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Laisse
A laisse is a type of stanza, of varying length, found in medieval French literature, specifically medieval French epic poetry (the ''chanson de geste''), such as ''The Song of Roland''. In early works, each laisse was made up of (mono) assonanced verses, although the appearance of (mono) rhymed laisses was increasingly common in later poems.Princeton. Within a poem, the length of each separate laisse is variable (whereas the metric length of the verses is invariable, each verse having the same syllable length, typically decasyllables or, occasionally, alexandrines). The laisse is characterized by stereotyped phrases and formulas and frequently repeated themes and motifs,Jean Rychner, 1955. Quoted in Brault, I. Introduction, p. 8. including repetitions of material from one laisse to another. Such repetitions and formulaic structures are common of orality and oral-formulaic composition. When medieval In the history of Europe, the Middle Ages or medieval period laste ...
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The Song Of Roland
The ''Song of Roland'' () is an 11th-century based on the deeds of the Frankish military leader Roland at the Battle of Roncevaux Pass in AD 778, during the reign of the Emperor Charlemagne. It is the oldest surviving major work of French literature. It exists in various manuscript versions, which testify to its enormous and enduring popularity in Medieval and Renaissance literature from the 12th to 16th centuries. The epic poem written in Old French is the first and one of the most outstanding examples of the ''chanson de geste'', a literary form that flourished between the 11th and 16th centuries in Medieval Europe and celebrated legendary deeds. An early version was composed around 1040 AD, with additions and alterations made up to about 1115 AD. The final poem contains about 4,000 lines. Manuscripts and dating Although set in the Carolingian era, the ''Song of Roland'' was written centuries later. There is a single extant manuscript of the ''Song of Roland''. It is he ...
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Chanson De Geste
The , from 'deeds, actions accomplished') is a medieval narrative, a type of epic poetry, epic poem that appears at the dawn of French literature. The earliest known poems of this genre date from the late 11th and early 12th centuries, shortly before the emergence of the lyric poetry of the troubadours and trouvères, and the earliest verse Romance (heroic literature), romances. They reached their highest point of acceptance in the period 1150–1250.Hasenohr, 242. Composed in verse, these narrative poems of moderate length (averaging 4000 lines) were originally sung, or (later) recited, by minstrels or jongleurs. More than one hundred ''chansons de geste'' have survived in approximately three hundred manuscripts''La Chanson de Roland,'' 12. that date from the 12th to the 15th century. Origins Since the 19th century, much critical debate has centered on the origins of the ''chansons de geste'', and particularly on explaining the length of time between the composition of the ' ...
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Epic Poetry
In poetry, an epic is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants. With regard to oral tradition, epic poems consist of formal speech and are usually learnt word for word, and are contrasted with narratives that consist of everyday speech where the performer has the license to recontextualize the story to a particular audience, often to a younger generation. Influential epics that have shaped Western literature and culture include Homer's ''Iliad'' and '' Odyssey''; Virgil's '' Aeneid''; and the anonymous '' Beowulf'' and '' Epic of Gilgamesh''. The genre has inspired the adjective '' epic'' as well as derivative works in other mediums (such as epic films) that evoke or emulate the characteristics of epics. Etymology The English word ''epic'' comes from Latin , which itself comes from the Ancient Greek adject ...
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Stanza
In poetry, a stanza (; from Italian ''stanza'', ; ) is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of lines are typically referred to as '' verses''. The stanza in poetry is analogous with the paragrap ...
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Medieval French Literature
In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of World history (field), global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early Middle Ages, Early, High Middle Ages, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralised authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the ...
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Assonance
Assonance is the repetition of identical or similar phonemes in words or syllables that occur close together, either in terms of their vowel phonemes (e.g., ''lean green meat'') or their consonant phonemes (e.g., ''Kip keeps capes ''). However, in American usage, ''assonance'' exclusively refers to this phenomenon when affecting vowels, whereas, when affecting consonants, it is generally called ''consonance''. The two types are often combined, as between the words ''six'' and ''switch'', which contain the same vowel and similar consonants. If there is repetition of the same vowel or some similar vowels in literary work, especially in stressed syllables, this may be termed "vowel harmony" in poetry (though linguists have a different definition of "vowel harmony"). A special case of assonance is rhyme, in which the endings of words (generally beginning with the vowel sound of the last stressed syllable) are identical—as in ''fog'' and ''log'' or ''history'' and ''mystery''. Vocal ...
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Rhyme
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final Stress (linguistics), stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (''perfect rhyming'') is consciously used for a musical or aesthetic effect in the final position of Line (poetry), lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word ''rhyme'' has come to be sometimes used as a pars pro toto, shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme. Etymology The word derives from or , which might be derived from , a Germanic term meaning "series", or "sequence" attested in Old English (Old English: meaning "enumeration", series", or "numeral") and , ultimately cognate to , ( "number"). Alternatively, the Old French words may derive from , from (, rhythm). The spelling ''rhyme'' (from the original r ...
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Decasyllable
Decasyllable (Italian: ''decasillabo'', French: ''décasyllabe'', Serbian: ''десетерац'', ''deseterac'') is a poetic meter of ten syllables used in poetic traditions of syllabic verse. In languages with a stress accent ( accentual verse), it is the equivalent of pentameter with iambs or trochees (particularly iambic pentameter). Medieval French heroic epics (the '' chansons de geste'') were most often composed in 10 syllable verses (from which, the decasyllable was termed "heroic verse"), generally with a regular caesura after the fourth syllable. (The medieval French romance (''roman'') was, however, most often written in 8 syllable (or ''octosyllable'') verse.) Use of the 10 syllable line in French poetry was eclipsed by the 12 syllable alexandrine line, particularly after the 16th century. Paul Valéry's great poem "The Graveyard by the Sea" (Le Cimetière marin) is, however, written in decasyllables. Similarly, South Slavic and in particular Serbian ep ...
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French Alexandrine
The French alexandrine () is a syllabic poetic metre of (nominally and typically) 12 syllables with a medial caesura dividing the line into two hemistichs (half-lines) of six syllables each. It was the dominant long line of French poetry from the 17th through the 19th century, and influenced many other European literatures which developed alexandrines of their own. 12th to 15th centuries Genesis According to verse historian Mikhail Gasparov, the French alexandrine developed from the Ambrosian octosyllable, × – u – × – u × Aeterne rerum conditor by gradually losing the final two syllables, × – u – × – Aeterne rerum cond (construct) then doubling this line in a syllabic context with phrasal stress rather than length as a marker. Rise and decline The earliest recorded use of alexandrines is in the Medieval French poem '' Le Pèlerinage de Charlemagne'' of 1150, but the name derives from their more famous use in part of the '' Roman d'Alexa ...
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Orality
Orality is thought and verbal expression in societies where the technologies of literacy (especially writing and print) are unfamiliar to most of the population. The study of orality is closely allied to the study of oral tradition. The term "orality" has been used in a variety of ways, often to describe, in a generalised fashion, the structures of consciousness found in cultures that do not employ, or employ minimally, the technologies of writing. Walter J. Ong's work was foundational for the study of orality, and exemplifies the fact that despite the striking success and subsequent power of written language, the vast majority of languages are never written, and the basic orality of language is permanent. In his later publications Ong distinguishes between two forms of orality: 'primary orality' and 'secondary orality'. Primary orality refers to thought and expression un-touched by the culture of writing of print; '' secondary orality'' is explained by Ong as oral culture defi ...
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Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralised authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—once part of the Byzantine Empire� ...
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