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Karel Reisz
Karel Reisz (21 July 1926 – 25 November 2002) was a Czech-born British filmmaker and film critic, one of the pioneers of the new realist strain in British cinema during the 1950s and 1960s. Two of the best-known films he directed are '' Saturday Night and Sunday Morning'' (1960), a classic of kitchen sink realism, and the romantic period drama ''The French Lieutenant's Woman'' (1981). Early life Reisz was born in Ostrava, Czechoslovakia, to a family of Jewish ancestry.Milne, Tom"Obituary: Karel Reisz"''Guardian.co.uk'', 28 November 2002 (Retrieved: 3 July 2009) His father was a lawyer. Reisz became a refugee, one of the 669 children rescued and evacuated from the country by Sir Nicholas Winton. He was transported to England in 1938, speaking almost no English, and he eradicated his foreign accent as quickly as possible. After attending Leighton Park School, he joined the Royal Air Force toward the end of the war. After the war ended, he learned that both his parents were ...
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Ostrava
Ostrava (; ; ) is a city in the north-east of the Czech Republic and the capital of the Moravian-Silesian Region. It has about 283,000 inhabitants. It lies from the border with Poland, at the confluences of four rivers: Oder, Opava (river), Opava, Ostravice (river), Ostravice and Lučina (river), Lučina. Ostrava is the third largest city in the Czech Republic in terms of both population and area, the second largest city in the region of Moravia, and the largest city in the historical land of Czech Silesia. It straddles the border of the two historic provinces of Moravia and Silesia. The wider conurbation – which also includes the towns of Bohumín, Havířov, Karviná, Orlová, Petřvald (Karviná District), Petřvald and Rychvald – is home to about 500,000 people, making it the largest urban area in the Czech Republic apart from the capital Prague. Ostrava grew in importance due to its position at the heart of a major coalfield, becoming an important industrial engine of t ...
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Sight And Sound
''Sight and Sound'' (formerly written ''Sight & Sound'') is a monthly film magazine published by the British Film Institute (BFI). Since 1952, it has conducted the well-known decennial ''Sight and Sound'' Poll of the Greatest Films of All Time. History and content ''Sight and Sound'' was first published in Spring 1932 as "A quarterly review of modern aids to learning published under the auspices of the British Institute of Adult Education". In 1934, management of the magazine was handed to the nascent British Film Institute (BFI), which still publishes the magazine today. ''Sight and Sound'' was published quarterly for most of its history until the early 1990s, apart from a brief run as a monthly publication in the early 1950s, but in 1991 it merged with another BFI publication, the ''Monthly Film Bulletin'', and started to appear monthly. In 1949, Gavin Lambert, co-founder of film journal ''Sequence (journal), Sequence'', was hired as the editor, and also brought with him ''S ...
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Venice Film Festival
The Venice Film Festival or Venice International Film Festival (, "International Exhibition of Cinematographic Art of the Venice Biennale") is an annual film festival held in Venice, Italy. It is the world's oldest film festival and one of the "Big Five" International film festivals worldwide, which include the Film festival#Notable festivals, Big Three European Film Festivals (Venice, Cannes, Berlin), alongside the Toronto International Film Festival in Canada and the Sundance Film Festival in the United States. In 1951, FIAPF formally accredited the festival. Founded by Giuseppe Volpi, member of the National Fascist Party and grandfather of producer Marina Cicogna, in Venice in August 1932, the festival is part of the Venice Biennale, one of the world's oldest exhibitions of art, created by the Venice City Council on 19 April 1893. The range of work at the Venice Biennale now covers Italian and international art, architecture, dance, music, theatre, and cinema. These works ar ...
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Cricket
Cricket is a Bat-and-ball games, bat-and-ball game played between two Sports team, teams of eleven players on a cricket field, field, at the centre of which is a cricket pitch, pitch with a wicket at each end, each comprising two Bail (cricket), bails (small sticks) balanced on three stump (cricket), stumps. Two players from the Batting (cricket), batting team, the striker and nonstriker, stand in front of either wicket holding Cricket bat, bats, while one player from the Fielding (cricket), fielding team, the bowler, Bowling (cricket), bowls the Cricket ball, ball toward the striker's wicket from the opposite end of the pitch. The striker's goal is to hit the bowled ball with the bat and then switch places with the nonstriker, with the batting team scoring one Run (cricket), run for each of these swaps. Runs are also scored when the ball reaches the Boundary (cricket), boundary of the field or when the ball is bowled Illegal delivery (cricket), illegally. The fielding tea ...
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Skiffle
Skiffle is a music genre, genre of folk music with influences from American folk music, blues, Country music, country, Bluegrass music, bluegrass, and jazz, generally performed with a mixture of manufactured and homemade or improvised instruments. Originating as a form in the United States in the first half of the 20th century, it became extremely popular in the United Kingdom in the 1950s, where it was played by such artists as Lonnie Donegan, the Vipers Skiffle Group, Ken Colyer, and Chas McDevitt. Skiffle was a major part of the early careers of some musicians who later became prominent in other genres, including the Quarrymen (who were later renamed the Beatles), Tony Sheridan and Rory Gallagher. The skiffle style has been seen as a critical stepping stone to the British folk revival#Second revival 1945–69, second British folk revival, the British blues boom, and the British Invasion of American popular music. Origins in the United States The origins of skiffle are obscu ...
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We Are The Lambeth Boys
''We Are the Lambeth Boys'' is a 1959 British documentary film directed by Karel Reisz. Filmed in the summer of 1958, it was sponsored by the Ford motor company as part of a 'Look at Britain' series. ''Lambeth Boys'' was one of the last films to be made by the Free Cinema movement, and offered a sympathetic portrait of the lives of young working-class people in South London. Plot The film focuses on the lives and feelings of the young people such as teddy boys and girls who attend Alford House Youth Club in Kennington, South London. The protagonists act as if they are not being recorded at all because the film is shot in a naturalistic style. ''Lambeth Boys'' features life in the youth club, from dance nights to discussion groups, and life outside the youth club; work in postal sorting offices and factories, time spent with one another on the Kennington Lane estate or in a chip shop after a night out. Cricket also features in the documentary; boys practising cricket in the yard ...
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March To Aldermaston
March is the third month of the year in both the Julian and Gregorian calendars. Its length is 31 days. In the Northern Hemisphere, the meteorological beginning of spring occurs on the first day of March. The March equinox on the 20 or 21 marks the astronomical beginning of spring in the Northern Hemisphere and the beginning of autumn in the Southern Hemisphere, where September is the seasonal equivalent of the Northern Hemisphere's March. History The name of March comes from '' Martius'', the first month of the earliest Roman calendar. It was named after Mars, the Roman god of war, and an ancestor of the Roman people through his sons Romulus and Remus. His month ''Martius'' was the beginning of the season for warfare, and the festivals held in his honor during the month were mirrored by others in October, when the season for these activities came to a close. ''Martius'' remained the first month of the Roman calendar year perhaps as late as 153 BC, and several religious ...
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Every Day Except Christmas
''Every Day Except Christmas'' is a 37-minute documentary film filmed in 1957 at the Covent Garden fruit, vegetable and flower market, which at that point was still located in central London. It was directed by Lindsay Anderson and produced by Karel Reisz and Leon Clore under the sponsorship of Ford of Britain, the first of the company's "Look at Britain" series. It was filmed by Walter Lassally. ''Every Day'' and other short, mostly documentary films made within two or three years, reflected the concept of Free Cinema, films which were "free" in the sense that they were made outside the traditional structure of filmmaking. The film received a BAFTA nomination for Best Documentary; and won the Grand Prix at the Venice Festival of Shorts and Documentaries. Synopsis Opening with a title card dedicating the film to about seven or eight of the drivers/loaders and market workers whom we'll meet as the film progresses, Anderson establishes the rituals of the daily routine; the l ...
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National Film Theatre
BFI Southbank (from 1951 to 2007, known as the National Film Theatre) is the leading repertory cinema in the United Kingdom, specialising in seasons of classic, independent and non-English language films. It is operated by the British Film Institute. ''Forbes'' called its largest cinema, NFT1, "one of the crown jewels of the London film scene". History The National Film Theatre was initially opened in a temporary building (the Telecinema) at the Festival of Britain in 1951 and moved to its present location in 1957, replacing the Thameside restaurant on the site. It opened for the first BFI London Film Festival on 16 October 1957. Later, the Southbank Centre expanded its buildings to meet the National Film Theatre from the south, while the National Theatre occupies the area to the northeast. A second screen was added on 21 September 1970. In 1988, a new building was constructed for the Museum of the Moving Image between the National Film Theatre and Belvedere Road. Designed ...
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Tony Richardson
Cecil Antonio Richardson (5 June 1928 – 14 November 1991) was an English theatre and film director, producer and screenwriter, whose career spanned five decades. He was identified with the "angry young men" group of British directors and playwrights during the 1950s, and was later a key figure in the British New Wave filmmaking movement. His films ''Look Back in Anger (1959 film), Look Back in Anger'' (1959), ''The Entertainer (1960 film), The Entertainer'' (1960), ''A Taste of Honey (film), A Taste of Honey'' (1961), and ''The Loneliness of the Long Distance Runner (film), The Loneliness of the Long Distance Runner'' (1962) are considered classics of kitchen sink realism. He won the 1964 Academy Awards for Academy Award for Best Director, Best Director and Academy Award for Best Picture, Best Picture for the film ''Tom Jones (1963 film), Tom Jones''. He was also a two-time BAFTA Award winner, and was twice nominated for the Palme d'Or. With his wife Vanessa Redgrave, Richard ...
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Momma Don't Allow
''Momma Don't Allow'' is a 1956 short British documentary film co-directed by Karel Reisz and Tony Richardson, and filmed by Walter Lassally. Produced by the British Film Institute Experimental Film Fund, it was first shown in February 1956 as part of the first Free Cinema programme at the National Film Theatre. The film depicts a performance of The Chris Barber Jazz Band (with Ottilie Patterson) at The Fishmonger's Arms, a traditional jazz club in Wood Green, North London North London is the northern part of London, England, north of the River Thames and the City of London. It extends from Clerkenwell and Finsbury, on the edge of the City of London financial district, to Greater London's boundary with Hertfordshi .... It features extensive footage of skip jiving by the audience on the club's dance floor. References External links *BFI's "screenonline" on ''Momma Don't Allow'' 1956 films 1956 short documentary films Cultural history of the United Kingdom Film ...
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Free Cinema
Free Cinema was a documentary film movement that emerged in the United Kingdom in the mid-1950s. The term referred to an absence of propagandised intent or deliberate box office appeal. Co-founded by Lindsay Anderson (but he later disdained the 'movement' tag) with Karel Reisz, Tony Richardson and Lorenza Mazzetti, the movement began with a programme of three short films at the National Film Theatre, London on 5 February 1956. The programme was such a success that five more programmes appeared under the ‘Free Cinema’ banner before the founders decided to end the series. The last event was held in March 1959. Three of the screenings consisted of work from overseas filmmakers. Background Together with Gavin Lambert, Anderson and Reisz had previously founded the short-lived but influential journal ''Sequence'', of which Anderson later wrote 'No Film Can Be Too Personal'. So ran the initial pronouncement in the first Free Cinema manifesto. It could equally well have been the mot ...
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