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Leica M-mount
The Leica M mount is a camera lens mount introduced in 1954 with the Leica M3, and a range of lenses. It has been used on all the Leica M-series cameras and certain accessories (e.g. Visoflex reflex viewing attachment) up to the current film Leica M-A and digital Leica M11 cameras. This lens mount has also been used by Epson, Ricoh, Minolta, Konica, Cosina Voigtländer, Rollei, Carl Zeiss AG and Rollei Fototechnic on some of their cameras. Overview The Leica M mount was introduced in 1954 at that year's Photokina show, with the Leica M3 as its first camera. The 'M' stands for ''Messsucher'' or rangefinder in German. This new camera abandoned the M39 lens mount in favour of a new bayonet mount. The bayonet mount allowed lenses to be changed more quickly and made the fitting more secure. Other innovations introduced by the M3 included a single window for the viewfinder (for composition) and the rangefinder (for focussing). With a double-stroke film advance lever (later models ...
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Leica M3
The Leica M3 is a 35 mm rangefinder camera by Ernst Leitz GmbH (now Leica Camera AG), introduced in 1954. It was a new starting point for Leitz, which until then had only produced screw-mount Leica cameras that were incremental improvements to its original Leica (Ur-Leica). The M3 introduced several features to the Leica, among them the combination of viewfinder and rangefinder in one bright window, like on the Contax II, a bayonet lens mount, and rapid film advance lever. It was the most successful model of the M series, with over 220,000 units sold by the time production of the M3 model ended in 1966. It was succeeded by a number of later film M series cameras, including the Leica M-A film camera in 2014. The earliest Leica M3 pre-model that was built, sold at auction in 2009 for €72,000. In June 2019 a pre series model from 1952/1953 was sold for €360.000 at the 34th Leitz auction in Wetzlar. Mount This new bayonet mount, which has not been changed in the following h ...
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M39 Lens Mount
The M39 lens mount is a screw thread mounting system for attaching lenses to 35 mm cameras, primarily rangefinder (RF) Leicas. It is also the most common mount for Photographic enlarger lenses. True Leica Thread-Mount (LTM) is 39 mm in diameter and has a thread of 26 turns-per-inch or threads-per-inch (tpi) (approximately 0.977 mm pitch) of Whitworth thread form. Whitworth threads were then the norm in microscope manufacture. The Royal Microscopical Society (RMS) thread, also known as ''society thread'', is a special 0.8" diameter x 36 tpi Whitworth thread used for microscope objective lenses and Leitz was a major manufacturer of microscopes, so the tooling at the plant was already set up to produce the Whitworth thread form. The Soviets in the 1930s produced their early FED cameras in M39×1 (39 mm by 1 mm DIN thread). Early Canon cameras also used a different M39 × 24 tpi thread mount,
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Noctilux
The name Noctilux is used by Leica to designate their camera lenses with the widest maximum aperture. Lenses with that name have been in production since 1966. So far all Noctilux lenses have been made for the Leica M mount. History The name Noctilux is a combination of ''Nocti'', which is derived from the word nocturnal, while ''Lux'' is Latin for light. Description The Noctilux lenses have the largest maximum apertures in the Leica range. With various models having f-number In optics, the f-number of an optical system such as a camera lens is the ratio of the system's focal length to the diameter of the entrance pupil ("clear aperture").Smith, Warren ''Modern Optical Engineering'', 4th Ed., 2007 McGraw-Hill Pro ...s of f/0.95 or f/1.0 or f/1.2 or f/1.25 as its maximum aperture. It is also the heaviest of all of Leica's lenses. Market position The Noctilux is the most expensive lens in the Leica lens range. It is followed by the Summilux. List of Noctilux lenses ;F ...
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F-number
In optics, the f-number of an optical system such as a camera lens is the ratio of the system's focal length to the diameter of the entrance pupil ("clear aperture").Smith, Warren ''Modern Optical Engineering'', 4th Ed., 2007 McGraw-Hill Professional, p. 183. It is also known as the focal ratio, f-ratio, or f-stop, and is very important in photography. It is a dimensionless number that is a quantitative measure of lens speed; increasing the f-number is referred to as '' stopping down''. The f-number is commonly indicated using a lower-case hooked f with the format ''N'', where ''N'' is the f-number. The f-number is the reciprocal of the relative aperture (the aperture diameter divided by focal length). Notation The f-number is given by: N = \frac \ where f is the focal length, and D is the diameter of the entrance pupil (''effective aperture''). It is customary to write f-numbers preceded by "", which forms a mathematical expression of the entrance pupil diameter i ...
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Aperture
In optics, an aperture is a hole or an opening through which light travels. More specifically, the aperture and focal length of an optical system determine the cone angle of a bundle of rays that come to a focus in the image plane. An optical system typically has many openings or structures that limit the ray bundles (ray bundles are also known as ''pencils'' of light). These structures may be the edge of a lens or mirror, or a ring or other fixture that holds an optical element in place, or may be a special element such as a diaphragm placed in the optical path to limit the light admitted by the system. In general, these structures are called stops, and the aperture stop is the stop that primarily determines the ray cone angle and brightness at the image point. In some contexts, especially in photography and astronomy, ''aperture'' refers to the diameter of the aperture stop rather than the physical stop or the opening itself. For example, in a telescope, the apertu ...
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Prime Lens
In film and photography, a prime lens is a fixed focal length photographic lens (as opposed to a zoom lens), typically with a maximum aperture from f2.8 to f1.2. The term can also mean the primary lens in a combination lens system. Confusion between these two meanings can occur without clarifying context. Alternate terms, such as ''primary focal length'', ''fixed focal length'', or ''FFL'' are sometimes used to avoid ambiguity. As alternative to zoom lens The term ''prime'' has come to mean the opposite of '' zoom''—a fixed-focal-length, or unifocal lens. While a prime lens of a given focal length is less versatile than a zoom lens, it is often of superior optical quality, wider maximum aperture, lighter weight, and smaller size. These advantages stem from having fewer moving parts, optical elements optimized for one particular focal length, and a less complicated lens formula that creates fewer optical aberration issues. Larger maximum aperture (smaller f-number) facilita ...
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Leica M8
The Leica M8 is the first digital camera in the rangefinder M series introduced by Leica Camera AG on 14 September 2006. It uses an APS-H 10.3-megapixel Kodak KAF-10500 CCD image sensor. As of 15 November 2014, the most recent firmware version is 2.024. Features The M8 body is slightly thicker than the classic MP and M7 (approximately ~14% thicker). It is an all-metal body made of a high-strength magnesium alloy. The top and base plates are cut from brass billets, before receiving a black or silver chrome finish. The M8 supports all existing Leica M-mount lenses, however some older models might not offer all the functions due to mismatching cams. All lenses are multiplied by a 1.33x crop factor, hence a 28mm lens will act approximately like a 35mm when mounted to the M8. Because the infrared filter over the sensor is relatively weak, adding an IR-cut filter in front of the lens is recommended. In addition, Leica chooses to omit the Anti-Alias filter, citing the reason for hig ...
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Digital Camera
A digital camera is a camera that captures photographs in digital memory. Most cameras produced today are digital, largely replacing those that capture images on photographic film. Digital cameras are now widely incorporated into mobile devices like smartphones with the same or more capabilities and features of dedicated cameras (which are still available). High-end, high-definition dedicated cameras are still commonly used by professionals and those who desire to take higher-quality photographs. Digital and digital movie cameras share an optical system, typically using a lens with a variable diaphragm to focus light onto an image pickup device. The diaphragm and shutter admit a controlled amount of light to the image, just as with film, but the image pickup device is electronic rather than chemical. However, unlike film cameras, digital cameras can display images on a screen immediately after being recorded, and store and delete images from memory. Many digital cameras can al ...
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Leica M5
The Leica M5 is a 35 mm camera by Leica Camera AG, introduced in 1971. It was the first Leica rangefinder camera to feature through-the-lens ( TTL) metering and the last to be made entirely in Wetzlar by hand using the traditional "adjust and fit" method. Design The M5 departed from the traditional silhouette of the Leica rangefinders, that had few changes since the M3 (1954). The height and width of the body were larger (H 84 mm x W 150 mm x D 36 mm), and the body heavier (ca. 50 g more than other M cameras). The folding film rewinding crank hides in the bottom plate. The self-timer arm and the field-of-view preselector (now on the M5 additionally with battery test function) are of the same design as the Leica M4 (1967). The M5 was the last M to feature a mechanical self-timer (duration 5–10 seconds). The M5 incorporates an improved rapid film loading spool design over the M4. The M5 has a rapid transport lever which winds the shutter and advances the film an ...
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Through-the-lens Metering
In photography, through-the-lens metering (TTL metering) refers to a feature of cameras whereby the intensity of light reflected from the scene is measured through the lens; as opposed to using a separate metering window or external hand-held light meter. In some cameras various TTL metering modes can be selected. This information can then be used to set the optimal film or image sensor exposure ( average luminance), it can also be used to control the amount of light emitted by a flash unit connected to the camera. Description Through-the-lens metering is most often associated with single-lens reflex (SLR) cameras. In most film and digital SLRs, the light sensor(s) for exposure metering are incorporated into the pentaprism or pentamirror, the mechanism by which a SLR allows the viewfinder to see directly through the lens. As the mirror is flipped up, no light can reach there during exposure, the necessary amount of exposure needs to be determined before the actual exposure. Con ...
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135 Film
135 film, more popularly referred to as 35 mm film or 35 mm, is a format of photographic film used for still photography. It is a film with a film gauge of loaded into a standardized type of magazine – also referred to as a cassette or cartridge – for use in 135 film cameras. The engineering standard for this film is controlled by ISO 1007 titled '135-size film and magazine'. The term 135 was introduced by Kodak in 1934 as a designation for 35 mm film specifically for still photography, perforated with Kodak Standard perforations. It quickly grew in popularity, surpassing 120 film by the late 1960s to become the most popular photographic film size. Despite competition from formats such as 828, 126, 110, and APS, it remains the most popular film size today. The size of the 135 film frame with its aspect ratio of 1:1.50 has been adopted by many high-end digital single-lens reflex and digital mirrorless cameras, commonly referred to as " full frame". ...
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Photographic Film
Photographic film is a strip or sheet of transparent film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast, and resolution of the film. The emulsion will gradually darken if left exposed to light, but the process is too slow and incomplete to be of any practical use. Instead, a very short exposure to the image formed by a camera lens is used to produce only a very slight chemical change, proportional to the amount of light absorbed by each crystal. This creates an invisible latent image in the emulsion, which can be chemically developed into a visible photograph. In addition to visible light, all films are sensitive to ultraviolet light, X-rays, gamma rays, and high-energy particles. Unmodified silver halide crystals are sensitive only to the blue part of the visible spectrum, producing unnatural-looking rendition ...
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