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Les Horaces
''Les Horaces'' (''The Horatii'') is an operatic tragédie lyrique by Antonio Salieri. The text was by Nicolas-François Guillard after Pierre Corneille's '' Horace''. The opera was commissioned by the Paris Opera after the success of Salieri's ''Les Danaïdes'' with the company. Performance history According to different sources, ''Les Horaces'' was first performed either at Fontainebleau on 2 November 1786, or at Versailles The Palace of Versailles ( ; french: Château de Versailles ) is a former royal residence built by King Louis XIV located in Versailles, about west of Paris, France. The palace is owned by the French Republic and since 1995 has been managed, ... on 2 December 1786. According to Spire Pitou, however, both dates seem to be errors and "the correct date of the world première of Salieri's ''Les Horaces'' is 7 December 1786 at the Royal Academy of Music ...". Whatever the case, it was not well received. The failure of the opera to some extent has bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie Lyrique
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1786 Operas
Events January–March * January 3 – The third Treaty of Hopewell is signed, between the United States and the Choctaw. * January 6 – The outward bound East Indiaman '' Halsewell'' is wrecked on the south coast of England in a storm, with only 74 of more than 240 on board surviving. * February 2 – In a speech before The Asiatic Society in Calcutta, Sir William Jones notes the formal resemblances between Latin, Greek, and Sanskrit, laying the foundation for comparative linguistics and Indo-European studies. * March 1 – The Ohio Company of Associates is organized by five businessmen at a meeting at the Bunch-of-Grapes Tavern in Boston, to purchase land from the United States government to form settlements in what is now the U.S. state of Ohio. * March 13 – Construction begins in Dublin on the Four Courts Building, with the first stone laid down by the United Kingdom's Viceroy for Ireland, the Duke of Rutland. April–June * Ap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Antonio Salieri
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin-Joseph Adrien
Martin-Joseph Adrien (also ''Andrien dit la Neuville''; 26 May 1766 – 19 November 1822) was a French operatic bass. Life He was born at Liège, Belgium on 26 May 1766. He was the premier bass singer at the Paris Opéra from 1785 to 1804 and took alternative operatic roles with another great singer, Auguste-Athanase Chéron (1760-1829); afterwards he became choirmaster at the opera. In March 1822 Martin-Joseph succeeded Lainé as professor of declamation at the École royale de musique. Unfortunately, he did not live long to enjoy his new position. Martin-Joseph died November 1822. Some critics considered Martin-Joseph's voice to be too harsh. However, he was an excellent actor. Martin-Joseph's musical talents did not stop with signing. He was also a composer. There are two surviving songs which deal with the aftermath of the French Revolution and foreign invasion. The first was entitled ''Hymne à la Victoire'' (1795) and the second hymn to the martyrs for liberty. In 1813, M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adélaïde Gavaudan
Marie-Françoise-Adélaïde Gavaudan, called Mlle Gavaudan cadette and nicknamed Spinette, (1767–1805) was a French operatic soprano. Life Gavaudan is the daughter of Denis Gavaudan and Catherine Calmen, a member of the Gavaudan family, which reigns at the Opéra-Comique; sister of , Jean-Baptiste-Sauveur and .Kutsch and Riemens. In 1780, she was hired with her sister Émilie, by Madame Donvilliers, of the Petits Comédiens de . She was a chorister in 1778, at the Académie royale de musique. She already sang important roles, such as that of Angélique in the revival of ''Roland'' by Piccinni in October 1782. On 8 July 1782, she made her debut at the Comédie-Italienne, as Mme Saintclair, in ''La Fausse Magie'' by Gretry; then as Alix, in ''Les Trois fermiers de Dezède''; as Aline, in ''la Belle Arsène'', but she was not hired by this company. She was coryphée in 1784, at the Académie Royale de Musique. She became an assistant in 1786. She came to prominence in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoinette Saint-Huberty
Anne-Antoinette-Cécile Clavel, better known by her stage name Madame Saint-Huberty or Saint-Huberti ( Strasbourg, 15 December 1756 – 22 July 1812, Barnes, London), was a celebrated French operatic soprano whose career extended from until 1790. After her retirement from the stage and the publicising of her second marriage, she was also known as the Comtesse d'Antraigues from around 1797. She and her husband were murdered in England. Early life and musical career Antoinette Clavel (later known professionally as Madame Saint-Huberty) was the daughter of Jean-Pierre Clavel, a musician employed as a répétiteur in the private opera troupe of Charles IV Theodore, Elector Palatine. Her mother was Claude-Antoinette Pariset, the daughter of a grocer from Sélestat.Dorlan (1932), p. 25. Her biographers have often disagreed about her place of birth. Renwick, for example, found instances of it being indicated as Toul, Thionville, or Mannheim, and Clayton gives it as Toulouse – pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Étienne Lainez
Étienne Lainez (or Lainé, Laînez) (23 May 1753 – 15 September 1822) was a French operatic tenor, and leading figure at the Paris Opera for over thirty years. In the course of his career there he created many tenor roles including Rodrigue in Sacchini's '' Chimène'', Énée in Piccinni's '' Didon'', Narcisse in Gluck's ''Echo et Narcisse'', and Licinius in Spontini's ''La vestale''. Lainez was born in Vaugirard in Paris, and died in Paris as well. After his retirement from the stage, he taught lyric declamation at the Paris Conservatoire The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue .... References French operatic tenors 1753 births 1822 deaths 18th-century French male opera singers 19th-century French male opera singers Singers from Paris {{France-opera-s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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