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La Vivandière (Gilbert)
''La Vivandière; or, True to the Corps!'' is a burlesque by W. S. Gilbert, described by the author as "An Operatic Extravaganza Founded on Donizetti's opera, '' La figlia del regimento''." In the French or other continental armies a vivandière was a woman who supplied food and drink to troops in the field. The piece was first produced at St. James's Hall, Liverpool, on 15 June 1867. It was then presented in London, with a mostly new cast, at the Queen's Theatre, Long Acre, opening on 22 January 1868. It was part of a series of operatic burlesques and other broad comic pieces that Gilbert wrote in the late 1860s near the beginning of his playwriting career. It was modestly successful and introduced some themes and satiric techniques that Gilbert would later employ in his famous Savoy operas. Background and analysis Gilbert's first operatic burlesque, ''Dulcamara, or the Little Duck and the Great Quack'', had been successful enough to encourage him to write another. It had ru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
En Travesti
En or EN may refer to: Businesses * Bouygues (stock symbol EN) * Esquimalt and Nanaimo Railway (reporting mark EN, but now known as Southern Railway of Vancouver Island) * Euronews, a news television and internet channel Language and writing * En or N, the 14th letter of the Roman alphabet * EN (cuneiform), the mark in Sumerian cuneiform script for a High Priest or Priestess meaning "lord" or "priest" * En (Cyrillic) (Н, н), a letter of the Cyrillic alphabet, equivalent to the Roman letter "n" * En (digraph), ‹en› used as a phoneme * En (typography), a unit of width in typography ** Dash#En dash, en dash, a dash one en long * En language, a language spoken in northern Vietnam * English language (ISO 639-1 language code en) Organisations * Eastern National, a US organization providing educational products to National Park visitors * English Nature, a former UK government conservation agency * Envirolink Northwest, an environmental organization in England Religion * En (deit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farce
Farce is a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable. Farce is also characterized by heavy use of physical humor; the use of deliberate absurdity or nonsense; satire, parody, and mockery of real-life situations, people, events, and interactions; unlikely and humorous instances of miscommunication; ludicrous, improbable, and exaggerated characters; and broadly stylized performances. Genre Despite involving absurd situations and characters, the genre generally maintains at least a slight degree of realism and narrative continuity within the context of the irrational or ludicrous situations, often distinguishing it from completely absurdist or fantastical genres. Farces are often episodic or short in duration, often being set in one specific location where all events occur. Farces have historically been performed for the stage and film. Historical context The term ''farce'' is der ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantomime
Pantomime (; informally panto) is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and (to a lesser extent) in other English-speaking countries, especially during the Christmas and New Year season. Modern pantomime includes songs, gags, slapstick comedy and dancing. It employs gender-crossing actors and combines topical humour with a story more or less based on a well-known fairy tale, fable or folk tale.Reid-Walsh, Jacqueline. "Pantomime", ''The Oxford Encyclopedia of Children's Literature'', Jack Zipes (ed.), Oxford University Press (2006), Pantomime is a participatory form of theatre, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers. Pantomime has a long theatrical history in Western culture dating back to the era of classical theatre. It developed partly from the 16th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Morning Post
''The Morning Post'' was a conservative daily newspaper published in London from 1772 to 1937, when it was acquired by ''The Daily Telegraph''. History The paper was founded by John Bell. According to historian Robert Darnton, ''The Morning Post'' scandal sheet consisted of paragraph-long news snippets, much of it false. Its original editor, the Reverend Sir Henry Bate Dudley, earned himself nicknames such as "Reverend Bruiser" or "The Fighting Parson", and was soon replaced by an even more vitriolic editor, Reverend William Jackson, also known as "Dr. Viper". Originally a Whig paper, it was purchased by Daniel Stuart in 1795, who made it into a moderate Tory organ. A number of well-known writers contributed, including Samuel Taylor Coleridge, Charles Lamb, James Mackintosh, Robert Southey, and William Wordsworth. In the seven years of Stuart's proprietorship, the paper's circulation rose from 350 to over 4,000. From 1803 until his death in 1833, the owner and editor of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Grande-Duchesse De Gérolstein
''La Grande-Duchesse de Gérolstein'' (''The Grand Duchess of Gerolstein'') is an opéra bouffe (a form of operetta), in three acts and four tableaux by Jacques Offenbach to an original French libretto by Henri Meilhac and Ludovic Halévy. The story is a satirical critique of unthinking militarism and concerns a spoiled and tyrannical young Grand Duchess who learns that she cannot always get her way. The opera premiered in Paris in 1867 and starred Hortense Schneider in the title role. Thereafter, it was heard in New York, London and elsewhere, and it is still performed and recorded. Background Offenbach's career was at its height in the 1860s with the premieres of some of his most popular and enduring works, such as ''La Belle Hélène'' (1864) and '' La Vie parisienne'' (1866). With the original production of the latter still running, Offenbach and his librettists hurried to prepare a new opera, ''La Grande-Duchesse de Gérolstein'', to play during the Paris Exposition ('' Ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Champagne Charlie (song)
"Champagne Charlie" is a music hall song from the 19th century composed by Alfred Lee with lyrics by George Leybourne. Leybourne popularised the song which premièred in August 1866 at the Princess' Concert Hall in Leeds. For the act, he caused some controversy when he appeared in a cut down top hat, similar to a style worn by the murderer Franz Muller. It was one of Leybourne's most famous songs and he would later be nicknamed Champagne Charlie. Leybourne's rival Alfred Vance introduced a number called " Cliquot", starting a fierce competition between the two men. Enthusiasm for the song was increased with its use in November 1866 in the new "Operatic Burlesque" called "The Latest Edition of Black-Eyed Susan", or "The Little Bill that was Taken Up". The song was sung by the crowd at the public execution of Michael Barrett in 1868, the last public execution in Great Britain. It later featured in the play '' Champagne Charlie'' and, with changed lyrics, the 1944 film '' Cham ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Hall
Music hall is a type of British theatrical entertainment that was popular from the early Victorian era, beginning around 1850. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous ''Music Hall'' and subsequent, more respectable '' Variety'' differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts. Originating in saloon bars within public houses during the 1830s, music hall entertainment became increasingly popular with audiences. So much so, that during the 1850s some public houses were demolished, and specialised music hall theatres developed in their place. These theatres were designed chiefly so that people could consume f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera '' The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Von Flotow
Friedrich Adolf Ferdinand, Freiherr von Flotow /flo:to/ (27 April 1812 – 24 January 1883) was a German composer. He is chiefly remembered for his opera ''Martha'', which was popular in the 19th century and the early part of the 20th. Life Born in Teutendorf, in Mecklenburg, into an aristocratic family, Flotow was French-trained. Although he was intended for a diplomatic career, his father acceded to his wishes and he studied at the Conservatoire de Paris under Anton Reicha. During this time came under the influence of Auber, Rossini, Meyerbeer, Donizetti, Halévy, and later Gounod and Offenbach. These influences are reflected in his operas, where a distinctive French ''opéra comique'' flavour exists. During the 1830 revolution he returned home, writing chamber music and operetta until it was safe to return to Paris. He completed his first opera in 1835, ''Pierre et Cathérine'', but his breakthrough came with ''Le naufrage de la Méduse'' (1839), based on the wreck ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giuseppe Verdi "praised the broad curves of Bellini's melody: 'there are extremely long melodies as no-one else had ever made before'." A large amount of what is known about Bellini's life and his activities comes from surviving letters—except for a short period—which were written over his lifetime to his friend Francesco Florimo, whom he had met as a fellow student in Naples and with whom he maintained a lifelong friendship. Other sources of information come from correspondence saved by other friends and business acquaintances. Bellini was the quintessential composer of the Italian ''bel canto'' era of the early 19th century, and his work has been summed up by the London critic Tim Ashley as: ... also hugely influential, as much adm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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