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Lono Avenue Value Center Used Car Lot
In Hawaiian religion, the god Lono is associated with fertility, agriculture, rainfall, music and peace. In one of the many Hawaiian stories of Lono, he is a fertility and music god who descended to Earth on a rainbow to marry Laka. In agricultural and planting traditions, Lono was identified with rain and food plants. He was one of the four gods (with Kū, Kāne, and Kāne's twin brother Kanaloa)The Kumulipō, line 1714 who existed before the world was created. Lono was also the god of peace. In his honor, the great annual festival of the Makahiki was held. During this period (from October through February), war and unnecessary work was kapu (forbidden). In Hawaiian weather terminology, the winter Kona storms that bring rain to leeward areas are associated with Lono. Lono brings on the rains and dispenses fertility, and as such was sometimes referred to as Lono-makua (Lono the Provider). Ceremonies went through a monthly and yearly cycle. For 8 months of the year, the luakini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Kawena Pukui
Mary Abigail Kawenaulaokalaniahiiakaikapoliopele Naleilehuaapele Wiggin Pukui (20 April 1895 – 21 May 1986), known as Kawena, was a Hawaiian scholar, author, composer, hula expert, and educator. Life Pukui was born on April 20, 1895, in her grandmother's home, named Hale Ola, in Haniumalu, Kau, on Hawaii Island, to Henry Nathaniel Wiggin (originally from Salem, Massachusetts, of a distinguished shipping family descended from Massachusetts Bay Colony governor Simon Bradstreet and his wife, the poet Anne Bradstreet) and Mary Paahana Kanakaole, descendant of a long line of kahuna (priests) going back centuries. Pukui's maternal grandmother, Naliipoaimoku, was a ''kahuna laau lapaau'' (medicinal expert) and ''kahuna pale keiki'' (midwife) and a hula dancer in Queen Emma's court. She had delivered the child, and asked Pukui's parents for the child to raise in the traditional way, and her request was granted. Kawena was born into the Fire Clan of Kau. Kawena and her grandmother ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fertility Gods
Fertility is the capability to produce offspring through reproduction following the onset of sexual maturity. The fertility rate is the average number of children born by a female during her lifetime and is quantified demographically. Fertility is addressed when there is a difficulty or an inability to reproduce naturally, which is referred to as infertility. Infertility is widespread, with fertility specialists available all over the world to assist mothers and couples who experience difficulties having a baby. Human fertility depends on factors of nutrition, sexual behaviour, consanguinity, culture, instinct, endocrinology, timing, economics, personality, way of life, and emotions. Fertility differs from fecundity, which is defined as the ''potential'' for reproduction (influenced by gamete production, fertilization and carrying a pregnancy to term). Where a woman or the lack of fertility is infertility while a lack of fecundity would be called sterility. Demography In d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arts Gods
The arts are a very wide range of human practices of creative expression, storytelling and cultural participation. They encompass multiple diverse and plural modes of thinking, doing and being, in an extremely broad range of media. Both highly dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized and sometimes intricate forms. This is often achieved through sustained and deliberate study, training and/or theorizing within a particular tradition, across generations and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural and individual identities, while transmitting values, impressions, judgments, ideas, visions, spiritual meanings, patterns of life and experiences across time and space. Prominent examples of the arts include: * visual arts (including architecture, ceramics, drawing, filmmaking, painting, photography, and sculpting), * literary arts (includi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agricultural Gods
Agriculture or farming is the practice of cultivating plants and livestock. Agriculture was the key development in the rise of sedentary human civilization, whereby farming of domesticated species created food surpluses that enabled people to live in cities. The history of agriculture began thousands of years ago. After gathering wild grains beginning at least 105,000 years ago, nascent farmers began to plant them around 11,500 years ago. Sheep, goats, pigs and cattle were domesticated over 10,000 years ago. Plants were independently cultivated in at least 11 regions of the world. Industrial agriculture based on large-scale monoculture in the twentieth century came to dominate agricultural output, though about 2 billion people still depended on subsistence agriculture. The major agricultural products can be broadly grouped into foods, fibers, fuels, and raw materials (such as rubber). Food classes include cereals ( grains), vegetables, fruits, cooking oils, mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rongo
In Māori mythology, Rongo or Rongo-mā-Tāne (also Rongo-hīrea, Rongo-marae-roa, and Rongo-marae-roa-a-Rangi) is a major god (''atua'') of cultivated plants, especially kumara (spelled ''kūmara'' in Māori), a vital crop. Other crops cultivated by Māori in traditional times included taro, yams (''uwhi''), cordyline (''tī''), and gourds (''hue''). Because of their tropical origin, most of these crops were difficult to grow except in the far north of the North Island, hence the importance of Rongo in New Zealand. He was also an important god of agriculture and god of war in the southern Cook Islands, especially on Mangaia where the Akaoro marae and Orongo marae were centres of his worship; where cooked taro was offered to him cited in to assure success in battle and the fertility of land. A legend concerning Rongo flying the first kite is told in the waiting room of Walt Disney's Enchanted Tiki Room, in which Rongo is voiced by Ernest Tavares. Separation of the pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamapuaʻa
In Hawaiian mythology, Kamapuaa ("hog child") is a hog-man fertility superhuman associated with Lono, the god of agriculture. The son of Hina and Kahikiula, the chief of Oahu, Kamapuaʻa was particularly connected with the island of Maui. A ''kupua'' ( demigod), Kamapuaa is best known for his romantic pursuit of the fire goddess Pele, with whom he shared a turbulent relationship. Despite Pele's power, Kamapuaa's persistence allows him to turn her lava rock into fertile soil. He is linked with the '' humuhumunukunukuāpua'a'' (reef triggerfish), the state fish of Hawaiʻi. Lilikalā Kameʻeleihiwa describes him as "defiant of all authority, bold and untamed," and states that he "recalls the pig nature that is dormant in most people . . . . Treacherous and tender, he thirsts after the good things in life—adventure, love, and sensual pleasure . . . . Early life Kamapua’a was born to human parents, Kahikiula and Hina, on Oahu. He is recorded as having one brother, Kahikih ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domesticated Plants And Animals Of Austronesia
One of the major human migration events was the maritime settlement of the islands of the Indo-Pacific by the Austronesian peoples, believed to have started from at least 5,500 to 4,000 BP (3500 to 2000 BCE). These migrations were accompanied by a set of domesticated, semi-domesticated, and commensal plants and animals transported via outrigger ships and catamarans that enabled early Austronesians to thrive in the islands of Maritime Southeast Asia (also known as 'Island Southeast Asia'. e.g.: Philippines, Indonesia), Near Oceania (Melanesia), Remote Oceania (Micronesia and Polynesia), Madagascar, and the Comoros Islands. They include crops and animals believed to have originated from the Hemudu and Majiabang cultures in the hypothetical pre-Austronesian homelands in mainland China, as well as other plants and animals believed to have been first domesticated from within Taiwan, Maritime Southeast Asia, and New Guinea. Some of these plants are sometimes also known as "ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metrosideros Polymorpha
''Metrosideros polymorpha'', the ''ōhia lehua'', is a species of flowering evergreen tree in the myrtle family, Myrtaceae, that is endemic to the six largest islands of Hawaii. It is a highly variable tree, being tall in favorable situations, and a much smaller prostrate shrub when growing in boggy soils or directly on basalt. It produces a brilliant display of flowers, made up of a mass of stamens, which can range from fiery red to yellow. Many native Hawaiian traditions refer to the tree and the forests it forms as sacred to Pele, the volcano goddess, and to Laka, the goddess of hula. Ōhia trees grow easily on lava, and are usually the first plants to grow on new lava flows. It is a common misconception that the word ''ōhia'' is used to refer to the tree and that the word ''lehua'' refers only to its flowers. ''The Hawaiian Dictionary'' (Pukui and Elbert 1986: 199) defines ''lehua'' with these words: "The flower of the ''ōhia'' tree... ''also the tree itself'' mphas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hula
Hula () is a Hawaiian dance form accompanied by chant (oli) or song ( mele). It was developed in the Hawaiian Islands by the Native Hawaiians who originally settled there. The hula dramatizes or portrays the words of the oli or mele in a visual dance form. There are many sub-styles of hula, with the main two categories being Hula ʻAuana and Hula Kahiko. Ancient hula, as performed before Western encounters with Hawaii, is called ''kahiko''. It is accompanied by chant and traditional instruments. Hula, as it evolved under Western influence in the 19th and 20th centuries, is called ''auana'' (a word that means "to wander" or "drift"). It is accompanied by song and Western-influenced musical instruments such as the guitar, the ukulele, and the double bass. Terminology for two main additional categories is beginning to enter the hula lexicon: "Monarchy" includes any hula which were composed and choreographed during the 19th century. During that time the influx of Western culture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keaweʻīkekahialiʻiokamoku
Keaweīkekahialiiokamoku (c. 1665 – c. 1725) was the king of Hawaii Island in the late 17th century. He was the great-grandfather of Kamehameha I, the first king of the Kingdom of Hawaii. He was a progenitor of the House of Keawe. Biography He was believed to have lived from 1665 to 1725. He was son of Keakealaniwahine, the ruling Queen of Hawaii and Kanaloakapulehu. He is sometimes referred to as King Keawe II, since prior to him there was already Keawenuiaumi. Keawe was surnamed "īkekahialiiokamoku". Keaweīkekahialiiokamoku, a strong leader, ruled over much of the Big Island. He is said to have been an enterprising and stirring chief, who traveled all over the eight islands, and obtained a reputation for bravery and prudent management of his island. It appears that in some manner he composed the troubles that had disturbed the peace during his mother's time; mainly the conflict between the independent I family of Hilo. It was not by force or by conquest, for in that case ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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