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Kintsugi
, also known as , is the Japanese art of repairing broken pottery by mending the areas of breakage with lacquer dusted or mixed with powdered gold, silver, or platinum; the method is similar to the technique... As a philosophy, it treats breakage and repair as part of the history of an object, rather than something to disguise. Origin Lacquerware is a longstanding tradition in Japan and, at some point, may have been combined with as a replacement for other ceramic repair techniques. While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Korea. became closely associated with ceramic vessels used for (Japanese tea ceremony). One theory is that may have originated when Japanese Ashikaga Yoshimasa sent a damaged Chinese tea bowl back to China for repairs in the late 15th century. When it was returned, repaired with ugly metal staples, it may have prompted Japanese craftsmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maki-e
is a Japanese lacquer decoration technique in which pictures, patterns, and letters are drawn with lacquer on the surface of lacquerware, and then metal powder such as gold or silver is sprinkled and fixed on the surface of the lacquerware. The origin of the term ''maki-e'' is a compound word of ''maki'' meaning "sprinkling" and ''e'' meaning "picture" or "design". The term can also be used to refer to lacquerware made with this decorative technique. The term first appeared in the Heian period.Maki-e. This technique is the most used technique in Japanese lacquer decoration. The is often combined with other techniques such as in which a nacreous layer of shellfish is embedded or pasted in lacquer, in which metal or ivory is embedded in lacquer, and in which gold leaf or gold powder is embe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wabi-sabi
In traditional Japanese aesthetics, is a world view centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of appreciating beauty that is "imperfect, impermanent, and incomplete" in nature. It is prevalent throughout all forms of Japanese art. is a composite of two interrelated aesthetic concepts, and . According to the Stanford Encyclopedia of Philosophy, may be translated as "subdued, austere beauty," while means "rustic patina." is derived from the Buddhist teaching of the , specifically , and , however, originally the concepts were seen as two distinct concepts. Characteristics of aesthetics and principles include asymmetry, roughness, simplicity, economy, austerity, modesty, intimacy, and the appreciation of both natural objects and the forces of nature. It is often discussed in tandem with a similar aesthetic concept, . Description According to Leonard Koren, can be described as "the most conspicuous and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Lacquerware
is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in '' urushi-e'', prints, and on a wide variety of objects from Buddha statues to ''bento'' boxes for food. The characteristic of Japanese lacquerware is the diversity of lacquerware using a decoration technique called in which metal powder is sprinkled to attach to lacquer. The invention of various techniques in Japanese history expanded artistic expression, and various tools and works of art such as are highly decorative.Masayuki Murata. ''明治工芸入門'' p.24. Me no Me, 2017 A number of terms are used in Japanese to refer to lacquerware. ''Shikki'' (漆器) means "lacquer ware" in the most literal sense, while ''nurimono'' (塗物) means "coated things", and ''urushi-nuri'' (漆塗) means "lacquer coating." The terms related to lacquer or lacquerware such as "Japanning", "Urushiol" and "''maque''" which means lacquer in Mexican Spanish, are derived from Japanese lacquer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tea Bowl, Korea, Joseon Dynasty, 16th Century AD, Mishima-hakeme Type, Buncheong Ware, Stoneware With White Engobe And Translucent, Greenish-gray Glaze, Gold Lacquer - Ethnological Museum, Berlin - DSC02061
Tea is an aromatic beverage prepared by pouring hot or boiling water over cured or fresh leaves of '' Camellia sinensis'', an evergreen shrub native to East Asia which probably originated in the borderlands of southwestern China and northern Myanmar. Tea is also rarely made from the leaves of ''Camellia taliensis''. After plain water, tea is the most widely consumed drink in the world. There are many different types of tea; some have a cooling, slightly bitter, and astringent flavour, while others have vastly different profiles that include sweet, nutty, floral, or grassy notes. Tea has a stimulating effect in humans primarily due to its caffeine content. An early credible record of tea drinking dates to the third century AD, in a medical text written by Chinese physician Hua Tuo. It was popularised as a recreational drink during the Chinese Tang dynasty, and tea drinking subsequently spread to other East Asian countries. Portuguese priests and merchants introduced it to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Tea Ceremony
The Japanese tea ceremony (known as or ) is a Japanese cultural activity involving the ceremonial preparation and presentation of , powdered green tea, the procedure of which is called . While in the West it is known as "tea ceremony", it is seldom ceremonial in practice. Most often tea is served to family, friends, and associates; religious and ceremonial connotations are overstated in western spaces. While in the West it is known as a form of tea ceremony, in Japan the art and philosophy of tea can be more accurately described as "Teaism" as opposed to focusing on the ceremonial aspect. Zen Buddhism was a primary influence in the development of the culture of Japanese tea. Much less commonly, Japanese tea practice uses leaf tea, primarily , a practice known as . Tea gatherings are classified as either an informal tea gathering () or a formal tea gathering (). A is a relatively simple course of hospitality that includes confections, thin tea, and perhaps a light meal. A is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mono No Aware
, literally "the pathos of things", and also translated as "an empathy toward things", or "a sensitivity to ephemera", is a Japanese idiom for the awareness of , or transience of things, and both a transient gentle sadness (or wistfulness) at their passing as well as a longer, deeper gentle sadness about this state being the reality of life. Origins and analysis The idiom comes from Heian period literature, but was picked up and used by 18th century Edo period Japanese cultural scholar Motoori Norinaga in his literary criticism of '' The Tale of Genji,'' and later to other germinal Japanese works including the . It became central to his philosophy of literature; he viewed it the main theme of ''The Tale of Genji''. His articulation was the result of well-established poetic readings of ''The Tale of Genji'' and the concept became central to his own; ''Genji'' was "instrumental" in the term's establishment. According to Norinaga, to "know" is to have a shrewd understanding and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mushin (mental State)
''Mushin'' in Japanese and ''Wuxin'' in Chinese (無心 "no mind") is a mental state. Zen and Daoist meditators attempt to reach this state, as well as artists and trained martial artists. They also practice this mental state during everyday activities.. Etymology The term contains the character for negation, "not" or "without" ( 無), along with the character for heart-mind ( 心). The term is shortened from , a Zen expression meaning ''the mind without mind'' and is also referred to as the state of "no-mindness". That is, a mind not fixed or occupied by thought or emotion and thus open to everything. It is translated by D.T. Suzuki as "being free from mind-attachment". Description ''Mushin'' is achieved when a person's mind is free from thoughts of anger, fear, or ego during combat or everyday life. There is an absence of discursive thought and judgment, so the person is totally free to act and react towards an opponent without hesitation and without disturbance from such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Philosophy
Japanese philosophy has historically been a fusion of both indigenous Shinto and continental religions, such as Buddhism, Taoism and Confucianism. Formerly heavily influenced by both Chinese philosophy and Indian philosophy, as with Mitogaku and Zen, much modern Japanese philosophy is now also influenced by Western philosophy. Ancient and medieval thought Before feudalism was firmly established in Japan, Buddhism occupied the mainstream of Japanese thought. The Buddhist culture introduced politically by Prince Shōtoku was completed as the "making a country safe" thought in the Nara period. When the Heian period (794–1185) began, in substitution for the "making a country safe thought", a form of esoteric Buddhism collectively known as ''mikkyō'' became widespread. However, in the late noble era when pessimism was popular due to the "belief that Buddhism will decline during the latter days of this world", the Pure Land movements spread out encouraging anticipation of a "fut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetics
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect moods or even our beliefs. Both aesthetics and the philosophy of art try to find answers for what exa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Locust
Locusts (derived from the Vulgar Latin ''locusta'', meaning grasshopper) are various species of short-horned grasshoppers in the family Acrididae that have a swarming phase. These insects are usually solitary, but under certain circumstances they become more abundant and change their behaviour and habits, becoming gregarious. No taxonomic distinction is made between locust and grasshopper species; the basis for the definition is whether a species forms swarms under intermittently suitable conditions; this has evolved independently in multiple lineages, comprising at least 18 genera in 5 different acridid subfamilies. Normally, these grasshoppers are innocuous, their numbers are low, and they do not pose a major economic threat to agriculture. However, under suitable conditions of drought followed by rapid vegetation growth, serotonin in their brains triggers dramatic changes: they start to breed abundantly, becoming gregarious and nomadic (loosely described as migratory) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetics
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect moods or even our beliefs. Both aesthetics and the philosophy of art try to find answers for what exa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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