|
Led Zeppelin United Kingdom Tour Summer 1969
Led Zeppelin's Summer 1969 United Kingdom Tour was a concert tour of the United Kingdom by the English rock band. The tour commenced on 8 June and concluded on 29 June 1969. It included a single show in Paris, France, performed for French television. This was the band's final ever television appearance,Lewis, Dave and Pallett, Simon (1997) ''Led Zeppelin: The Concert File'', London: Omnibus Press. , p. 28. portions of which were later released on the '' Led Zeppelin DVD''. The band's tour was supported by Blodwyn Pig and The Liverpool Scene, and was promoted by the booking agency, Chrysalis. On this tour, three of Led Zeppelin's performances were recorded and later broadcast by the British Broadcasting Corporation (BBC). The performance on 16 June was broadcast on Chris Grant's ''Tasty Pop Sundae'', the recording on 24 June was broadcast on John Peel's ''Top Gear'', and the 27 June show was broadcast on the ''Radio One In Concert'' series. Selected songs from all of these r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Led Zeppelin
Led Zeppelin were an English rock music, rock band formed in London in 1968. The band comprised vocalist Robert Plant, guitarist Jimmy Page, bassist-keyboardist John Paul Jones (musician), John Paul Jones and drummer John Bonham. With a heavy, guitar-driven sound and drawing from influences including blues and folk music, Led Zeppelin are cited as a progenitor of hard rock and heavy metal music, heavy metal. They significantly influenced the music industry, particularly in the development of album-oriented rock and stadium rock. Led Zeppelin evolved from a previous band, the Yardbirds, and were originally named "the New Yardbirds". They signed a deal with Atlantic Records that gave them considerable artistic freedom. Initially unpopular with critics, they achieved significant commercial success with eight studio albums over ten years. Their 1969 debut, ''Led Zeppelin (album), Led Zeppelin'', was a top-ten album in several countries and features such tracks as "Good Times Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Set List
A set list, or setlist, is typically a handwritten or printed document created as an ordered list of songs, jokes, stories and other elements an artist intends to present during a specific performance. A setlist can be made of nearly any material that can be written or printed on, but are most commonly paper, cardboard or cardstock. They are also often laminated, especially for outdoor venues. The setlist is usually taped onto the stage where the musicians can see it, or to equipment such as a monitor or amplifier. Artists and bands use setlists for a variety of reasons beyond the mere order of performance events. They are often used to help create the set's overall mood by establishing a memorable sense of range and variety in tone, tempo and dynamics between songs. They are also used to create sets for specific audiences and locations. An increasingly common application is the use of technologies such as instant polling on social media and websites, where fans can choose ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Long Tall Sally (The Beatles Song)
"Long Tall Sally", also known as "Long Tall Sally (The Thing)", is a rock and roll song written by Robert "Bumps" Blackwell, Enotris Johnson, and Little Richard and released on Richard's album ''Here's Little Richard''. Richard recorded it for Specialty Records, which released it as a single in March 1956, backed with " Slippin' and Slidin'. The single reached number one on the ''Billboard'' rhythm and blues chart, staying at the top for six of 19 weeks, while peaking at number six on the pop chart. It received the ''Cash Box'' Triple Crown Award in 1956. The song as sung by Little Richard is listed at number 55 on ''Rolling Stone''s list of The 500 Greatest Songs of All Time. It also ranked at number 45 on ''Billboard''s year-end singles of 1956. It became one of the singer's best-known hits and has become a rock and roll standard covered by hundreds of artists, including Elvis Presley, Fleetwood Mac, the Kinks and the Beatles. In 1999, the 1956 Little Richard recording of " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Communication Breakdown
"Communication Breakdown" is a song by the English rock band Led Zeppelin, from their 1969 self-titled debut album. It was also used as the B-side of the group's first single in the US, " Good Times Bad Times". A promotional video was released, with the group miming to the recording, which is included on the '' Led Zeppelin DVD'' (2003). Background and composition The song's original title was "Too Good", and it had been performed during the band's 1968 Scandinavian Tour. It developed from a guitar riff played by Jimmy Page, while the rest of the band wrote the song around it. Bassist John Paul Jones later said "This is Page's riffyou can tell instantly". Singer Robert Plant could not receive a songwriting credit owing to a previous record contract, and consequently it was credited simply to the other three band members. Personnel According to Jean-Michel Guesdon and Philippe Margotin: * Robert Plant – vocals * Jimmy Page – guitars, backing vocals * John Paul Jones – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
How Many More Times
"How Many More Times" is the ninth and final track on English rock band Led Zeppelin's 1969 debut album ''Led Zeppelin''. The song is credited in the album liner to Jimmy Page, John Paul Jones, and John Bonham, but Robert Plant was later added to the ASCAP credits. Composition At eight and a half minutes, "How Many More Times" is the longest song on the album. It is one of three Led Zeppelin songs on which Page used bowed guitar.Dave Lewis (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, In an interview he gave to ''Guitar World'' magazine in 1993, Page stated that the song "was made up of little pieces I developed when I was with the Yardbirds, as were other numbers such as 'Dazed and Confused'. It was played live in the studio with cues and nods." The "Rosie" and "Hunter" components of the song came spontaneously to the group on the night of the recording session. " The Hunter" was recorded by bluesman Albert King with Booker T & the MGs and was w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moby Dick (instrumental)
"Moby Dick" is an instrumental drum solo by English rock band Led Zeppelin, featured on the band's 1969 album ''Led Zeppelin II''. Named after the 1851 novel of the same name by Herman Melville, it was also known by the alternative titles "Pat's Delight" (early 1968–1969 version with completely different guitar riff) and "Over the Top" (with "Out on the Tiles" intro section and original closing reprise) during various points of the band's career. The track is often regarded as one of the greatest drum solos of all time. Composition and recording Music journalist Steve Pilkington described "Moby Dick" as "essentially, a drum solo bookended by a token blues-rock riff." The track emerged after Led Zeppelin guitarist and producer Jimmy Page found drummer John Bonham jamming or improvising in the studio, recorded parts of his solos and pieced it all together. Studio outtakes from the ''Led Zeppelin II'' sessions reveal that the drum solo recorded was edited down from a much longer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Shook Me
"You Shook Me" is a 1962 blues song recorded by Chicago blues artist Muddy Waters. Willie Dixon wrote the lyrics and Earl Hooker provided the instrumental backing; the song features Waters' vocal in unison with Hooker's slide-guitar melody. "You Shook Me" became one of Muddy Waters' most successful early-1960s singles and has been interpreted by several blues and rock artists. Background "You Shook Me" is unique among Muddy Waters' songs – it is the first time he overdubbed vocals onto an existing commercially released record. The backing track for Waters started as an impromptu slide guitar instrumental by blues guitarist Earl Hooker during a May 3, 1961, recording session for Chief Records. To start the session, Hooker and his backup band played a "warm-up" number, loosely fashioned on earlier Hooker songs and a rhythmic element from the blues standard " Rock Me Baby". One take was recorded, apparently unknown to Hooker. A.C. Reed, who played tenor saxophone on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Babe I'm Gonna Leave You
"Babe I'm Gonna Leave You" is a folk song written by Anne Bredon in the late 1950s. Joan Baez, who learned the song from a student at Oberlin College, recorded the first published version for her 1962 album ''Joan Baez in Concert'' and a variety of musicians subsequently adapted it to a variety of styles, including the Association (1965), Quicksilver Messenger Service (1968), and Led Zeppelin (1969). Following the credit on Baez's 1962 release as "traditional, arranged by Baez", subsequent releases did not name Bredon until 1990 when, following Bredon's approach to Led Zeppelin, she received credit and royalties. Joan Baez rendition In 1960, Anne Bredon appeared on a live folk-music show on radio station KPFA in Berkeley, California, where she performed "Babe I'm Gonna Leave You". Janet Smith heard the performance and later Joan Baez learned the song from Smith at Oberlin College. The 1962 album ''Joan Baez in Concert'' includes a solo performance with her vocal and acoustic gu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Mountain Side
"Black Mountain Side" is an instrumental by the English rock band Led Zeppelin, adapted, without credit, from Bert Jansch's original arrangement of the traditional Irish folk song "Down by Blackwaterside". It was recorded in October 1968 at Olympic Studios in London, and is included on the group's 1969 debut album ''Led Zeppelin''. Composition and recording "Black Mountain Side" was inspired by a traditional Irish folk song called "Down by Blackwaterside". The guitar arrangement closely follows Bert Jansch's version of that song, recorded for his 1966 album '' Jack Orion''. Al Stewart, who followed Jansch's gigs, taught it to Page, who was a session musician for Stewart's debut album. Page played the instrumental on a borrowed Gibson J-200 acoustic guitar, which was tuned to D–A–D–G–A–D, a tuning that he had used for " White Summer". To enhance the Indian character of the song, drummer and sitarist Viram Jasani played tabla on the track. The overall Eastern-flavour o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Summer
"White Summer" is a guitar instrumental by English rock guitarist Jimmy Page. It is an adaptation of the Irish air “She Moves Through The Fair." Page initially recorded and performed it with the Yardbirds and later included it in many Led Zeppelin concerts. According to biographer Keith Shadwick, it is based on an old Irish folk song, "specifically derived from ' She Moved Through the Fair' in the 1963 version by aveyGraham, which he in turn credited to Padraic Colum". The later Led Zeppelin song " Over the Hills and Far Away" was "spun off" from "White Summer" as well as an unreleased 20-minute instrumental recorded in early 1974 at Headley Grange. Yardbirds song "White Summer" was recorded 28–29 April 1967 at De Lane Lea Studios in London. Jimmy Page was the only band member to perform on the recording and was accompanied by Chris Karan on tabla and an unidentified oboe player doubling the melody line. The song combines elements of traditional Eastern as well as Wes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Killing Floor (Howlin' Wolf Song)
"Killing Floor" is a 1964 song by American blues singer-songwriter and guitarist Howlin' Wolf. Called "one of the defining classics of Chicago electric blues", "Killing Floor" became a blues standard with recordings by various artists. It has been acknowledged by the Blues Foundation Hall of Fame, which noted its popularity among rock as well as blues musicians. English rock group Led Zeppelin adapted the song for their "The Lemon Song", for which Howlin' Wolf is named as a co-author. Original song Howlin' Wolf recorded "Killing Floor" in Chicago in August 1964, which Chess Records released as a single. According to blues guitarist and longtime Wolf associate Hubert Sumlin, the song uses the killing floorthe area of a slaughterhouse where animals are killedas a metaphor or allegory for male-female relationships: "Down on the killing floorthat means a woman has you down, she went out of her way to try to kill you. She at the peak of doing it, and you got away now ... Yo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dazed And Confused (Jake Holmes Song)
"Dazed and Confused" is a song written by American singer-songwriter Jake Holmes in 1967. Performed in a folk rock-style, he recorded it for his debut album '' "The Above Ground Sound" of Jake Holmes''. Although some concluded that it was about a bad acid trip, Holmes insists the lyrics refer to the effects of a girl's indecision on ending a relationship. After hearing Holmes perform the song in August 1967, English rock group the Yardbirds reworked it with a new arrangement. It soon became a centerpiece of their tours, several recordings of which have been released, including on '' Yardbirds '68'', produced by guitarist Jimmy Page. In 1968 "Dazed and Confused", with new lyrics and vocal line, was recorded by Page's new group Led Zeppelin and released on their debut album. It became a signature song and concert staple for much of the group's career. Holmes attempted to contact Page in the 1980s regarding the songwriting credit, but received no response. In 2010, Holmes filed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
