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KKCW
KKCW (103.3 MHz, "K103") is a commercial FM radio station licensed to Beaverton, Oregon and serving the Portland metropolitan area. It is owned by iHeartMedia and airs an adult contemporary radio format. From mid-November to the 31st of December (to the end of December) each year, it switches to all-Christmas music. The studios and offices are on SW 68th Parkway in Tigard, while the transmitter is located off Northwest Skyline Boulevard in Portland's West Hills, amid the towers for other local FM and TV stations. KKCW broadcasts in the HD Radio hybrid format. History In 1984, the Columbia-Willamette Broadcasting Company acquired and built out the license for a new FM station for Portland licensed to Beaverton. It intended to sign on the station with a country music format, and the "CW" in the station's calls would have held a dual meaning for 'country and western' had it gone to plan. KUPL (98.7), which had been an easy listening station on FM, instead had the country f ...
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KLTH
KLTH (106.7 MHz "The Eagle") is a commercial FM radio station, licensed to Lake Oswego, Oregon, and serving the Portland metropolitan area. It is owned by iHeartMedia, Inc., and airs a classic hits radio format. Specialty programs on KLTH include Casey Kasem's " American Top 40: The 70s" on Saturday and Sunday mornings. Sundays also feature Yacht Rock". KLTH's studios and offices are located on SW 68th Parkway in Tigard, Oregon. The transmitter is located on SW Barnes Road in the Tualatin Mountains. KLTH covers much of Northwestern Oregon and Southwestern Washington. History KQIV The station signed on for the first time at 10:15 P.M. PDT on September 15, 1972 as KQIV. It was a short-lived but popular progressive rock station. KQIV was owned and operated by Willamette Broadcasting Company, Inc., with Walter J. M. Kraus serving as president. The station also called itself "KQ4" and "FM 107". The original KQIV offices and studios were located at the Lake Oswego Elk ...
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KFBW
KFBW (105.9 MHz) is a commercial FM radio station licensed to Vancouver, Washington, and broadcasting to the Portland metropolitan area. Owned by iHeartMedia, Inc., the station airs a mainstream rock radio format with emphasis on the late 1970s, 1980s, 1990s and early 2000s, branded as "105.9 The Brew". The transmitter is located in Portland's west hills and the studios are in Tigard, Oregon. History The station was initially licensed to the Cincinnati-based Citicasters as of February 1996, when that broadcasting group was acquired by Jacor Communications. The station has had seven call signs since mid-1998. While owned by Jacor, it changed call letters to KXMX. When Jacor sold it to Clear Channel Communications, the call letters changed to KKLQ. In August 2000, it switched its call letters to KBET. The station officially signed on air with a modern adult contemporary music format branded as "Star 105.9" on February 5, 2001; to match the format, the call letters chan ...
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KEX (AM)
KEX (1190 kHz) is a clear channel AM radio station licensed to Portland, Oregon. It is owned by iHeartMedia, Inc., and airs a news/talk format known as ''NewsRadio 1190''. The station's studios and offices are on SW 68th Parkway, off Interstate 5 in Tigard, Oregon. Because KEX is a 50,000-watt Class A station, it reaches all of the Portland metropolitan area and beyond, providing grade B coverage as far south as Corvallis and as far east as The Dalles. At night, KEX can be heard around the Western United States and Western Canada. The transmitter is located off SE Lawnfield Road in Sunnyside. It uses a non-directional antenna in the daytime, but at night, to protect other stations on 1190 AM, it switches to a directional antenna with a three-tower array. Programming KEX mostly airs nationally syndicated talk shows, largely from Premiere Networks, a subsidiary of iHeartMedia, including ''Armstrong & Getty'' from co-owned KSTE in Sacramento; ''The Clay Travis and Buck Sext ...
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KXJM
KXJM (107.5 FM, "Jam'n 107.5") is a commercial radio station licensed to Banks, Oregon and serving the Portland metropolitan area. KXJM's studios and offices are in Tigard and the transmitter is located in Portland's West Hills. The station is owned by iHeartMedia, Inc., and airs a Rhythmic CHR format. KXJM is the second station in Portland to use these call letters. They previously were found on 95.5, which is now KBFF. Station history Contemporary Christian This station got its initial construction permit in June 1990 but didn't sign-on until March 8, 1991. It began as KDBX, owned by Common Ground Broadcasting, and powered at only 3,000 watts. At first, it carried the K-Love contemporary Christian music radio format. In 1992, it became "Spirit FM 107.5" with the stated goal of playing Christian hit music 24/7, a first for the Portland market. Modern AC and '80s Hits On October 1, 1996, the station was bought by American Radio Systems for $14 million. American R ...
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KPOJ
KPOJ (620 AM) is a radio station serving the Portland metropolitan area in the U.S. state of Oregon and neighboring Washington. It airs a sports format, and is affiliated with Fox Sports Radio. Its transmitter is located in Sunnyside, Oregon, and its studios are in Tigard, Oregon. The station is owned by iHeartMedia. History KGW On December 1, 1921, the U.S. Department of Commerce, in charge of radio at the time, adopted a regulation formally establishing a broadcasting station category, which set aside the wavelength of 360 meters (833 kHz) for entertainment broadcasts, and 485 meters (619 kHz) for market and weather reports. On March 21, 1922, the Oregonian Publishing Company, which published '' The Oregonian'', was issued a license for a new Portland station with the randomly assigned call letters KGW, transmitting on the 360 meter entertainment wavelength. The station began regular broadcasting at noon on March 25, 1922, debuting with singing by Chicago Gr ...
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KKRZ
KKRZ (100.3 MHz) is a commercial FM radio station in Portland, Oregon, known as Z100. It is owned by iHeartMedia and airs a Top 40/CHR radio format. The studios and offices are on SW 68th Parkway in Tigard. Z100 carries two syndicated shows on weekdays, "Johnjay and Rich" in morning drive time and Ryan Seacrest in middays. Local DJs are heard in the afternoon and evening. KKRZ has an effective radiated power of 100,000 watts, the maximum for most American FM stations. The transmitter is in Portland's West Hills, off NW Skyline Boulevard. KKRZ broadcasts using HD Radio technology. Its HD-2 digital subchannel carries an alternative rock format known as "Alt 102.3." That signal feeds 99-watt FM translator K272EL at 102.3 MHz. History KGW-FM, KQFM The station first signed on as KGW-FM, on . It originally broadcast on 95.3  MHz. KGW-FM moved to 100.3 MHz, on September 22, 1947. It mostly simulcast its AM counterpart, 620 KGW (now KPOJ). The two stations ...
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Beaverton, Oregon
Beaverton is a city in Washington County, in the U.S. state of Oregon with a small portion bordering Portland in the Tualatin Valley. The city is among the main cities that make up the Portland metropolitan area. Its population was 97,494 at the 2020 census, making it the second-largest city in the county and the seventh-largest city in Oregon. Beaverton is an economic center for Washington County along with neighboring Hillsboro. It is home to the world headquarters of Nike, Inc., although it sits outside of city limits on unincorporated county land. The hunter–gatherer Atfalati tribe of the Kalapuya people inhabited the Tualatin Valley prior to the arrival of European–American settlers in the 19th century. They occupied a village near the Beaverton and Fanno creeks called Chakeipi, which meant "place of the beaver", and early white settlers referred to this village as Beaverdam. Lawrence Hall took up the first land claim in 1847 and established a grist mill. The e ...
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Adult Contemporary
Adult contemporary music (AC) is a form of radio-played popular music, ranging from 1960s vocal and 1970s soft rock music to predominantly ballad-heavy music of the present day, with varying degrees of easy listening, pop, soul, R&B, quiet storm and rock influence. Adult contemporary is generally a continuation of the easy listening and soft rock style that became popular in the 1960s and 1970s with some adjustments that reflect the evolution of pop/rock music. Adult contemporary tends to have lush, soothing and highly polished qualities where emphasis on melody and harmonies is accentuated. It is usually melodic enough to get a listener's attention, and is inoffensive and pleasurable enough to work well as background music. Like most of pop music, its songs tend to be written in a basic format employing a verse–chorus structure. The format is heavy on romantic sentimental ballads which mostly use acoustic instruments (though bass guitar is usually used) such as ...
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Radio Format
A radio format or programming format (not to be confused with broadcast programming) describes the overall content broadcast on a radio station. The radio format emerged mainly in the United States in the 1950s, at a time when radio was compelled to develop new and exclusive ways to programming by competition with television. The formula has since spread as a reference for commercial radio programming worldwide. A radio format aims to reach a more or less specific audience according to a certain type of programming, which can be thematic or general, more informative or more musical, among other possibilities. Radio formats are often used as a marketing tool and are subject to frequent changes. Except for talk radio or sports radio formats, most programming formats are based on commercial music. However the term also includes the news, bulletins, DJ talk, jingles, commercials, competitions, traffic news, sports, weather and community announcements between the tracks. Background ...
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City Of License
In American, Canadian, and Mexican broadcasting, a city of license or community of license is the community that a radio station or television station is officially licensed to serve by that country's broadcast regulator. In North American broadcast law, the concept of ''community of license'' dates to the early days of AM radio broadcasting. The requirement that a broadcasting station operate a ''main studio'' within a prescribed distance of the community which the station is licensed to serve appears in U.S. law as early as 1939. Various specific obligations have been applied to broadcasters by governments to fulfill public policy objectives of broadcast localism, both in radio and later also in television, based on the legislative presumption that a broadcaster fills a similar role to that held by community newspaper publishers. United States In the United States, the Communications Act of 1934 requires that "the Commission shall make such distribution of licenses, f ...
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Christmas Music
Christmas music comprises a variety of genres of music regularly performed or heard around the Christmas season. Music associated with Christmas may be purely instrumental, or, in the case of carols or songs, may employ lyrics whose subject matter ranges from the nativity of Jesus Christ, to gift-giving and merrymaking, to cultural figures such as Santa Claus, among other topics. Many songs simply have a winter or seasonal theme, or have been adopted into the canon for other reasons. While most Christmas songs prior to 1930 were of a traditional religious character, the Great Depression era of the 1930s brought a stream of songs of American origin, most of which did not explicitly reference the Christian nature of the holiday, but rather the more secular traditional Western themes and customs associated with Christmas. These included songs aimed at children such as " Santa Claus Is Comin' to Town" and "Rudolph the Red-Nosed Reindeer", as well as sentimental ballad-type s ...
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Radio Studio
A recording studio is a specialized facility for sound recording, mixing, and audio production of instrumental or vocal musical performances, spoken words, and other sounds. They range in size from a small in-home project studio large enough to record a single singer-guitarist, to a large building with space for a full orchestra of 100 or more musicians. Ideally, both the recording and monitoring (listening and mixing) spaces are specially designed by an acoustician or audio engineer to achieve optimum acoustic properties (acoustic isolation or diffusion or absorption of reflected sound echoes that could otherwise interfere with the sound heard by the listener). Recording studios may be used to record singers, instrumental musicians (e.g., electric guitar, piano, saxophone, or ensembles such as orchestras), voice-over artists for advertisements or dialogue replacement in film, television, or animation, foley, or to record their accompanying musical soundtracks. The typ ...
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