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List Of Operas By Claudio Monteverdi
The Italian composer Claudio Monteverdi (1567–1643) wrote several works for the stage between 1604 and 1643, including ten in the then-emerging opera genre. Of these, both the music and libretto for three are extant: '' L'Orfeo'' (1607), '' Il ritorno d'Ulisse in patria'' (1640) and '' L'incoronazione di Poppea'' (1643). Seven other opera projects are known; four were completed and performed during Monteverdi's lifetime, while he abandoned another three at some point. The libretto has survived for some of these lost operas. The opera genre emerged during Monteverdi's earlier career, first as courtly entertainment trying to revive Greek theatre. The first known work to be regarded as an opera in the modern sense is '' Dafne'' (1598) by Jacopo Peri, and his '' Euridice'' (1600) is the earliest surviving one. Since Monteverdi served as the court composer for the Gonzaga family from 1590 to 1612, he likely joined Duke Vincenzo Gonzaga in Florence for the 6 October 1600 premiere ...
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Mantua2 BMK
Mantua ( ; it, Mantova ; Lombard language, Lombard and la, Mantua) is a city and ''comune'' in Lombardy, Italy, and capital of the Province of Mantua, province of the same name. In 2016, Mantua was designated as the Italian Capital of Culture. In 2017, it was named as the European Capital of Gastronomy, included in the Eastern Lombardy District (together with the cities of Bergamo, Brescia, and Cremona). In 2008, Mantua's ''centro storico'' (old town) and Sabbioneta were declared by UNESCO to be a World Heritage Site. Mantua's historic power and influence under the Gonzaga family has made it one of the main artistic, culture, cultural, and especially musical hubs of Northern Italy and the country as a whole. Having one of the most splendid courts of Europe of the fifteenth, sixteenth, and early seventeenth centuries. Mantua is noted for its significant role in the history of opera; the city is also known for its architectural treasures and artifacts, elegant palaces, and the m ...
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Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ...
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Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only ...
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Drama
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the Epic poetry, epic and the Lyric poetry, lyrical modes ever since Aristotle's ''Poetics (Aristotle), Poetics'' (c. 335 BC)—the earliest work of dramatic theory. The term "drama" comes from a Ancient Greek, Greek word meaning "deed" or "Action (philosophy), act" (Classical Greek: , ''drâma''), which is derived from "I do" (Classical Greek: , ''dráō''). The two masks associated with drama represent the traditional Genre, generic division between Comedy (drama), comedy and tragedy. In English (as was the analogous case in many other European languages), the word '' play'' or ''game'' (translating the Old English, Anglo-Saxon ''pleġan'' or Latin ''ludus'') was the standard term for dramas until William Shakespear ...
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Fable
Fable is a literary genre: a succinct fictional story, in prose or verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized, and that illustrates or leads to a particular moral lesson (a "moral"), which may at the end be added explicitly as a concise maxim or saying. A fable differs from a parable in that the latter ''excludes'' animals, plants, inanimate objects, and forces of nature as actors that assume speech or other powers of humankind. Conversely, an animal tale specifically includes talking animals as characters. Usage has not always been so clearly distinguished. In the King James Version of the New Testament, "" ("'' mythos''") was rendered by the translators as "fable" in the First Epistle to Timothy, the Second Epistle to Timothy, the Epistle to Titus and the First Epistle of Peter. A person who writes fables is a fabulist. History The fable is one of the most enduring forms of folk ...
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List Of Opera Genres
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other for ...
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Torquato Tasso
Torquato Tasso ( , also , ; 11 March 154425 April 1595) was an Italian poet of the 16th century, known for his 1591 poem ''Gerusalemme liberata'' ( Jerusalem Delivered), in which he depicts a highly imaginative version of the combats between Christians and Muslims at the end of the First Crusade, during the Siege of Jerusalem of 1099. Tasso had mental illness and died a few days before he was to be crowned on the Capitoline Hill as the king of poets by Pope Clement VIII. His work was widely translated and adapted, and until the beginning of the 20th century, he remained one of the most widely read poets in Europe. Biography Early life Born in Sorrento, Torquato was the son of Bernardo Tasso, a nobleman of Bergamo and an epic and lyric poet of considerable fame in his day, and his wife Porzia de Rossi, a noblewoman born in Naples of Tuscan origins. His father had for many years been secretary in the service of Ferrante Sanseverino, Prince of Salerno, and his mother was c ...
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Giulio Strozzi
Giulio Strozzi (1583 - 31 March 1652) was a Venetian poet and libretto writer. His libretti were put to music by composers like Claudio Monteverdi, Francesco Cavalli, Francesco Manelli, and Francesco Sacrati. He sometimes used the pseudonym Luigi Zorzisto. Biography Giulio Strozzi was a bastard, and later legitimized, son of Roberto Strozzi, from the Strozzi family. Born in Venice in 1583, he first studied there before going to the University of Pisa to study law. He lived and worked in Rome, Padua and Urbino before returning to Venice in the 1620s. He was the adoptive father of composer Barbara Strozzi (born in 1619 from Isabella Garzoni, a woman servant living in Strozzi's house, and possibly his illegitimate daughter). He remained there until his death on 31 March 1652. Work He wrote poetry and plays, but is best remembered as one of the first writers of libretti, the texts used for all kinds of musical plays but most specifically opera. His earliest known work was in 1609, ...
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Ottavio Rinuccini
Ottavio Rinuccini (20 January 1562 – 28 March 1621) was an Italian poet, courtier, and opera librettist at the end of the Renaissance and beginning of the Baroque eras. In collaborating with Jacopo Peri to produce the first opera, '' Dafne'', in 1597, he became the first opera librettist. He was born and died at Florence. Works Rinuccini wrote texts for some of the intermedi at the performance of ''La pellegrina'' at the wedding of Ferdinand I de' Medici and Christine de Lorraine in May 1589. Other works include: * Libretto for Jacopo Peri's opera '' Dafne'', first performed early in 1598. * The pastorale, ''Euridice'', used as the libretto for Peri's opera, '' Euridice'', and Giulio Caccini's opera of the same name. * Libretto for Claudio Monteverdi's '' L'Arianna'', first performed in 1608. * Libretto for Claudio Monteverdi's ''Il ballo delle ingrate'', first performed in 1608. * Libretto for Claudio Monteverdi's ''Zefiro torna e di soavi accenti''. * Filippo Bonaffino ...
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Scipione Agnelli
Scipione Agnelli (1586 – 1 October 1653) was an Italian Catholic bishop, scholar and jurist. Life Born in Mantua, Agnelli was the son of Count Lepido Agnelli, in the service of the House of Gonzaga, and Girolama Pavese. He was educated at the Gonzaga court of Mantua and Casale and graduated in theology and canon law. In 1611 he pronounced the funeral oration for Eleonora de' Medici, consort of the Duke Vincenzo I Gonzaga. Ferdinando Gonzaga, the Duke of Mantua and Monferrato, proposed him to hold the position of bishop of Casale Monferrato; he was ordained on 18 February 1624. Because of the War of the Mantuan Succession, for many years he was prevented from carrying out his pastoral activity in Casale. Agnelli died in Casale Monferrato in 1653. Operas (libretti) * ''Vita della Beata Osanna ndreasi', 1597 and 1607. * ''De ideis libri tres disceptationum'', 1611. * ''Le nozze di Tetide'' (lost) * ''Il Mariale'', 1634. * ''Il Bonifacio'', tragedia sacra, 1629. * ''Annal ...
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L'Arianna
' ( SV 291, ''Ariadne'') is the lost second opera by Italian composer Claudio Monteverdi. One of the earliest operas in general, it was composed in 1607–1608 and first performed on 28 May 1608, as part of the musical festivities for a royal wedding at the court of Duke Vincenzo Gonzaga in Mantua. All the music is lost apart from the extended recitative known as "" ("Ariadne's Lament"). The libretto, which survives complete, was written in eight scenes by Ottavio Rinuccini, who used Ovid's ''Heroides'' and other classical sources to relate the story of Ariadne's abandonment by Theseus on the island of Naxos and her subsequent elevation as bride to the god Bacchus. The opera was composed under severe pressure of time; the composer later said that the effort of creating it almost killed him. The initial performance, produced with lavish and innovative special effects, was highly praised, and the work was equally well received in Venice when it was revived under the composer's d ...
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Lost Work
A lost work is a document, literary work, or piece of multimedia produced some time in the past, of which no surviving copies are known to exist. It can only be known through reference. This term most commonly applies to works from the classical world, although it is increasingly used in relation to modern works. A work may be lost to history through the destruction of an original manuscript and all later copies. Works—or, commonly, small fragments of works—have survived by being found by archaeologists during investigations, or accidentally by anybody, such as, for example, the Nag Hammadi library scrolls. Works also survived when they were reused as bookbinding materials, quoted or included in other works, or as palimpsests, where an original document is imperfectly erased so the substrate on which it was written can be reused. The discovery, in 1822, of Cicero's ''De re publica'' was one of the first major recoveries of a lost ancient text from a palimpsest. Another famo ...
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