La Princesse De Milan
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La Princesse De Milan
''Noises, Sounds & Sweet Airs'' is a 1991 opera by Michael Nyman that began as an opera-ballet titled ''La Princesse de Milan'' choreographed by Karine Saporta. The libretto is William Shakespeare's '' The Tempest'', as abridged by the composer. The title is derived from Caliban's line, "This isle is full of noises, sounds, and sweet airs, which give delight and hurt not." It premiered in June 1991 in Hérouville-Saint-Clair, Calvados, France, with the L'Ensemble de Basse-Normandie conducted by Dominique Debart. Three members of Saporta's dance company provided the singing. The opera is scored for one soprano, one contralto, and one tenor, two saxophones, and orchestra. The three singers are not assigned roles on character lines. They are voices, "carriers of text", and two or three singers often sing the role of a single character at points in the opera, and no character is sung consistently by any one voice. As originally performed, the dancers portrayed the character ...
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1991 In Music
This is a list of notable events in music that took place in the year 1991. Specific locations * 1991 in British music * 1991 in Norwegian music Specific genres * 1991 in country music * 1991 in heavy metal music * 1991 in hip hop music *1991 in Latin music *1991 in jazz Events Summary Although the year 1991 is the year that grunge music made its popular breakthrough, heavy metal was still the dominant form of rock music for the year. Therefore, Nirvana's ''Nevermind'', led by the surprise hit single "Smells Like Teen Spirit", was not the most popular U.S. album of the year. The most popular album was Metallica's self-titled "black album". Nirvana's success was eventually followed by other grunge bands like Pearl Jam, Soundgarden, Alice in Chains, and Stone Temple Pilots, as grunge climbed the U.S. charts for the next few years. Its success eventually ended the reign of the glam metal and other hard rock groups that enjoyed massive success in the 1980s like Mötley Crüe, ...
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Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ...
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Minimalist Music
In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Donald Judd, Agnes Martin, Dan Flavin, Carl Andre, Robert Morris, Anne Truitt and Frank Stella. The movement is often interpreted as a reaction against abstract expressionism and modernism; it anticipated contemporary postminimal art practices, which extend or reflect on minimalism's original objectives. Minimalism in music often features repetition and gradual variation, such as the works of La Monte Young, Terry Riley, Steve Reich, Philip Glass, Julius Eastman and John Adams. The term ''minimalist'' often colloquially refers to anything or anyone that is spare or stripped to its essentials. It has accordingly been used to describe the plays and novels of Samuel Beckett, the films of Robert Bresson, the stories of Raymond Carv ...
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Contemporary Classical Music
Contemporary classical music is classical music composed close to the present day. At the beginning of the 21st century, it commonly referred to the post-1945 Modernism (music), modern forms of Post-tonal music theory, post-tonal music after the death of Anton Webern, and included serial music, electronic music, experimental music, and minimalist music. Newer forms of music include spectral music, and post-minimalism. History Background At the beginning of the twentieth century, composers of classical music were experimenting with an increasingly Consonance and dissonance, dissonant pitch language, which sometimes yielded atonality, atonal pieces. Following World War I, as a backlash against what they saw as the increasingly exaggerated gestures and formlessness of late Romanticism, certain composers adopted a Neoclassicism (music), neoclassic style, which sought to recapture the balanced forms and clearly perceptible thematic processes of earlier styles (see also New Obje ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two st ...
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Abbey Road Studios
Abbey Road Studios (formerly EMI Recording Studios) is a recording studio at 3 Abbey Road, St John's Wood, City of Westminster, London, England. It was established in November 1931 by the Gramophone Company, a predecessor of British music company EMI, which owned it until Universal Music Group (UMG) took control of part of it in 2013. It is ultimately owned by UMG subsidiary Virgin Records Limited (until 2013 by EMI Records Limited, nowadays known as Parlophone Records and owned by UMG's competitor Warner Music Group). The studio's most notable client was the Beatles, who used the studio – particularly its Studio Two room – as the venue for many of the innovative recording techniques that they adopted throughout the 1960s. In 1976, the studio was renamed from EMI in honour of their final recorded album, '' Abbey Road''. In 2009, Abbey Road came under threat of sale to property developers. In response, the British Government protected the site, granting it English H ...
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Caen
Caen (, ; nrf, Kaem) is a commune in northwestern France. It is the prefecture of the department of Calvados. The city proper has 105,512 inhabitants (), while its functional urban area has 470,000,Comparateur de territoire
INSEE, retrieved 20 June 2022.
making Caen the second largest urban area in and the 19th largest in France. It is also the third largest commune in all of Normandy after and Rouen. It is located inla ...
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Sycorax (Shakespeare)
Sycorax is an unseen character in William Shakespeare's play '' The Tempest'' (1611). She is a vicious and powerful witch and the mother of Caliban, one of the few native inhabitants of the island on which Prospero, the hero of the play, is stranded. According to the history provided by the play, Sycorax, while pregnant with Caliban, was banished from her home in Algiers to the island on which the play takes place. Memories of Sycorax, who dies several years before the main action of the play begins, define several of the relationships in the play. Relying on his filial connection to Sycorax, Caliban claims ownership of the island. Prospero constantly reminds Ariel of Sycorax's cruel treatment to maintain the sprite's service. Scholars generally agree that Sycorax, a foil for Prospero, is closely related to the Medea of Ovid's ''Metamorphoses''. Postcolonialist writers and critics see Sycorax as giving voice to peoples, particularly women, recovering from the effects of co ...
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Ariel (Shakespeare)
Ariel is a spirit who appears in William Shakespeare's play '' The Tempest''. Ariel is bound to serve the magician Prospero, who rescued him from the tree in which he was imprisoned by Sycorax, the witch who previously inhabited the island. Prospero greets disobedience with a reminder that he saved Ariel from Sycorax's spell, and with promises to grant Ariel his freedom. Ariel is Prospero's eyes and ears throughout the play, using his magical abilities to cause the tempest in Act One which gives the play its name, and to foil other characters' plots to bring down their master. Ariel means "Lion of God" in the Hebrew language. Ariel may also be a simple play on the word "aerial". Scholars have compared Ariel to spirits depicted in other Elizabethan plays, and have managed to find several similarities between them, but one thing which makes Ariel unique is the human edge and personality given to Ariel by Shakespeare. The name is also phonetically similar to the word "areal", me ...
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Peter Greenaway
Peter Greenaway, (born 5 April 1942) is a Welsh film director, screenwriter and artist. His films are noted for the distinct influence of Renaissance and Baroque painting, and Flemish painting in particular. Common traits in his films are the scenic composition and illumination and the contrasts of costume and nudity, nature and architecture, furniture and people, sexual pleasure and painful death. Early life Greenaway was born in Newport, Monmouthshire, Wales, to a teacher mother and a builder's merchant father. Greenaway's family left South Wales when he was three years old (they had moved there originally to avoid the Blitz) and settled in Chingford, Essex. He attended Forest School in nearby Walthamstow. At an early age Greenaway decided on becoming a painter. He became interested in European cinema, focusing first on the films of Ingmar Bergman, and then on the French '' nouvelle vague'' filmmakers such as Jean-Luc Godard and, most especially, Alain Resnais. Greenaw ...
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Prospero's Books
''Prospero's Books'' is a 1991 British avant-garde film adaptation of William Shakespeare's '' The Tempest'', written and directed by Peter Greenaway. Sir John Gielgud plays Prospero, the protagonist who provides the off-screen narration and the voices to the other story characters. As noted by Peter Conrad in ''The New York Times'' on 17 November 1991, Greenaway intended the film “as an homage to the actor and to his "mastery of illusion." In the film, Prospero is Shakespeare, and having rehearsed the action inside his head, speaking the lines of all the other characters, he concludes the film by sitting down to write ''The Tempest''.” Stylistically, ''Prospero's Books'' is narratively and cinematically innovative in its techniques, combining mime, dance, opera, and animation. Edited in Japan, the film makes extensive use of digital image manipulation (using Hi-Vision video inserts and the Quantel Paintbox system), often overlaying multiple moving and still pictures w ...
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Character (fiction)
In fiction, a character (or speaker, in poetry) is a person or other being in a narrative (such as a novel, play, radio or television series, music, film, or video game). The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. Derived from the Ancient Greek word , the English word dates from the Restoration, although it became widely used after its appearance in ''Tom Jones'' by Henry Fielding in 1749. From this, the sense of "a part played by an actor" developed.Harrison (1998, 51-2) quotation: (Before this development, the term ''dramatis personae'', naturalized in English from Latin and meaning "masks of the drama," encapsulated the notion of characters from the literal aspect of masks.) Character, particularly when enacted by an actor in the theatre or cinema, involves "the illusion of being a human person". In literature, characters guide readers through their stories, helpi ...
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