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King Porter Stomp
"King Porter Stomp" is a jazz standard by pianist Jelly Roll Morton, first recorded in 1923. The composition is considered to be important in the development of jazz.Magee, Jeffrey. "'King Porter Stomp' and the Jazz Tradition", p.46, ''Current Musicology'', 71-73 (Spring 2001-Spring 2002), p. 22-53 It became a hit during the swing era, when it was recorded by Benny Goodman. History According to Jelly Roll Morton, the tune was composed in 1906 and was the first " stomp" in the history of jazz. Morton first recorded the number in 1923 as a piano solo, but did not file a copyright on the tune until 1924. That year, Morton recorded a duet version with Joe "King" Oliver on cornet. Morton said that he had actually written the tune almost 20 years earlier, and that it was named after his friend and fellow pianist Porter King. According to S. Brun Campbell, Morton was having difficulty finishing the piece and sent it to Scott Joplin who was living in St. Louis for help. On July 1, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive List of jazz standards (other), list of jazz standards, and the list of songs deemed to be standard (music), standards changes over time. Songs included in major fake book publications (lead sheet collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway theatre, Broadway show tunes or songs from Cinema of the United States, Hollywood musical film, musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of a minority ethnic group's music (such as gypsy music ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patrick Williams (composer)
Patrick Moody Williams (April 23, 1939 – July 25, 2018) was an American composer, arranger, and conductor who worked in many genres of music, and in film and television. Biography Born in Missouri, Williams grew up in Connecticut and received a degree in history from Duke University, where he directed the student-run jazz big band, known as the Duke Ambassadors, from 1959 to 1961. Since music was always his first love, he went on to Columbia University to study music composition and conducting, where his passion became his profession. He quickly became busy as an arranger in New York; he moved to California in 1968 to pursue work in the movie and television field while continuing to write and arrange jazz albums. Williams was also a leader in the music-education field. For five years he served as the artistic director of the Henry Mancini Institute – one of the nation's premier training programs for young musicians seeking professional careers in music. He was Visiting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songs Written By Jelly Roll Morton
A song is a musical composition performed by the human voice. The voice often carries the melody (a series of distinct and fixed pitches) using patterns of sound and silence. Songs have a structure, such as the common ABA form, and are usually made of sections that are repeated or performed with variation later. A song without instruments is said to be a cappella. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in the classical tradition, it is called an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally by ear are often referred to as folk songs. Songs composed for the mass market, designed to be sung by professional singers who sell their recordings or live shows, are called popular songs. These songs, which have broad appeal, are oft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Compositions
Jazz is a music genre that originated in the African Americans, African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, march (music), marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional music, traditional and popular music. Jazz is characterized by swung note, swing and blue notes, complex Chord (music), chords, Call and response (music), call and response vocals, polyrhythms and Jazz improvisation, improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. Dixieland, New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphony, polyphonic Musical improvisation, improvisati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1923 Singles
Nineteen or 19 may refer to: * 19 (number) * One of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (1987 film), a 1987 science fiction film * '' 19-Nineteen'', a 2009 South Korean film * '' Diciannove'', a 2024 Italian drama film informally referred to as "Nineteen" in some sources Science * Potassium, an alkali metal * 19 Fortuna, an asteroid Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album '' 63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle * "Stone in Focus", officially "#19", a composition by Aphex Twin * "Nineteen", a song from the 1992 album ''Refugee'' by Bad4Good * "Nineteen", a song from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1923 Compositions
Nineteen or 19 may refer to: * 19 (number) * One of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (1987 film), a 1987 science fiction film * ''19-Nineteen'', a 2009 South Korean film * ''Diciannove'', a 2024 Italian drama film informally referred to as "Nineteen" in some sources Science * Potassium, an alkali metal * 19 Fortuna, an asteroid Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle * "Stone in Focus", officially "#19", a composition by Aphex Twin * "Nineteen", a song from the 1992 album ''Refugee'' by Bad4Good * "Nineteen", a song from the 2001 al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of 1920s Jazz Standards
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1920s that are considered standards by at least one major book publication or reference work. Some of the tunes listed were already well-known standards by the 1930s, while others were popularized later. The time of the most influential recordings of a song, where appropriate, is indicated on the list. A period known as the "Jazz Age" started in the United States in the 1920s. Jazz had become popular music in the country, although older generations considered the music immoral and threatening to old cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stop-time
In tap dance, tap dancing, jazz, and blues, stop-time is an accompaniment pattern interrupting, or stopping, the meter (music), normal time and featuring regular accent (music), accented attacks on the first beat (music), beat of each or every other bar (music), measure, alternating with rest (music), silence or instrumental solo (music), solos. Stop-time occasionally appears in ragtime music. The characteristics of stop-time are heavy accents, frequent rests, and a stereotyped cadence (music), cadential pattern. Stop-timing may create the impression that the tempo has changed, though it has not, as the soloist continues without accompaniment. Stop-time is common in African-American popular music including R&B, soul music, and led to the development of the break (music), break in Hip hop music, hip hop.Ramsey, Guthrie Jr.Stop-Time! (Fall 1998), ''Colum.edu''. Stop-time is, according to Samuel A. Floyd Jr., "a musical device in which the forward flow of the music stops, or seem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Air Lore
''Air Lore'' is an album by the improvisational trio Air featuring Henry Threadgill, Steve McCall, and Fred Hopkins performing compositions by Jelly Roll Morton and Scott Joplin. It was reissued on compact disc by Bluebird/RCA in 1987 and included in the eight-CD box set, ''Complete Novus and Columbia Recordings of Henry Threadgill and Air'' on Mosaic Records. Reception The AllMusic review by Thom Jurek stated: "Through it all, this remains the album most Air fans love most, precisely because of all the joy and irreverence in the proceedings, which didn't update the old music, but brought it into focus for the revolutionary improvisational template that it is".Jurek, T. AllMusic Reviewaccessed February 11, 2010. Bob Blumenthal in ''The Rolling Stone Jazz Record Guide'' said, "if one Air album belongs in every collection it is ''Air Lore'', a 1979 performance of Scott Joplin rags and Jelly Roll Morton tunes that is currently unsurpassed as a statement of historical homage from th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Air (free Jazz Trio)
Air was a free jazz trio founded by saxophone player Henry Threadgill, double bassist Fred Hopkins, and drummer Steve McCall in 1971. Career Threadgill was asked by Columbia College in Chicago to arrange a number of Scott Joplin songs. Joplin was so strongly associated with piano that the musicians enjoyed the challenge of performing his trademark songs without piano. They opted to play them as rags and as a basis for jazz improvization. The album '' Air Lore'' contains improvizations over songs by Scott Joplin as well as selections by Jelly Roll Morton. Air broke up and reformed several times, and after McCall's death, Andrew Cyrille Andrew Charles Cyrille (born November 10, 1939) is an American avant-garde jazz drummer. Throughout his career, he has performed both as a leader and a sideman in the bands of Walt Dickerson and Cecil Taylor, among others. AllMusic biographer ... performed as part of the trio. They released two albums with drummer Pheeroan Aklaff as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Adams (musician)
George Rufus Adams (April 29, 1940 – November 14, 1992) was an American jazz musician who played tenor saxophone, flute and bass clarinet. He is best known for his work with Charles Mingus, Gil Evans, Roy Haynes and in the quartet he co-led with pianist Don Pullen, featuring bassist Cameron Brown (musician), Cameron Brown and drummer Dannie Richmond. He was also known for his idiosyncratic singing. Biography George Adams was born in Covington, Georgia, on April 29, 1940. He first started playing piano at the age of eleven and switched to tenor saxophone in high school. Later on, he went study at the Clark College and got lessons on flute by Wayman Carver. As a teenager, George Adams frequently gained performance experience by playing with local R&B bands. In 1961, he accompanied singer Sam Cooke on a tour. At this point, Adams was based out of Cleveland where he spent a great deal of time studying and working with organ trios alongside pianist and organist, Bill Doggett. The tw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Sanborn
David William Sanborn (July 30, 1945 – May 12, 2024) was an American alto saxophonist. He worked in many musical genres; his solo recordings typically blended jazz with instrumental pop and R&B. He began playing the saxophone at the age of 11 and released his first solo album, ''Taking Off,'' in 1975. He was active as a session musician and played on numerous albums by artists including Stevie Wonder, Bruce Springsteen, Aretha Franklin, Sting, the Eagles, Rickie Lee Jones, James Brown, George Benson, Carly Simon, Elton John, Bryan Ferry, Ween, and The Rolling Stones. Sanborn released more than 20 albums and won six Grammy awards. In 2012, Sanborn was described by critic Scott Yanow as "the most influential saxophonist on pop, R&B and crossover players of the past 20 years." He became identified with radio-friendly smooth jazz, although he disliked the term and said he was not a jazz musician. Early life Sanborn was born in 1945 in Tampa, Florida, where his father wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
