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Lo Straniero
''Lo straniero'' (The Stranger) is an opera (''dramma lirico'') in two acts composed by Ildebrando Pizzetti, who also wrote the libretto. An original story with characters from the Old Testament, it is the third work in Pizzetti's trilogy on the themes of redemption and the virtue of love. Although it did not receive its premiere until 1930, Pizzetti had begun the project several years earlier. He began the libretto in 1922 and completed it in 1923. The composition of the music was completed in 1925. The other two works in the trilogy are '' Dèbora e Jaéle'' which premiered in 1922 and '' Fra Gherardo'' which premiered in 1928.Gelli, Piero (ed.) (2005)"Straniero, Lo". ''Dizionario dell'opera'', p. 1219. Baldini Castoldi Dalai (republished on operamanager.it). Retrieved 17 February 2016 . Performance history ''Lo straniero'' premiered on 29 April, 1930, at the Teatro dell'Opera di Roma. It was subsequently revived there in 1938 and 1955. It was also performed in 1942 at the Tea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ildebrando Pizzetti
Ildebrando Pizzetti (20 September 1880 – 13 February 1968) was an Italian composer of classical music, as well as a musicologist and a music critic. Biography Pizzetti was born in Parma in 1880. He was part of the "Generation of 1880" along with Ottorino Respighi, Gian Francesco Malipiero, and Alfredo Casella. They were among the first Italian composers in some time whose primary contributions were not in opera. The instrumental and ''a cappella'' traditions had never died in Italian music and had produced, for instance, the string quartets of Antonio Scontrino (1850–1922) and the works of Respighi's teacher Giuseppe Martucci; but with the "Generation of 1880" these traditions became stronger. Ildebrando Pizzetti was the son of Odoardo Pizzetti, a pianist and piano teacher who was his son's first teacher. At first Pizzetti seemed headed for a career as a playwright—he had written several plays, two of which had been produced—before he decided in 1895 on a career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano" ''Encyclopædia Britannica'' as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian-language Operas
Italian (, , or , ) is a Romance language of the Indo-European language family. It evolved from the colloquial Latin of the Roman Empire. Italian is the least divergent language from Latin, together with Sardinian. It is spoken by about 68 million people, including 64 million native speakers as of 2024. Italian is an official language in Italy, San Marino, Switzerland ( Ticino and the Grisons), and Vatican City; it has official minority status in Croatia, Slovene Istria, Romania, Bosnia and Herzegovina, and the municipalities of Santa Tereza, Encantado, and Venda Nova do Imigrante in Brazil. Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia. Some speakers of Italian are native bilinguals of both Italian (either in its standard form or regional varieties) and a local language of Italy, most frequently the language spoken at home in their place of origin. Italian is a major language in Europe, being one of the offici ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1930 Operas
Year 193 ( CXCIII) was a common year starting on Monday of the Julian calendar. At the time, it was known as the Year of the Consulship of Sosius and Ericius (or, less frequently, year 946 ''Ab urbe condita''). The denomination 193 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * January 1 – Year of the Five Emperors: The Roman Senate chooses Publius Helvius Pertinax, against his will, to succeed the late Commodus as Emperor. Pertinax is forced to reorganize the handling of finances, which were wrecked under Commodus, to reestablish discipline in the Roman army, and to suspend the food programs established by Trajan, provoking the ire of the Praetorian Guard. * March 28 – Pertinax is assassinated by members of the Praetorian Guard, who storm the imperial palace. The Empire is auctioned off; Marcus Didius Julianus the highest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Vaghi
Giacomo Vaghi (21 November 1901 - 29 April 1978) was an Italian opera singer who had an active international career from 1925-1956. Along with Tancredi Pasero and Ezio Pinza, he was one of the leading operatic basses of his generation. He possessed a rich voice with a dark timbre that drew him particular acclaim in the operas of Giuseppe Verdi. He appears on several complete opera recordings made with EMI Classics and Cetra Records. Life and career Born in Como, Vaghi studied singing in Milan before making his debut in Jules Massenet's ''Manon'' at the Teatro di San Carlo in Naples in 1925. He appeared in several roles at that house the following year, including the role of Sintram in the Naples premiere of Riccardo Zandonai's '' I cavalieri di Ekebù''. On 29 October 1927 he made his debut at the Teatro Comunale di Bologna as Timur in the house premiere of Giacomo Puccini's ''Turandot''. He sang several other roles in Bologna in successive months, including Pimen in ''Boris God ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renato Zanelli
Renato Zanelli (April 1, 1892 – March 25, 1935) was an Italian-Chilean operatic baritone and later tenor, particularly associated with heroic Italian and German roles, notably Verdi's Otello. Biography Renato Zanelli, nom d'art of Renato Zanelli Morales, was born in Almendral, Los Andes, Valparaíso, Chile on April 1, 1892. His father was Italian and his mother Chilean. In 1894 he was taken to Europe and was educated in Switzerland and Italy. He returned to Chile in 1911 to work in his father's salpeter factory office in Valparaiso. His voice was discovered at a social party by Angelo Querzé, an Italian tenor who had sung in Chile in 1894 in the local premiere of "Otello". He studied in Santiago with Angelo Querze, making his debut there as a baritone in 1916, as Valentin. He later sang such important baritone roles as Tonio, de Luna, and Renato. His Metropolitan Opera debut came in 1919, as Amonasro. He remained there until 1923, singing most of the major Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Zamboni
Maria Zamboni (25 July 1895 – 25 March 1976) was an Italian operatic soprano who had a prolific career in Italy and South America between 1921 and 1936. Admired for her vivid character portrayals and expressive singing, Zamboni was a popular and frequent performer at both La Scala and the Teatro Costanzi. Her repertoire encompassed a broad spectrum, from Verdi and Wagner heroines to French grand opera and verismo roles. She became particularly associated with the works of Giacomo Puccini and notably sang the role of Liù in the original 1926 production of ''Turandot''. J.B. Steane, "Maria Zamboni", ''Grove Music Online'' ed. L. Macy (Accessed November 16, 2008)(subscription access)/ref> Biography Zamboni was born at Peschiera del Garda. She studied at the Conservatorio di Musica Arrigo Boito in Parma under Guilio Silva before making her professional opera debut in 1921 at Piacenza as Marguerite in Gounod's ''Faust''. Over the next few years she appeared at numerous major ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gino Marinuzzi
Gino Marinuzzi (24 March 188217 August 1945) was an Italian conductor and composer, particularly associated with the operas of Wagner and the Italian repertory. Biography Marinuzzi was born and studied in Palermo; graduating from the Palermo Conservatory. He began his career in Palermo as well, conducting the local premieres of ''Tristan und Isolde'' in 1909, and ''Parsifal'' in 1914. He then appeared in Rome and Milan, where he conducted several local premieres (mostly Wagner operas) and many revivals of rarely performed operas such as ''Lucrezia Borgia'', '' La straniera'', ''Beatrice di Tenda'' and ''L'incoronazione di Poppea''. In 1930 he conducted the world premiere of Ildebrando Pizzetti's '' Lo straniero''. He made guest appearances at the Paris Opéra, the Royal Opera House in London, and the Monte Carlo Opera, where he conducted the world premiere of Puccini's '' La rondine'' in 1917. He was artistic director of the Chicago Opera Association from 1919 to 1921, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Dell'Opera Di Roma
The Teatro dell'Opera di Roma (Rome Opera House) is an opera house in Rome, Italy. Originally opened in November 1880 as the 2,212 seat ''Costanzi Theatre'', it has undergone several changes of name as well modifications and improvements. The present house seats 1,560. Original Teatro Costanzi: 1880 to 1926 The Teatro dell'Opera was originally known as the ''Teatro Costanzi'' after the contractor who built it, (1819–1898). It was financed by Costanzi, who commissioned the Milanese architect Achille Sfondrini (1836–1900), a specialist in the building and renovation of theatres. The opera house was built in eighteen months, on the site where the house of Heliogabalus stood in ancient times, and was inaugurated on 27 November 1880 with a performance of ''Semiramide'' by Gioachino Rossini. Designing the theatre, Sfondrini paid particular attention to the acoustics, conceiving the interior structure as a "resonance chamber", as is evident from the horseshoe shape in particular. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
