn(ː)ɨj ɪrmʲɪˈtaʂ, links=no) is a museum A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make th ... of art and culture in Saint Petersburg, Russia. It is the list of largest art museums, largest art museum in the world by Art gallery, gallery space. It was founded in 1764 when Empress Catherine the Great acquired an impressive collection of paintings from the Berlin merchant Johann Ernst Gotzkowsky. The museum celebrates the anniversary of its founding each year on 7 December, Saint Catherine's Day. It has been open to the public since 1852. The ''Art Newspaper'' ranked the museum 6th in their list of the List of most visited art museums, most visited ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euphronius
Euphronios ( el, Εὐφρόνιος; c. 535 – after 470 BC) was an ancient Greek vase painter and potter, active in Athens in the late 6th and early 5th centuries BC. As part of the so-called "Pioneer Group," (a modern name given to a group of vase painters who were instrumental in effecting the change from black-figure to red-figure pottery), Euphronios was one of the most important artists of the red-figure technique. His works place him at the transition from Late Archaic to Early Classical art, and he is one of the first known artists in history to have signed his work. General considerations The discovery of Greek vase painters In contrast to other artists, such as sculptors, no Ancient Greek literature sources refer specifically to vase painters. The copious literary tradition on the arts hardly mention pottery. Thus, reconstruction of Euphronios's life and artistic development—like that of all Greek vase painters—can only be derived from his works. Modern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psykter
A psykter (in Greek ψυκτήρ "cooler") is a type of Greek vase that is characterized by a bulbous body set on a high, narrow foot. It was used as a wine cooler, and specifically as part of the elite sympotic set in the ancient Greek symposium. The psykter, as distinct from other coolers, is a vase which has a mushroom-shaped body, and was produced for only a short period of time during the late-sixth to mid-fifth centuries, with almost all of this type dating to between 520 and 480 BCE. The fact of its brevity combined with there being a number of simpler methods of cooling wine suggests that this shape was merely a fad. It is possible that it came about as a response to avoiding mixing contaminated snow-ice directly in wine, as it was known that this could cause illness, but this is unlikely as the alcohol in wine has useful sterilizing properties. Even proportionately to other wine utensils of its time it is comparatively rare, with few examples being found. Although the psyk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hetaira
Hetaira (plural hetairai (), also hetaera (plural hetaerae ), ( grc, ἑταίρα, "companion", pl. , la, hetaera, pl. ) was a type of prostitute in ancient Greece, who served as an artist, entertainer and conversationalist in addition to providing sexual service. Unlike the rule for ancient Greek women, hetairas would be highly educated and were allowed in the symposium. Summary Traditionally, historians of ancient Greece have distinguished between ''hetairai'' and '' pornai'', another class of prostitute in ancient Greece. In contrast to pornai, who provided sex for numerous clients in brothels or on the street, hetairai were thought to have had only a few men as clients at any one time, to have had long-term relationships with them, and to have provided companionship and intellectual stimulation as well as sex. For instance, Charles Seltman wrote in 1953 that "hetaeras were certainly in a very different class, often highly educated women". More recently, however, histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovisi Throne Altemps Inv8570 N2
Ludovisi can refer to: *Ludovisi (family), a noble Italian family **Ludovisi papacy of Pope Gregory XV **Cardinals Ludovisi *** Cardinal Alessandro Ludovisi, later Pope Gregory XV **** Cardinal Ludovico Ludovisi (the Pope's Cardinal Nephew and Orazio's son) **** Cardinal Niccolò Albergati-Ludovisi (Ludovico's cousin), Prince of Piombino **Non-ecclesiastic family members ***Orazio Ludovisi (Pope Gregory XV's brother), Italian military commander and patrician of Bologna ****Niccolò Ludovisi (Orazio's son), Prince of Piombino *****Giovan Battista Ludovisi (Niccolò's son), Prince of Piombino ***** Olimpia Ludovisi (Niccolò's daughter and grand-niece of two popes) *****Ippolita Ludovisi (Niccolò's daughter and grand-niece of two popes) **Villa Ludovisi, a suburban villa in Rome, built in the 17th century for Cardinal Ludovico, destroyed in the 19th century; its territory becoming the Ludovisi rione. *** Casino di Villa Boncompagni Ludovisi, a remaining portion of the villa, no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiryns
Tiryns or (Ancient Greek: Τίρυνς; Modern Greek: Τίρυνθα) is a Mycenaean archaeological site in Argolis in the Peloponnese, and the location from which the mythical hero Heracles performed his Twelve Labours. It lies south of Mycenae. Tiryns was a hill fort with occupation ranging back seven thousand years, from before the beginning of the Bronze Age. It reached its height of importance between 1400 and 1200 BC, when it became one of the most important centers of the Mycenaean world, and in particular in Argolis. Its most notable features were its palace, its Cyclopean tunnels and especially its walls, which gave the city its Homeric epithet of "mighty walled Tiryns". Tiryns became associated with the myths surrounding Heracles, as the city was the residence of the hero during his labors, and some sources cite it as his birthplace. The famous megaron of the palace of Tiryns has a large reception hall, the main room of which had a throne placed against the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanathos
In ancient Greek religion, Kanathos ( el, Κάναθος) in the Argolid was the spring at Nauplia, where Hera annually renewed her virginity. There, Pausanias noted, was "a spring called Kanathos where, so say the Argives, Hera bathes every year and, by so doing, becomes a maiden; it is this story which is of the secrets connected with the rites which they perform to Hera." The unspoken nature of the ritual forbade its being embodied openly or directly in Greek mythology. S. Casson suggested that it was the obscure subject of the so-called "Ludovisi Throne", generally considered to represent the parallel, and far better-known, renewal of Aphrodite, bathing in the sea at Paphos. At Samos, the ritual bathing of the goddess was represented in cult thus: the archaic wooden cult image of Hera at Samos, originally an iconic plank of wood, or ''xoanon'', was taken out annually and ritually washed in the sea, for which an '' aiton'' was offered in the form of a mythic anecdote. "The ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hera
In ancient Greek religion, Hera (; grc-gre, Ἥρα, Hḗrā; grc, Ἥρη, Hḗrē, label=none in Ionic and Homeric Greek) is the goddess of marriage, women and family, and the protector of women during childbirth. In Greek mythology, she is queen of the twelve Olympians and Mount Olympus, sister and wife of Zeus, and daughter of the Titans Cronus and Rhea. One of her defining characteristics in myth is her jealous and vengeful nature in dealing with any who offend her, especially Zeus' numerous adulterous lovers and illegitimate offspring. Her iconography usually presents her as a dignified, matronly figure, upright or enthroned, crowned with a '' polos'' or diadem, sometimes veiled as a married woman. She is the patron goddess of lawful marriage. She presides over weddings, blesses and legalises marital unions, and protects women from harm during childbirth. Her sacred animals include the cow, cuckoo and the peacock. She is sometimes shown holding a pomegranate, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandora
In Greek mythology, Pandora (Greek language, Greek: , derived from , ''pān'', i.e. "all" and , ''dōron'', i.e. "gift", thus "the all-endowed", "all-gifted" or "all-giving") was the first human woman created by Hephaestus on the instructions of Zeus. As Hesiod related it, each god cooperated by giving her unique gifts. Her other name—inscribed against her figure on a White ground technique, white-ground ''Kylix (drinking cup), kylix'' in the British Museum—is Anesidora ( grc, Ἀνησιδώρα), "she who sends up gifts" (''up'' implying "from below" within the earth). The Pandora myth is a kind of theodicy, addressing the question of why there is evil in the world, according to which, Pandora opened a jar (''pithos'') (commonly referred to as "Pandora's box") releasing all the evils of humanity. It has been argued that Hesiod's interpretation of Pandora's story went on to influence both Jewish and Christian theology and so perpetuated her bad reputation into the Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_Pompeian_Art.jpg "Click for more on -> Hera")
