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Les Automatistes
Les Automatistes were a group of Québécois artistic dissidents from Montreal, Quebec, Canada. The movement was founded in the early 1940s by painter Paul-Émile Borduas. Les Automatistes were so called because they were influenced by Surrealism and its theory of automatism. Members included Marcel Barbeau, Roger Fauteux, Claude Gauvreau, Jean-Paul Riopelle, Pierre Gauvreau, Fernand Leduc, Jean-Paul Mousseau, Guy Borremans, Marcelle Ferron and Françoise Sullivan. The movement may have begun with an exhibition Borduas gave in Montreal in 1942. Held at the Ermitage, an exhibition hall owned by the Collège de Montréal, the show featured gouaches that illustrated the artist's experimentation with non-figurative painting. Initially, les Automatistes exhibited in makeshift venues, since no commercial gallery was willing to show the work of all the members. However, the group was soon being exhibited in Paris and New York also. Though it began as a visual arts group, it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposition Des Automatistes - 1947
Exposition (also the French for exhibition) may refer to: *Universal exposition or World's Fair *Expository writing **Exposition (narrative) *Exposition (music) *Trade fair * ''Exposition'' (album), the debut album by the band Wax on Radio *Expository preaching See also *Expo (other) *Expose (other) Expose, exposé, or exposed may refer to: News sources * Exposé (journalism), a form of investigative journalism * '' The Exposé'', a British conspiracist website Film and TV Film * ''Exposé'' (film), a 1976 thriller film * ''Exposed'' (1932 ... * Expos {{disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collège De Montréal
The Collège de Montréal is a subsidized private high school for students attending grades 7–11 located in downtown Montreal, Quebec, Canada. A former Roman Catholic minor seminary, it was founded on June 1, 1767 as the ''Petit Séminaire'' of Montreal by the Sulpician Fathers. From 1773 to 1803, it was known as ''Collège Saint-Raphaël''. In the mid-19th century a number of former students went on to become activists for First Nations and Métis rights. They included Mohawk chief Joseph Onasakenrat and Métis leader Louis Riel. It was the first high school in Montreal and is still considered one of the best in the province. It was particularly well regarded for its "accelerated immersion" program, in which students from English schools who were in French immersion programs could, within two years, be brought up to the same level as students who came from francophone schools. Although enrollment was previously limited to boys, the school has been co-educational since 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Plasticiens
The Plasticien movement was a Canadian non-figurative painting movement, which appeared around 1955 in Quebec. It was a more orderly style of painting in reaction to Les Automatistes In 1954, a young critic and painter newly returned from Paris, , reviewed an exhibition of four young artists whom he called Les Plasticiens. The name itself expressed their exclusive concern with the abstract properties of painting. They focused on colors, lines, contrast; completely rejecting the idea of Surrealism and their attachment to the idealism of the European Constructivist movement. He pointed out the difference of their approach from automatism. In his criticism he wrote: Every painting must have its own particular form to make a totality, resistant to and not assimilated by an ambiance and where each part depends on the whole and vice-versa. The movement was launched in 1955 by the ''Manifeste des plasticiens'', written by de Repentigny (under the name Jauran) and signed by Louis Belzile, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refus Global
Le Refus global ( en, Total Refusal, link=yes) was an anti-establishment and anti-religious manifesto released on August 9, 1948, in Montreal by a group of sixteen young Québécois artists and intellectuals that included Paul-Émile Borduas, Jean-Paul Riopelle and Françoise Sullivan. Le Refus Global originated from a group called Les Automatistes, led by Paul-Émile Borduas. This group created abstract paintings inspired by French surrealists of the time and scorned all academic teaching available at the time in Quebec. The signatories were also highly influenced by French poet André Breton's stream-of-consciousness style and extolled the creative force of the subconscious. Le Refus Global was a manifesto that completely rejected the social, artistic and psychological norms and values of Québécois society at the time. Calling for "an untamed need for liberation," the manifesto cried out for "resplendent anarchy" and criticized the "cassocks that have remained the sole re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Film Board Of Canada
The National Film Board of Canada (NFB; french: Office national du film du Canada (ONF)) is Canada's public film and digital media producer and distributor. An agency of the Government of Canada, the NFB produces and distributes documentary films, animation, web documentaries, and alternative dramas. In total, the NFB has produced over 13,000 productions since its inception, which have won over 5,000 awards. The NFB reports to the Parliament of Canada through the Minister of Canadian Heritage. It has bilingual production programs and branches in English and French, including multicultural-related documentaries. History Canadian Government Motion Picture Bureau The Exhibits and Publicity Bureau was founded on 19 September 1918, and was reorganized into the Canadian Government Motion Picture Bureau in 1923. The organization's budget stagnated and declined during the Great Depression. Frank Badgley, who served as the bureau's director from 1927 to 1941, stated that the bureau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
On The Spot (Canadian TV Series)
''On the Spot'' was the first television series made specifically for TV by the National Film Board of Canada, which aired on CBC Television from 1953 to 1955. Each episode reported on a different aspect of life in Canada. The series was originated by Bernard Devlin.Allan, Blaine"CBC Television Series, 1952-1982." ''Queen's Film and Media: Queen's University''. Retrieved: January 21, 2016. Series segments were produced with a three-person crew: a director, cameraman and on-screen host, usually Fred Davis. The series debuted on October 6, 1953, at 7:45 pm and ran until June 30, 1954, for a total of 39 episodes. Episodes were initially 15 minutes in length. However, the NFB asked the CBC to increase the time slot to 30 minutes for the second season. The series changed time slots frequently, playing as late as 11:45 pm on Monday nights before going to Sundays at 4:30 pm. The second season aired on Sundays at 10 pm. Cancelled after the 26 episodes of the second season, ''On the Spot'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Group Of Seven (artists)
The Group of Seven, once known as the Algonquin School, was a group of Canadian landscape painters from 1920 to 1933, originally consisting of Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A. Y. Jackson (1882–1974), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J. E. H. MacDonald (1873–1932), and Frederick Varley (1881–1969). Later, A. J. Casson (1898–1992) was invited to join in 1926, Edwin Holgate (1892–1977) became a member in 1930, and LeMoine FitzGerald (1890–1956) joined in 1932. Two artists commonly associated with the group are Tom Thomson (1877–1917) and Emily Carr (1871–1945). Although he died before its official formation, Thomson had a significant influence on the group. In his essay "The Story of the Group of Seven", Harris wrote that Thomson was "a part of the movement before we pinned a label on it"; Thomson's paintings '' The West Wind'' and '' The Jack Pine'' are two of the group's most ico ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyrical Abstraction
Lyrical abstraction is either of two related but distinct trends in Post-war Modernist painting: ''European Abstraction Lyrique'' born in Paris, the French art critic Jean José Marchand being credited with coining its name in 1947, considered as a component of Tachisme when the name of this movement was coined in 1951 by Pierre Guéguen and Charles Estienne the author of ''L'Art à Paris 1945–1966'', and ''American Lyrical Abstraction'' a movement described by Larry Aldrich (the founder of the Aldrich Contemporary Art Museum, Ridgefield Connecticut) in 1969.Aldrich, Larry. Young Lyrical Painters, Art in America, v.57, n6, November–December 1969, pp.104–113. A second definition is the usage as a descriptive term. It is a descriptive term characterizing a type of abstract painting related to Abstract Expressionism; in use since the 1940s. Many well known abstract expressionist painters such as Arshile Gorky seen in context have been characterized as doing a type of paint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quiet Revolution
The Quiet Revolution (french: Révolution tranquille) was a period of intense socio-political and socio-cultural change in French Canada which started in Quebec after the election of 1960, characterized by the effective secularization of government, the creation of a state-run welfare state (''état-providence''), as well as realignment of politics into federalist and sovereigntist (or separatist) factions and the eventual election of a pro-sovereignty provincial government in the 1976 election. The Quiet Revolution typically refers to the efforts made by the Liberal government of Jean Lesage (elected in 1960) and sometimes Robert Bourassa (elected in 1970 after the Union Nationale's Daniel Johnson in 1966), though given the profound effect of the changes, most provincial governments since the early 1960s have maintained an orientation based on core concepts developed and implemented in that era. A primary change was an effort by the provincial government to take more direc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Public Humiliation
Public humiliation or public shaming is a form of punishment whose main feature is dishonoring or disgracing a person, usually an offender or a prisoner, especially in a public place. It was regularly used as a form of judicially sanctioned punishment in previous centuries, and is still practiced by different means in the modern era. In the United States, it was a common punishment from the beginning of European colonization of the Americas, European colonization through the 19th century. It fell out of common use in the 20th century, though it has seen a revival starting in the 1990s. Shameful exposure Public humiliation exists in many forms. In general, a criminal sentenced to one of the many forms of this punishment could expect to be placed in a central, public, or open place so that his fellow citizens could easily witness the sentence and, occasionally, participate in it as a form of "mob justice". Just like painful forms of corporal punishment, it has parallels in edu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refus Global
Le Refus global ( en, Total Refusal, link=yes) was an anti-establishment and anti-religious manifesto released on August 9, 1948, in Montreal by a group of sixteen young Québécois artists and intellectuals that included Paul-Émile Borduas, Jean-Paul Riopelle and Françoise Sullivan. Le Refus Global originated from a group called Les Automatistes, led by Paul-Émile Borduas. This group created abstract paintings inspired by French surrealists of the time and scorned all academic teaching available at the time in Quebec. The signatories were also highly influenced by French poet André Breton's stream-of-consciousness style and extolled the creative force of the subconscious. Le Refus Global was a manifesto that completely rejected the social, artistic and psychological norms and values of Québécois society at the time. Calling for "an untamed need for liberation," the manifesto cried out for "resplendent anarchy" and criticized the "cassocks that have remained the sole re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manifesto
A manifesto is a published declaration of the intentions, motives, or views of the issuer, be it an individual, group, political party or government. A manifesto usually accepts a previously published opinion or public consensus or promotes a new idea with prescriptive notions for carrying out changes the author believes should be made. It often is political, social or artistic in nature, sometimes revolutionary, but may present an individual's life stance. Manifestos relating to religious belief are generally referred to as creeds or, a confession of faith. Etymology It is derived from the Italian word ''manifesto'', itself derived from the Latin ''manifestum'', meaning clear or conspicuous. Its first recorded use in English is from 1620, in Nathaniel Brent's translation of Paolo Sarpi's ''History of the Council of Trent'': "To this citation he made answer by a Manifesto" (p. 102). Similarly, "They were so farre surprised with his Manifesto, that they would never ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
