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Louis Noguéra
Louis Noguéra was a French bass-baritone (born in Algiers on 12 October 1910, died in Paris on 8 March 1984Kutsch, K. J. and Riemens, Leo (2003). ''Großes Sängerlexikon'' (fourth edition, in German). Munich: K. G. Saur, . .) who enjoyed a long career in Paris—principally at the Paris Opéra and Opéra-Comique but also elsewhere in France and abroad, and who left some recordings representative of his repertoire. Life and career Born Louis Claver, his career commenced in 1935, as a knight in ''Parsifal'', at the Opéra.L'Art Lyrique website accessed 15 December 2015. During his career at the Palais Garnier, Noguéra went on to sing roles such as Wagner and Valentin in '''', the pilot in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Algiers
Algiers ( ; ar, الجزائر, al-Jazāʾir; ber, Dzayer, script=Latn; french: Alger, ) is the capital and largest city of Algeria. The city's population at the 2008 Census was 2,988,145Census 14 April 2008: Office National des Statistiques de l'Algérie (web). and in 2020 was estimated to be around 4,500,000. Algiers is located on the Mediterranean Sea and in the north-central portion of Algeria. Algiers is situated on the west side of a bay of the Mediterranean Sea. The modern part of the city is built on the level ground by the seashore; the old part, the ancient city of the deys, climbs the steep hill behind the modern town and is crowned by the Casbah or citadel (a UNESCO World Heritage Site), above the sea. The casbah and the two quays form a triangle. Names The city's name is derived via French and Catalan ''Origins of Algiers'' by Louis Leschi, speech delivered June 16, 1941, published in ''El Djezair Sheets'', July 194History of Algeria . from the Arabic name '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Magazine
''Opera'' is a monthly British magazine devoted to covering all things related to opera. It contains reviews and articles about current opera productions internationally, as well as articles on opera recordings, opera singers, opera companies, opera directors, and opera books. The magazine also contains major features and analysis on individual operas and people associated with opera. The magazine employs a network of international correspondents around the world who write for the magazine. Contributors to the magazine, past and present, include William Ashbrook, Martin Bernheimer, Julian Budden, Rodolfo Celletti, Alan Blyth, Elizabeth Forbes, and J.B. Steane among many others. Format ''Opera'' is printed in A5 size, with colour photos, and consists of around 130 pages. Page numbering is consecutive for a complete year (e.g. September 2009 covers pages 1033–1168). All issues since February 1950 are available online to current subscribers (through Exact Editions). History ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Giraudeau
Jean Giraudeau (1 July 1916, in Toulon – 7 February 1995), was an artist and French tenor,Obituary: Jean Giraudeau. ''Opera (British magazine), Opera'', June 1995, Vol.46, No.6, p671. and later theatre director, particularly associated with the Opéra-Comique in Paris, and described in Grove as having a “lyrical voice” as well as being “a superb character actor”.Elizabeth Forbes (musicologist), Forbes E. Jean Giraudeau. In: ''The New Grove Dictionary of Opera.'' Macmillan, London & New York, 1997. He left a wide selection of recordings from both his operatic and concert repertoire, and created roles in several contemporary operas. Life and career Giraudeau's parents were both teachers at the conservatoire in Toulon.Alain Pâris. ''Dictionnaire des interprètes et de l'interpretation musicale au XX siècle.'' Éditions Robert Laffont, Paris, 1995 . After obtaining a degree in law, Giraudeau studied music, winning prizes in song, opera and cello in 1941. His stage debut w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denise Duval
Denise Duval (23 October 192125 January 2016) was a French soprano, best known for her performances in the works of Francis Poulenc on stage and in recital. During an international career, Duval created the roles of Thérèse in ''Les mamelles de Tirésias'', Elle in ''La voix humaine'', and excelled in the role of Blanche de la Force in ''Dialogues of the Carmelites'',Obituary – Denise Duval. ''Opera'', April 2016, Vol 67 No 4, p448-449. leaving recordings of these and several other of her main roles. Life and career Duval was born in Paris, and attended the Collège de Libourne, appearing in the play ''Les Plus beaux yeux du monde'' by Jean Sarment. Her father, a colonel, allowed her to enrol in the theatre classes at the Conservatoire de Bordeaux, where she was spotted by the director, Gaston Poulet, who got her into the vocal classes.Laurent, François. Hommage : Denise Duval. '' Diapason'', No.644, March 2016, p16-17. From there she made her debut in ''Cavalleria rusticana' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mireille (opera)
''Mireille'' is an 1864 opera in five acts by Charles Gounod to a French libretto by Michel Carré after Frédéric Mistral's poem Mirèio. The vocal score is dedicated to George V of Hanover. Composition history Mistral had become well known in Paris with the publication of the French prose translation of ''Mireio'' in 1859, and Gounod probably knew the work by 1861.Huebner 1992. He was charmed by its originality, the story being much less contrived than many of those on the operatic stage at the time.Condé G. Mireille (notes for the 1979 EMI recording). The action of the opera is quite faithful to Mistral, although the sequence of events of the Val d’Enfer (Act 3, Scene 1) and Mireille's avowal of her love of Vincent to her father (Act 2 finale) are reversed in the opera. Gounod's biographer James Harding has argued that "what matters in this extended lyric poem is not the story but the rich tapestry of Provençal traditions, beliefs and customs that Mistral unfolds." Durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manon
''Manon'' () is an ''opéra comique'' in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel '' L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3), and Jean-Baptiste Lavastre (act 4). Prior to Massenet's work, Halévy (''Manon Lescaut'', ballet, 1830) and Auber (''Manon Lescaut'', opéra comique, 1856) had used the subject for musical stage works. Massenet also wrote a one-act sequel to ''Manon'', ''Le portrait de Manon'' (1894), involving the Chevalier des Grieux as an older man. The composer worked at the score of ''Manon'' at his country home outside Paris and also at a house at The Hague once occupied by Prévost himself. ''Manon'' is Massenet's most popular and enduring opera and, having "quickly conquered th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Così Fan Tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. Da P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Indes Galantes
(French: "The Amorous Indies") is an opera by Jean-Philippe Rameau with a libretto by Louis Fuzelier. It takes the form of an ''opéra-ballet'' with a prologue and (in its final form) four ''entrées'' (acts). Following an allegorical prologue, the four ''entrées'' have distinct and separate plots, but are unified by the theme of love in exotic places (The Ottoman Empire, Peru, Persia, and North America). The most famous pieces from the work, ''Danse des Sauvages'' and the final ''Chaconne'', come from the final ''entrée'' (''Les sauvages''). The premiere, including only the prologue and the first two of its four ''entrées'' (acts), was staged by the Académie Royale de Musique at its theatre in the Palais-Royal in Paris on 23 August 1735,Sadler starring the leading singers of the Opéra: Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
