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Kumi-daiko
are a broad range of Japanese percussion instruments. In Japanese, the term refers to any kind of drum, but outside Japan, it is used specifically to refer to any of the various Japanese drums called and to the form of ensemble drumming more specifically called . The process of constructing varies between manufacturers, and the preparation of both the drum body and skin can take several years depending on the method. have a mythological origin in Japanese folklore, but historical records suggest that were introduced to Japan through Chinese and Korean cultural influence as early as the 6th century CE; pottery from the Haniwa period depicting drums has also been found. Some are similar to instruments originating from India. Archaeological evidence also supports the view that were present in Japan during the 6th century in the Kofun period. Their function has varied throughout history, ranging from communication, military action, theatrical accompaniment, religious ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taiko Tsukiji Honganji Festival
are a broad range of Traditional Japanese musical instruments, Japanese percussion instruments. In Japanese language, Japanese, the term refers to any kind of drum, but outside Japan, it is used specifically to refer to any of the various Japanese drums called and to the form of ensemble drumming more specifically called . The process of constructing varies between manufacturers, and the preparation of both the drum body and skin can take several years depending on the method. have a mythological origin in Japanese folklore, but historical records suggest that were introduced to Japan through China, Chinese and Korean cultural influence as early as the 6th century CE; pottery from the Haniwa period depicting drums has also been found. Some are similar to instruments originating from India. Archaeological evidence also supports the view that were present in Japan during the 6th century in the Kofun period. Their function has varied throughout history, ranging from com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daihachi Oguchi
was a Japanese drummer best known for popularizing taiko. Master Japanese drummer Daihachi Oguchi is credited with inventing kumi-daiko, the taiko ensemble, in 1951. After founding his own ensemble, Osuwa Daiko, he led the spread of modern Taiko throughout Japan and the U.S. A former jazz drummer, Daihachi Oguchi took ancient rhythms, broke them down and created new arrangements and compositions to accommodate an ensemble of drummers. One day, he was asked to interpret an old sheet of taiko music for Suwa Shrine, which was found in an old warehouse. The sheet music was written in an old Japanese notation and he could not understand it at first. He found an old man who had performed the tune, and then he succeeded in interpreting it at last. However, as a jazz player, the rhythm pattern of the tune was too simple for him to play. He wondered why nobody played taiko together. A marvelous idea came across his mind and made him decide to break through the tradition. Inspired by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ondekoza
("demon drum group"), sometimes referred to as "''Za Ondekoza''", is a Japanese troupe specializing in ''taiko'' drumming. Founded in 1969 by Den Tagayasu, in Sado Island, Japan. Ondekoza was influential in the rise of the ''kumi-daiko'' (group taiko) style of taiko. Not a taiko player himself, Tagayasu helped transform taiko from a festival-based music form to a virtuosic performance art performed on stage. Ondekoza's performances in North America in 1975 was the first exposure for many and helped spread interest in taiko through North America. The now widely recognized style of wearing only a 'shimekomi' ('fundoshi loincloth) was originally started by Ondekoza when Pierre Cardin suggested that the physique of the drummer be exposed. The traditional Japanese drummers do not play only in underwear. Part of a larger movement to rediscover Japanese folk art, Tagayasu brought together a group of young men and women to Sado Island to study and live. Largely without formal musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unpitched Percussion
An unpitched percussion instrument is a percussion instrument played in such a way as to produce sounds of indeterminate pitch, or an instrument normally played in this fashion. Unpitched percussion is typically used to maintain a rhythm or to provide accents, and its sounds are unrelated to the melody and harmony of the music. Within the orchestra unpitched percussion is termed auxiliary percussion, and this subsection of the percussion section includes all unpitched instruments of the orchestra however they are played, for example the pea whistle and siren. A common and typical example of an unpitched instrument is the snare drum, which is perceived as unpitched for three reasons: * The snares produce sounds similar to white noise, masking definite frequencies. * The drum heads produce inharmonic sounds. * The strongest frequencies that are present are unrelated to pitched sounds produced by other instruments in the ensemble. Although the drum is ''tuned'' by the playe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gigaku
, also known as , p.357-8, on ''gigaku men" (mask) refers to an extinct genre of masked drama-dance performance, imported into Japan during the Asuka period. History Records state that was introduced during the 20th year of reign of Empress Suiko (612 AD) by a certain volume=5, page=483-4, article on gigaku by :ja:吉川英史 (Kikkawa, Eishi, 1909~2006, traditional music related art historian) from Kudara kingdom (Baekje), one of the Three Kingdoms of Korea. According to accounts, Mimaji arrived in Sakurai and taught to the Japanese youth. It is said that he had studied in Wu (China), showing that the origins of can be traced back to China, as during the Suiko period (593/604–658 AD), the Japanese court took heavy influence from Chinese and Korean culture. The regent at the time, Shotoku, played a decisive role in allowing and diffusing Buddhist culture within Japan; this spread of culture allowed to be performed and viewed by many Japanese individuals, as it promoted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kakko (instrument)
The is a Japanese double- headed drum. drums are usually laid sideways on stands, and are played on both drumheads with sticks known as . drums have been used in taiko ensembles, but are also used in the form of older Japanese court music. History The is derived from the Chinese , a drum popular in China during the Tang Dynasty The Tang dynasty (, ; zh, t= ), or Tang Empire, was an Dynasties in Chinese history, imperial dynasty of China that ruled from 618 to 907 AD, with an Zhou dynasty (690–705), interregnum between 690 and 705. It was preceded by the Sui dyn ...; the Korean is also derived from this drum. Construction One way in which the differs from the regular drum is in the way in which it is made taut. Like the and , the skin of the heads are first stretched over metal hoops before they are placed on the body, tying them to each other and tightening them making them taut. See also * * References External links Drums Japanese musical instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
South China
South China () is a geographical and cultural region that covers the southernmost part of China. Its precise meaning varies with context. A notable feature of South China in comparison to the rest of China is that most of its citizens are not native speakers of Standard Chinese. Cantonese is the most common language in the region while the Guangxi region contains the largest concentration of China's ethnic minorities, each with their own language. Administrative divisions Cities with urban area over one million in population Provincial capitals in bold. Namesake * South China tiger ( southern China) * ''South China Morning Post'' (Hong Kong, South China) * Huanan Seafood Wholesale Market ( Wuhan, Central China) See also * Lingnan * List of regions of China ** Southern China *** South Central China South Central China, South-Central China or Central-South China ( zh, c = 中南, p = Zhōngnán, l = Central-South), is a region of the People's Republic of Chi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gagaku
is a type of Japanese classical music that was historically used for imperial court music and dances. was developed as court music of the Kyoto Imperial Palace, and its near-current form was established in the Heian period (794-1185) around the 10th century.History of gagaku Nihon gagakukai Today, it is performed by the Board of Ceremonies in the Tokyo Imperial Palace. Gagaku consists of three primary repertoires: #Native Shinto relig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instrumentation (music)
In music, instrumentation is the particular combination of musical instruments employed in a composition, and the properties of those instruments individually. Instrumentation is sometimes used as a synonym for orchestration. This juxtaposition of the two terms was first made in 1843 by Hector Berlioz in his ''Grand traité d'instrumentation et d'orchestration modernes'', and various attempts have since been made to differentiate them. Instrumentation is a more general term referring to an orchestrator's, composer's or arranger's selection of instruments in varying combinations, or even a choice made by the performers for a particular performance, as opposed to the narrower sense of orchestration, which is the act of scoring for orchestra a work originally written for a solo instrument or smaller group of instruments. Instrumental properties Writing for any instrument requires a composer or arranger to know the instrument's properties, such as: * the instrument's particular timbr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haniwa
The are terracotta clay figures that were made for ritual use and buried with the dead as funerary objects during the Kofun period (3rd to 6th centuries AD) of the history of Japan. ''Haniwa'' were created according to the ''wazumi'' technique, in which mounds of coiled clay were built up to shape the figure, layer by layer. ''Haniwa'' can also refer to offering cylinders, not the clay sculptures on top of them as well as the "wooden haniwa" found in Kofun tumuli. Terracotta ''Haniwa'' were made with water-based clay and dried into a coarse and absorbent material that stood the test of time. Their name means "circle of clay", referring to how they were arranged in a circle above the tomb. The protruding parts of the figures were made separately and then attached, while a few things were carved into them. They were smoothed out by a wooden paddle. Terraces were arranged to place them with a cylindrical base into the ground, where the earth would hold them in place. During th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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