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Lita Roza
Lilian Patricia Lita Roza (14 March 1926 – 14 August 2008) was an English singer best known for her 1953 recording " (How Much Is) That Doggie in the Window?", which reached No. 1 on the UK Singles Chart. She was the first British woman to have a No. 1 hit in the UK chart. Early life and career Lilian Patricia Lita Roza was born in Liverpool on 14 March 1926, the eldest of seven children. She began work at an early age to support the family. She owed her sultry looks and passion to her father, an amateur accordionist and pianist of Filipino descent who played in Liverpool nightclubs. At the age of 12, she saw an advert in the local newspaper for juvenile dancers and passed the audition. She took to the stage at that age in a pantomime, and by the time she was 15, was working with the comedian and fellow Merseysider Ted Ray. When she was 16, she answered an advertisement and got a job as a singer in the "New Yorker" club in Southport for £5 per week. Soon afterwards she signe ...
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Liverpool
Liverpool is a city and metropolitan borough in Merseyside, England. With a population of in 2019, it is the 10th largest English district by population and its metropolitan area is the fifth largest in the United Kingdom, with a population of 2.24 million. On the eastern side of the Mersey Estuary, Liverpool historically lay within the ancient hundred of West Derby in the county of Lancashire. It became a borough in 1207, a city in 1880, and a county borough independent of the newly-created Lancashire County Council in 1889. Its growth as a major port was paralleled by the expansion of the city throughout the Industrial Revolution. Along with general cargo, freight, and raw materials such as coal and cotton, merchants were involved in the slave trade. In the 19th century, Liverpool was a major port of departure for English and Irish emigrants to North America. It was also home to both the Cunard and White Star Lines, and was the port of registry of the ocean lin ...
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United Kingdom In The Eurovision Song Contest 1960
The United Kingdom participated in the Eurovision Song Contest 1960. The British Broadcasting Corporation (BBC) organised a national final, the ''Eurovision Song Contest British Final'', to select the United Kingdom's entry for the contest. The United Kingdom was represented by the song "Looking High, High, High", performed by Bryan Johnson, and placed 2nd, the United Kingdom's joint best placing in the competition at the time. Background Prior to the 1960 contest, the United Kingdom had participated in the contest twice: first in with the song "All" performed by Patricia Bredin, placing 7th, and most recently in with the song "Sing, Little Birdie" performed by Pearl Carr & Teddy Johnson, placing 2nd. Before Eurovision ''Eurovision Song Contest British Final'' The ''Eurovision Song Contest British Final'' was the national final organised by the BBC to select the United Kingdom's entry for the contest. The selection consisted of two semi-finals held on 2 February and 4 Feb ...
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Changing Partners
"Changing Partners" is a pop song with music by Larry Coleman and lyrics by Joe Darion, published in 1953. The best-known recording was made by Patti Page. It was also recorded the same year by Dinah Shore, Kay Starr and Bing Crosby. Hit versions *The version by Patti Page was recorded on September 21, 1953 and released by Mercury Records as catalog number 70260. It started on the Billboard charts on November 21, 1953, staying on the chart for 21 weeks and reaching number three in 1954. She re-recorded the song for her 1966 album ''Patti Page's Greatest Hits''. *The version by Dinah Shore with Hugo Winterhalter's orchestra and chorus was recorded on October 15, 1953 and released by RCA Victor Records as catalog number 20-5515 (in USA) and by EMI on the His Master's Voice label as catalog number B 10634. The American release reached No. 12 on the Billboard charts in 1954. *The version by Kay Starr was recorded on October 22, 1953 and released by Capitol Records a ...
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Crazy Man, Crazy
"Crazy Man, Crazy" was the title of an early rock and roll song written by, and first recorded by Bill Haley & His Comets in April 1953. It is notable as the first recognized rock and roll recording to appear on the national American musical charts, peaking at #12 on the ''Billboard'' Juke Box chart for the week ending June 20, 1953, and #11 for two weeks on the ''Cash Box'' chart beginning for the week of June 13. Some sources indicate that the recording—a blend of R&B, western and pop music—is a contender for the title of the first rock and roll record. Others state that it was merely "the first rock and roll song to be a hit on the pop charts". It was also said to be the first rock and roll recording to be played on national television in the United States (in an episode of ''Omnibus'' in 1953). The Rock and Roll Hall of Fame considers the song "an original amalgam of country and R&B that arguably became the first rock and roll record to register on ''Billboards pop chart ...
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Seven Lonely Days
"Seven Lonely Days" is a song written by Earl Shuman, Alden Shuman, and Marshall Brown. It was originally recorded by American singer Georgia Gibbs with orchestra conducted by Glenn Osser and the Yale Bros. choir in December 1952 and released in January 1953, peaking at number 5 in the US chart. The song was later performed by The Pinetoppers And The Marlin Sisters, Bonnie Lou, The Crows with Viola Watkins, Gisele MacKenzie, Ivo Robić, Kitty Wells, The Teddy Bears, Patsy Cline, The Migil 5, Wanda Jackson, Dave Dudley, Dan Folger, Jean Shepard, Owen Gray, Lynn Anderson, Debbie, Fred Stuger, Sheila & B.Devotion, Mario Cavallero et son orchestre (with Karine Miet), Kristi Rose and the Midnight Walkers, k d lang, Kelly Willis, Petty Booka, Kirsten Siggaard, Smoking Popes, The Ranch Girls & Their Ragtime Wranglers, Wenche Hartmann, Cowslingers, and Marti Brom. The melody is the basis for the popular Chinese song "Give Me a Kiss" (给我一个吻). Original chart performance ...
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The Ballad Of High Noon
"The Ballad of High Noon" (also known simply as "High Noon", or by its opening lyric and better known title, "Do Not Forsake Me, Oh My Darlin'") is a popular song published in 1952, with music by Dimitri Tiomkin and lyrics by Ned Washington. It is the theme song of the 1952 multiple Academy Award-winning movie '' High Noon'' (and titled onscreen as such in the film's opening credits as sung by popular country music singer and actor Tex Ritter), with its tune repeated throughout the film. It was awarded the 1952 Academy Award for Best Original Song, and was performed that night for the Academy by Ritter. There were only three instruments accompanying Ritter on the soundtrack: guitar, accordion, and the Hammond Novachord, the first electronic synthesizer, which created an unusual gourd-like percussion background. The song appears at number 25 on " AFI's 100 Years...100 Songs". Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time. O ...
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Oakie Boogie
"Oakie Boogie" (sometimes "Okie Boogie") is a Western swing dance song written by Johnny Tyler in 1947. It is recognizable by its refrain: Jack Guthrie's version (Capitol 341) reached number three on the charts in 1947 and is often included in the list of the first rock and roll songs. The singing of "Oakie Boogie" is the only performance by Guthrie in a film—Ernest Tubb's ''Hollywood Barn Dance'' in 1947. Ella Mae Morse Ella Mae Morse (September 12, 1924 – October 16, 1999) was an American singer of popular music whose 1940s and 1950s recordings mixing jazz, blues, and country styles influenced the development of rock and roll. Her 1942 recording of "Cow-Cow ... also recorded a version for Capitol which reached number 23 in 1952. Her version was one of the first songs arranged by Nelson Riddle.Levinson, ''September in the Rain'', p. 104: "... he contacted Nelson iddleto write for Ella Mae Morse. Their first endeavor together was 'Oakie Boogie,' which turned out ...
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(I'm In Love With) A Wonderful Guy
"A Wonderful Guy" is a show tune from the 1949 Rodgers and Hammerstein musical '' South Pacific.'' It was first introduced by Mary Martin in the original Broadway production and sung by Mitzi Gaynor in the 1958 film adaptation. In the show, Nellie sings this song after being convinced that despite the fact that Emile killed a man accidentally in a fight, there is good in him. And so she is elated to be in love with him. Rodgers and Hammerstein were as inspired by Mary Martin's personality as they were by the character of Nellie Forbush to write this song. They introduced it to Mary Martin one night when they were at Joshua Logan's house fine-tuning the script. Hammerstein wrote this song to express the exuberance of Nellie's character at this point in the show, and it carried over to Mary Martin's performance of it. Mary Martin was so thrilled that when she sang it on stage, she performed cartwheels on the stage at every turn of "I'm in love." Other recordings *Hit recordings ...
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I'm Gonna Wash That Man Right Outa My Hair
"I'm Gonna Wash That Man Right Outa My Hair" is a song from the musical ''South Pacific'', sung by Nellie Forbush, the female lead, originally played by Mary Martin in the 1949 Broadway production. Her character, fed up with a man (Emile De Becque) and singing energetically in the shower, claims that she will forget about him. The song was written by Rodgers and Hammerstein in response to Martin's request. She had starred on Broadway for years and Martin suggested that she wash her hair on stage during the performance. Adaptations The song was adapted into a commercial jingle for Clairol hair coloring ("I'm gonna wash that gray right outa my hair") in the early 1980s. PJ Harvey referenced the song in her 1992 single " Sheela-Na-Gig" with the repeated lyric "gonna wash that man right outa my hair". 50 Foot Wave's song "Bone China" also references this song in the lyric, "Gonna wash that man right out of my head / and soap him into my eyes". The song was covered in the 2004 film ...
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Allentown Jail
"Allentown Jail" is a folk-style song, written by Irving Gordon. Background it tells the story of a man who is caught stealing a diamond for his girlfriend and ends up in the Allentown jail. Recordings *In 1951, Jo Stafford recorded this song. It was released as a single on Columbia Records. *In 1960, Kathy Linden recorded it as her first single on Monument Records. *The Kingston Trio recorded a version in 1962, as the song became popular in the folk scene. The trio had plans of releasing it as a single, but the single never came to fruition. Their version has since been released on various CD compilations of their works. *In 1963, a more harmonic arrangement was performed by The Lettermen and released as a single. This version incurred some success, but only to a minor degree. Other recordings *Other artists who recorded this song include The Seekers, The Springfields, Billy Strange, and British singers Lita Roza and Karen Young. There is also a French adaptation of the son ...
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Elton John
Sir Elton Hercules John (born Reginald Kenneth Dwight; 25 March 1947) is a British singer, pianist and composer. Commonly nicknamed the "Rocket Man" after his 1972 hit single of the same name, John has led a commercially successful career as a solo artist since the 1970s, having released 31 albums since 1969. Collaborating with lyricist Bernie Taupin since 1967, John is acclaimed by critics and musicians, particularly for his work during the 1970s, and his lasting impact on the music industry. John's music and showmanship have had a significant impact on popular music. His songwriting partnership with Taupin is one of the most successful in history. John was raised in the Pinner suburb of London and learned to play piano at an early age, forming the blues band Bluesology in 1962. After leaving Bluesology in 1967 to embark on a solo career, John met Taupin after they both answered an advert for songwriters. For two years, they wrote songs for other artists, and John worked ...
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Radio Merseyside
BBC Radio Merseyside is the BBC's local radio station serving Merseyside. It broadcasts on FM, DAB, digital TV and via BBC Sounds, from studios on Hanover Street in Liverpool. According to RAJAR, the station has a weekly audience of 203,000 listeners and a 6.8% share as of September 2022. History BBC Radio Merseyside was the third BBC Local Radio station to start broadcasting, launching on 22 November 1967 and broadcasting from the sixth floor of council-owned offices in Commerce House, Liverpool. In late 1981 Radio Merseyside moved to a new purpose-built studios on Paradise Street, Liverpool. Broadcasts began from the new studios on 7 December 1981. On 15 July 2006, Radio Merseyside moved from its former home to a new purpose-built studio building on the corner of Hanover Street and College Lane in Liverpool. This building has two ground-floor studios next to a public performance space. An open learning centre is on the first floor and the main office is on the second floo ...
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