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Lucille Tostée
Lucille Tostée (1837- 1874) was a French soprano, associated with opéra-bouffe in Paris and the US in the mid-19th century, particularly in the works of Jacques Offenbach, Offenbach.Gänzl K. ''The Encyclopaedia of the Musical Theatre.'' Blackwell, Oxford, 1994. Life and career Tostée's first role at the Théâtre des Bouffes Parisiens was as Scipionne in ''Les vivandières de la grande-armée'' in 1859, swiftly followed by a revival of ''La rose de Saint-Flour'', and she remained a star in the Paris opéra-bouffe from the early 1860s to her death. She created roles in Offenbachs's ''Le pont des soupirs'' (Amoroso, 1861), ''Les bavards'' (Béatrix, 1862), and ''Il signor Fagotto'' (Fabricio, 1863). She toured with the Bouffes company to Vienna in 1861 and 1862, appearing at the Theater am Franz-Josefs-Kai. In 1867 she travelled to New York to appear at the Théâtre Français, starring in ''Geneviève de Brabant'', ''La belle Hélène'', ''Lischen et Fritzchen'' and ''Orphée ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
J Gurney & Son Cabinet Card Of Lucille Tostee French Soprano At 707 Broadway NYC-1
J, or j, is the tenth Letter (alphabet), letter of the Latin alphabet, used in the English alphabet, modern English alphabet, the alphabets of other western European languages and others worldwide. Its usual name in English is English alphabet#Letter names, ''jay'' (pronounced ), with a now-uncommon variant ''jy'' ."J", ''Oxford English Dictionary,'' 2nd edition (1989) When used in the International Phonetic Alphabet for the palatal approximant, voiced palatal approximant (the sound of "y" in "yes") it may be called ''yod'' or ''jod'' (pronounced or ). History The letter ''J'' used to be used as the swash (typography), swash letter ''I'', used for the letter I at the end of Roman numerals when following another I, as in XXIIJ or xxiij instead of XXIII or xxiii for the Roman numeral twenty-three. A distinctive usage emerged in Middle High German. Gian Giorgio Trissino (1478–1550) was the first to explicitly distinguish I and J as representing separate sounds, in his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geneviève De Brabant
''Geneviève de Brabant'' () is an opéra bouffe, or operetta, by Jacques Offenbach, first performed in Paris in 1859. The plot is based on the medieval legend of Genevieve of Brabant. For the 1867 version two additional characters, men-at-arms, were added to Act 2 and given a comic duet, in English-speaking countries widely known as the "Gendarmes' Duet" or the "bold gendarmes", from H. B. Farnie's English adaptation. As well as being a popular performance piece, it formed the basis for the U.S. " Marines' Hymn". Performance history The two-act French libretto was written by Louis-Adolphe Jaime and Étienne Tréfeu, and the opera was first staged at the Théâtre des Bouffes-Parisiens, Paris, on 19 November 1859. A new three-act version (in which the "Gendarmes' Duet" first appeared), revised by Hector-Jonathan Crémieux, was first given at the Théâtre des Menus-Plaisirs, Paris, on 26 December 1867. An expanded five-act version was devised for a production at the Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1837 Births
Events January–March * January 1 – The destructive Galilee earthquake causes thousands of deaths in Ottoman Syria. * January 26 – Michigan becomes the 26th state admitted to the United States. * February 4 – Seminoles attack Fort Foster in Florida. * February 25 – In Philadelphia, the Institute for Colored Youth (ICY) is founded, as the first institution for the higher education of black people in the United States. * February – Charles Dickens's '' Oliver Twist'' begins publication in serial form in London. * March 1 – The Congregation of Holy Cross is formed in Le Mans, France, by the signing of the Fundamental Act of Union, which legally joins the Auxiliary Priests of Blessed Basil Moreau, CSC, and the Brothers of St. Joseph (founded by Jacques-François Dujarié) into one religious association. April–June * April 12 – The conglomerate of Procter & Gamble has its origins, when British-born businessmen William Procter and James Gamble begi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Claude Yon
Jean-Claude Yon, born Paris, 22 February 1966 is a French academic and historian. He has specialised in the world of 19th century theatre and opera, notably the work of Scribe and Offenbach. He is professor at the Université de Versailles-Saint-Quentin-en-Yvelines. Career Yon entered the École normale supérieure de Fontenay-Saint-Cloud in 1987, obtaining a master's degree in contemporary history with his study ''Les notaires parisiens sous le Second Empire'' (Parisian notaries during the Second Empire) which went on to win the Prix Favard de Langlade offered by the Institut international d’histoire du notariat in 1993. His doctoral thesis examined ''Eugène Scribe, la fortune et la liberté'' (Eugène Scribe, destiny and freedom) and was defended in January 1994 at the université Panthéon-Sorbonne. Along with Jean-Christophe Keck, Robert Pourvoyer, Peter Hawig and Alain Fraison he was involved in the creation of the Offenbach Edition Keck, a new Offenbach critical editio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zulma Bouffar
Zulma Madeleine Boufflar, known as Zulma Bouffar, (24 May 1841 – 20 January 1909), was a French soprano singer and actress, associated with the opéra-bouffe of Paris in the second half of the 19th century who enjoyed a successful career around Europe. Life and career At the age of six, Bouffar appeared in ''La fille bien gardée'' in Marseille, and followed this with successful performances in Lyon. Her father then toured with her around western Europe and Scandinavia. After her father's death in 1854 she continued travelling, bringing into her repertoire some of the contemporary songs of Offenbach, who heard her sing in Hamburg in 1864. The same year Bouffar appeared at Bad Ems in Offenbach's '' Lischen et Fritzchen'', and repeated her success in Paris.Gänzl K. ''The Encyclopaedia of the Musical Theatre.'' Blackwell, Oxford, 1994. From this time for about 12 years Bouffar was probably Offenbach's mistress – his longest extra-marital liaison. She created Nani in ''Les ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orphée Aux Enfers
''Orpheus in the Underworld'' and ''Orpheus in Hell'' are English names for (), a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy. It was first performed as a two-act " opéra bouffon" at the Théâtre des Bouffes-Parisiens, Paris, on 21 October 1858, and was extensively revised and expanded in a four-act " opéra féerie" version, presented at the Théâtre de la Gaîté, Paris, on 7 February 1874. The opera is a lampoon of the ancient legend of Orpheus and Eurydice. In this version Orpheus is not the son of Apollo but a rustic violin teacher. He is glad to be rid of his wife, Eurydice, when she is abducted by the god of the underworld, Pluto. Orpheus has to be bullied by Public Opinion into trying to rescue Eurydice. The reprehensible conduct of the gods of Olympus in the opera was widely seen as a veiled satire of the court and government of Napoleon III, Emperor of the French. Some critics expressed outrage at the libretti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lischen Et Fritzchen
''Lischen et Fritzchen'' is a one-act operetta (« conversation alsacienne » - Alsatian conversation) with music by Jacques Offenbach to a French libretto by ‘P Dubois’ (Paul Boisselot), first performed in 1863. Performance history The premiere was on 21 July 1863 at the Kursaal, Bad Ems, during a successful summer season for the composer. The Paris premiere followed at the newly refurbished Théâtre des Bouffes Parisiens, Paris, on 5 January 1864, sharing the bill with ''Les deux aveugles'', ''L'amour chanteur'' and ''La tradition''.Yon, Jean-Claude. ''Jacques Offenbach.'' Éditions Gallimard, Paris, 2000. Both characters in the piece use an Alsatian accent in their dialogue and songs. It marked one of the early hits for Zulma Bouffar. A story that Offenbach had composed the piece in eight days to win a bet may only be a myth. Offenbach set the fable of The Town Mouse and the Country Mouse (to different music) in his Six Fables de La Fontaine (1842). Roles Synopsis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Belle Hélène
''La belle Hélène'' (, ''The Beautiful Helen'') is an opéra bouffe in three acts, with music by Jacques Offenbach and words by Henri Meilhac and Ludovic Halévy. The piece parodies the story of Helen of Troy's elopement with Paris (mythology), Paris, which set off the Trojan War. The premiere was at the Théâtre des Variétés in Paris, on 17 December 1864. The work ran well, and productions followed in three continents. ''La belle Hélene'' continued to be revived throughout the 20th century and has remained a repertoire piece in the 21st. Background and first performance By 1864, Offenbach was well established as the leading French composer of operetta. After successes with his early works – short pieces for modest forces – he was granted a licence in 1858 to stage full-length operas with larger casts and chorus. The first of these to be produced, ''Orpheus in the Underworld, Orphée aux enfers'', achieved notoriety and box-office success for its risqué satire of G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Signor Fagotto
''Il signor Fagotto'' is a one-act opérette by Jacques Offenbach to a French libretto by Charles-Louis-Étienne Nuitter and Étienne Tréfeu, first performed in 1863. The story of a father outwitted and true love winning is set within "a burlesque of musical styles".Gänzl K. ''The Encyclopaedia of the Musical Theatre.'' Blackwell, Oxford, 1994. Performance history The work was premiered by Offenbach’s company at Bad Ems, before transferring to the Théâtre des Bouffes Parisiens, Rue Monsigny, Paris, a few months later, where it enjoyed several revivals. The work was performed in a revised form in Vienna shortly after the premiere of '' Die Rheinnixen'' in 1864 and dedicated to Eduard Hanslick.Yon, Jean-Claude. ''Jacques Offenbach.'' Editions Gallimard, Paris, 2000. ''Il signor Fagotto'' forms part of the Keck Offenbach edition. The autograph of the score, in the possession of Offenbach descendants, and sources from Vienna have formed a critical edition of three version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the publishing house of the University of Oxford. It is the largest university press in the world. Its first book was printed in Oxford in 1478, with the Press officially granted the legal right to print books by decree in 1586. It is the second-oldest university press after Cambridge University Press, which was founded in 1534. It is a department of the University of Oxford. It is governed by a group of 15 academics, the Delegates of the Press, appointed by the Vice Chancellor, vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, Walton Street, Oxford, opposite Somerville College, Oxford, Somerville College, in the inner suburb of Jericho, Oxford, Jericho. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Bavards
'' Les bavards'' (English: ''The Chatterboxes'') is an opéra bouffe, or operetta, by Jacques Offenbach, with a French libretto by Charles-Louis-Étienne Nuitter based on "Los dos habladores", a story by Miguel de Cervantes.Lamb A. Jacques Offenbach (work list). In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. Performance history ''Les bavards'' was originally created as ''Bavard et bavarde'' in one-act form and performed at the Kurtheater, Bad Ems in June 1862. It became ''Die Schwätzerin von Saragossa'' for Vienna in November of that year, and was produced in its final two-act form at the Théâtre des Bouffes Parisiens, Paris (Salle Choiseul) on 20 February 1863, with Delphine Ugalde as Roland, Thompson as Inès, Tostée as Béatrix and Étienne Pradeau as Sarmiento, conducted by Offenbach. It entered the repertoire of the Paris Opéra Comique on 3 May 1924 conducted by Maurice Frigara, produced by Albert Carré, with Germaine Gallois as Rolan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Pont Des Soupirs
''Le pont des soupirs '' ("The Bridge of Sighs") is an opéra bouffe (or operetta) set in Venice, by Jacques Offenbach, first performed in Paris in 1861. The French language, French libretto was written by Hector Crémieux and Ludovic Halévy. Plays, including melodramas, set in Venice were quite common in Paris in the early 19th century; the libretto, by the successful team from ''Orphée aux enfers'', also nods towards the operas ''La reine de Chypre'' (1841) and ''Haydée'' (1847). Kurt Gänzl, Gänzl describes the piece as being in Offenbach's "best bouffe manner", noting a "long list of sparkling and funny musical pieces": the multiple serenade beneath Catarina's balcony, the tale of the loss of the Venetian fleet, the parody of an Mad scene, operatic mad scene for Catarina, and a farcical "quatuor des poignards". Gänzl, p. ?? Offenbach would return to Venice in the Giulietta act of his final work ''Les Contes d'Hoffmann''. Performance history ''Le pont des soupirs'' was f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
