List Of Operettas And Operas By Carl Millöcker
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List Of Operettas And Operas By Carl Millöcker
This is a list of the operettas and operas of the Austrian composer Carl Millöcker (1842–1899). Millöcker wrote 20 light operas, of which 16 are described as operettas, one as a Singspiel, one as a 'Volksoper' ('people's opera'). (The other two were left undesignated.) His music is closely associated with the Theater an der Wien in Vienna, where 14 of his works received their first performances. List References * Lamb, Andrew (1992), "Millöcker, Carl" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was a British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition ... (London) {{DEFAULTSORT:Millocker, Carl Lists of operas by composer Lists of compositions by composer ...
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Austria
Austria, formally the Republic of Austria, is a landlocked country in Central Europe, lying in the Eastern Alps. It is a federation of nine Federal states of Austria, states, of which the capital Vienna is the List of largest cities in Austria, most populous city and state. Austria is bordered by Germany to the northwest, the Czech Republic to the north, Slovakia to the northeast, Hungary to the east, Slovenia and Italy to the south, and Switzerland and Liechtenstein to the west. The country occupies an area of and has Austrians, a population of around 9 million. The area of today's Austria has been inhabited since at least the Paleolithic, Paleolithic period. Around 400 BC, it was inhabited by the Celts and then annexed by the Roman Empire, Romans in the late 1st century BC. Christianization in the region began in the 4th and 5th centuries, during the late Western Roman Empire, Roman period, followed by the arrival of numerous Germanic tribes during the Migration Period. A ...
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Richard Genée
Franz Friedrich Richard Genée (7 February 1823 – 15 June 1895) was a Prussian-born Austrian libretto, librettist, playwright, and composer. Life Genée was born in Gdańsk, Danzig. He died in Baden bei Wien. Works He is most famous for the libretto of ''Die Fledermaus'', Johann Strauss II's most famous operetta. He co-wrote the libretto without having met top-billed librettist Karl Haffner, who constructed the new story based on a play by Henri Meilhac and Ludovic Halévy, which was considered too shocking to perform outside Paris. Genée, however, wrote the operetta's actual text and drew nothing from Haffner beyond the names of the characters.Andrew Lamb (writer), Andrew Lamb. Liner Notes, ''Die Fledermaus'', EMI/Angel Records, 1986 One of his best-known works was the libretto of Carl Millöcker's operetta ''Der Bettelstudent'', which he co-wrote with Friedrich Zell (the pseudonym of Camillo Walzel). He also wrote the libretto to Ella Adayevskaya's 1877 opera ''Zarya (opera), ...
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Operas By Carl Millöcker
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ...
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Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was a British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to music journalism, beco ...
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The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. The dictionary was first published in 1992 by Macmillan Reference, London, and edited by Stanley Sadie. Christina Bashford was the managing editor. While some entries were based on their equivalent entry in ''The New Grove Dictionary of Music and Musicians'', most were specially commissioned. The work contains contributions from over 1,300 scholars, with 11,000 articles in total, covering over 2,900 composers and 1800 operas. The operas discussed range from the earliest operas in 16th century Italy to the 1992 Philip Glass work '' The Voyage''. The final volume includes four appendices: an index of principal role names in 850 notable operas; an index of incipits of arias and ensembles (first line only, no musical examples); a list of contributors; and illustration acknowledgements. In 1997, the diction ...
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Andrew Lamb (writer)
Andrew Martin Lamb (born 23 September 1942) is an English writer, music historian, lecturer and broadcaster, known for his expertise in light music and musical theatre. In addition to his musical work, Lamb maintained a full-time career as an actuary and investment manager. Biography Lamb was born in Oldham, Lancashire, the son of Harry Lamb, a schoolmaster, and his wife Winifred, ''née'' Emmott.Andrew Lamb
at Contemporary Authors Online, Gale, 2002 (subscription required), accessed 22 March 2009
He was educated at Werneth Council School, Oldham, and

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Gasparone
''Gasparone'' is an operetta in three acts by Carl Millöcker to a German libretto by Friedrich Zell and Richard Genée. The libretto was later revised by and . An amusing feature of the work is that the title character never appears and acts as a scapegoat upon which all the misdeeds in Syracuse, Sicily, can be blamed. Performance history The opera had its premiere on 26 January 1884 at the Theater an der Wien, Vienna. It was subsequently given in Berlin at the Friedrich-Wilhelmstädtisches Theater on September 26, 1884, and in New York City in German at the Thalia Theater in 1885 and in English at the Standard Theatre in 1885 and again in 1887 with Lillian Russell as Carlotta, Eugène Oudin as Count Erminio and J. H. Ryley. After its debut, Millöcker revised the piece, creating eight versions. However, the most commonly used performing edition is that prepared in 1932 by the composer Ernst Steffan. This version includes "Dunkelrote Rosen" which Millöcker wrote as a vocal ...
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Eugène Scribe
Augustin Eugène Scribe (; 24 December 179120 February 1861) was a French dramatist and librettist. He is known for writing "well-made plays" ("pièces bien faites"), a mainstay of popular theatre for over 100 years, and as the librettist of many of the most successful grand operas and opéras-comiques. Born to a middle-class Parisian family, Scribe was intended for a legal career, but was drawn to the theatre, and began writing plays while still in his teens. His early years as a playwright were unsuccessful, but from 1815 onwards he prospered. Writing, usually with one or more collaborators, he produced several hundred stage works. He wrote to entertain the public rather than educate it. Many of his plays were written in a formulaic manner which aimed at neatness of plot and focus on dramatic incident rather than naturalism, depth of characterisation or intellectual substance. For this he was much criticised by intellectuals, but the "well-made play" remained established in the ...
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