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Kantara (soundtrack)
''Kantara'' is the title of the soundtrack albums composed by B. Ajaneesh Loknath for the Indian Kannada-language films '' Kantara: Chapter 2'' (2022) and its prequel '' Kantara: Chapter 1'' (2025), both written and directed by Rishab Shetty and produced by Hombale Films. The music for both films draws heavily from the folklore, ritualistic traditions, and native sounds of coastal Karnataka. Kantara: Chapter 2 The soundtrack album for '' Kantara: Chapter 2'' was composed by Loknath as a folk-based musical score rooted in the culture and spirit of the 1990s. He described the film as a culture-based folklore film in musical context and incorporated traditional instruments and native musicians to preserve authenticity. The album was preceded by the single "Singara Siriye", released on 15 August 2022. The full five-track album was released on 12 October 2022, after the film’s theatrical debut, with a sixth track added later as a bonus. Dubbed versions of the soundtrack were r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Soundtrack
A soundtrack is a recorded audio signal accompanying and synchronised to the images of a book, drama, motion picture, radio program, television program, or video game; colloquially, a commercially released soundtrack album of music as featured in the soundtrack of a film, video, or television presentation; or the physical area of a film that contains the synchronised recorded sound. In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production. Initially, the dialogue, sound effects, and music in a film each has its own separate track, and these are mixed together to make what is called the ''composite track,'' which is heard in the film. A ''dubbing track'' is often later created when films are dubbed into another language. This is also known as an M&E (music and effects) track. M&E tracks contain all sound elements minus dialogue, which is then supplied by the foreign distributor in the native language of its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chanda
Sanskrit prosody or Chandas refers to one of the six Vedangas, or limbs of Vedic studies.James Lochtefeld (2002), "Chandas" in The Illustrated Encyclopedia of Hinduism, Vol. 1: A-M, Rosen Publishing, , page 140 It is the study of poetic metres and verse in Sanskrit. This field of study was central to the composition of the Vedas, the scriptural canons of Hinduism; in fact, so central that some later Hindu and Buddhist texts refer to the Vedas as ''Chandas''. The Chandas, as developed by the Vedic schools, were organized around seven major metres, each with its own rhythm, movements and aesthetics. Sanskrit metres include those based on a fixed number of syllables per verse, and those based on fixed number of morae per verse. Extant ancient manuals on Chandas include Pingala's ''Chandah Sutra'', while an example of a medieval Sanskrit prosody manual is Kedara Bhatta's ''Vrittaratnakara''. The most exhaustive compilations of Sanskrit prosody describe over 600 metres. This is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tulu Language
The Tulu language (, Tigalari script: , Kannada script: , Malayalam script: ; ) is a Dravidian language whose speakers are concentrated in Dakshina Kannada and in the southern part of Udupi of Karnataka in south-western India and also in the northern parts of the Kasaragod district of Kerala. The native speakers of Tulu are referred to as Tuluva or Tulu people and the geographical area is unofficially called Tulu Nadu. The Indian census report of 2011 reported a total of 1,846,427 native Tulu speakers in India. The 2001 census had reported a total of 1,722,768 native speakers. There is some difficulty in counting Tulu speakers who have migrated from their native region as they are often counted as Kannada speakers in Indian census reports. Separated early from Proto-South Dravidian, Tulu has several features not found in Tamil–Kannada. For example, it has the pluperfect and the future perfect, like French or Spanish, but formed without an auxiliary ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Independence Day (India)
Independence Day is celebrated annually on 15 August as a Public holidays in India, public holiday in India commemorating the nation's Indian independence movement, independence from the United Kingdom on 15 August 1947. On this day the Indian Independence Act 1947 came into effect, transferring legislative sovereignty to the Indian Constituent Assembly. India attained independence following the Indian independence movement, independence movement noted for largely nonviolent resistance, non-violent resistance and civil disobedience led by Indian National Congress under the leadership of Mahatma Gandhi. Independence coincided with the partition of India, in which British Raj, British India was divided into the Dominion of India, Dominions of India and Dominion of Pakistan, Pakistan; the partition was accompanied by violent riots and mass casualties. On 15 August 1947, the first Prime Minister of India, Jawaharlal Nehru raised the Flag of India, Indian national flag above the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ananya Bhat
Ananya Bhat is an Indian playback singer who primarily sings in Kannada, Tamil and Telugu. Through her singing career, she received the award called the Filmfare Award for the song "Namma Kaayo Devan", of the film '' Rama Rama Re...'' at 64th Filmfare Awards South in 2017. Early life and career Born in Ankali, Belagavi district, she was raised in Mysuru, Karnataka. She is currently residing in Bengaluru. Bhat is the singer in songs ''Garbadhi (solo), Sidila Bharava, Dheera Dheera and Koti Kanasugalu'', of the multi-lingual film ''KGF''. She has recorded songs in all four South-Indian languages and also in Hindi.She is also the singer in songs Mehabooba,Toofan and Gagana nee of the multilingual film sequel " KGF 2".She has recorded these songs in all four south-Indian languages and also in Hindi. Previously she worked for a playback "Namma Kaayo Devane" in '' Rama Rama Re...'' (2016). In 2018 she sang "Hold On" & "Mental Ho Jawa" songs in '' Tagaru''. Out of two the former s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vijay Prakash
Vijay Prakash (born 21 February 1976) is an Indian Playback singer and Music director from Karnataka. He has given his voice for predominantly Kannada, Tamil, and Telugu language films, in addition to Hindi, Malayalam and Marathi language films. He has also performed shows with Zakir Hussain. Prakash won the Karnataka Government's 'Best Playback Singer' award for the year 2016 for the song "Nammooralli Chaligaladalli" from the film '' Beautiful Manasugalu''. He is also one of four artists credited for the song " Jai Ho", which won the 2008 Academy Award for Best Original Song. Specifically, he sang the portion with the words "Jai Ho" that takes an extended high pitch at numerous junctures of the song. The song also won a Grammy Award in the category "Best Song Written For Motion Picture, Television Or Other Visual Media." He has also won the Filmfare Award for Best Male Playback Artist – Kannada twice for the songs "Gatiya Ilidu" from the Kannada film '' Ulidavaru Kanda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaanapada
Jaanapada is a word made by two words ''Jana'' - People or tribe ''Pada'' - a kind of short verse joined as a sandhi- a grammatical term. The folk culture and colloquial tongue of Kannadiga and probably Telugu people were known by this name from time the languages came into existence. The Tongue * Proverbial ''Gaade'' which has a saying in Kannada, ''Veda sulladaru Gaade sullagadu'', meaning even if Vedas are proved wrong practically, great sayings can never go wrong. * Small songs which are sung on every occasion like marriage, festival, travel and most importantly on every work done mostly from harvest to cooking. * Religious ''pada'' like those of ''Dasa DASA (officially Deutsche AeroSpace AG, later Daimler-Benz AeroSpace AG, then DaimlerChrysler AeroSpace AG) was a German aerospace manufacturer. It was created during 1989 as the aerospace subsidiary arm of Daimler-Benz, Daimler-Benz AG (later D ... Saahitya'' and '' Vachana Saahitya'' and probably even the literature of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tibetan Buddhism
Tibetan Buddhism is a form of Buddhism practiced in Tibet, Bhutan and Mongolia. It also has a sizable number of adherents in the areas surrounding the Himalayas, including the Indian regions of Ladakh, Gorkhaland Territorial Administration, Darjeeling, Sikkim, and Arunachal Pradesh, as well as in Nepal. Smaller groups of practitioners can be found in Central Asia, some regions of China such as Northeast China, Xinjiang, Inner Mongolia and some regions of Russia, such as Tuva, Buryatia, and Kalmykia. Tibetan Buddhism evolved as a form of Mahayana, Mahāyāna Buddhism stemming from the latest stages of Indian Buddhism (which included many Vajrayana, Vajrayāna elements). It thus preserves many Indian Buddhist Tantra, tantric practices of the Gupta Empire, post-Gupta Medieval India, early medieval period (500–1200 CE), along with numerous native Tibetan developments. In the pre-modern era, Tibetan Buddhism spread outside of Tibet primarily due to the influence of the Mongol Emp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buta Kola
Būta Kōlā,/buːt̪ʌ/ is the local pronunciation while the standardised Sanskrit+Tulu pronunciation is /bʱuːt̪ʌ koːlɑː/ also referred to as Daiva Kōlā or Daiva Nēmā, is a shamanistic Hindu dance performance practised, believed and protected by the Tuluvas of Tulu Nadu and parts of Malenadu of Karnataka and Kasargod in northern Kerala, India. The dance is highly stylized and performed as part of 'Bhootaradhane' or worship of the local deities worshipped by the Tulu speaking population. It has influenced Yakshagana folk theatre. Būta kōlā is closely related to Theyyam of North Malabar region and Theyyam is the evolutionised form of Bhuta Kola. List of Daivas Koragajja Koragajja is the most worshipped Daiva (Spirit) by the Tulu people and is prayed to for help in solving any problem, to get back something lost, or to get any work done on time. Panjurli A boar spirit that is worshipped to ward off the menace of wild boars in order to protect the crops. Accordi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mukhari
Mukhari (pronounced mukhāri) is a rāga in Carnatic music (musical scale of South Indian classical music). It is a ''janya'' rāga of Kharaharapriya. A strong raga, it can sound very sorrowful and introspective. And of course, devotional as well. It sounds best in a very slow speed, with each note and gamaka enunciated clearly. However, there are some crisper renditions of this raga which are also enjoyable. Some well known and often heard compositions are ''Sivakama Sundari'' by Papanasam Sivan, ''Sangeeta Shastra'' and ''Entani Ne'' by Tyagaraja, ''Emani Ne'' by Subbaraya Shastri, ''Arivar Yaar'' by Arunachala Kavi and ''Endraikku Shiva Krupai'' by Neelakanta Sivan. Structure and Lakshana * Arohana: * Avarohana: Popular Compositions * ''Indu Enage Govinda'' by Raghavendra Swami (Also sung in Mukhari) *''Palisemma Muddu Sharade'', ''Chitta Shuddhi illadava'' By Purandara Dasa * ''Brahma Kadigina Padamu'' by Annamacharya * ''Pahimaam Rathnachala'', ''Govindarajam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varali
Varali or Varaali (pronounced varāḷi) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is classified either as the 39th mela kartha raga or as a ''janya'' rāgam (derived scale) of the 39th ''melakarta'' scale ''Jhalavarali''. Even though it is a mela kartha, the scale is most often rendered with a ''vakra'' scale (zig-zag notes) in the ascending scale.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It is a '' vivadi rāgam''. It is the 4th in the list of 5 ''Ghana'' rāgams ('' Nata (raga)'', '' Gaula'', ''Arabhi'' and '' Shree ragam'' being the others).''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications In olden times, this rāgam was called ''Varati'', and is said to be more than 1300 years old. It is with this name that it is referred in old musical texts like '' Sangita Makarandha'' and ''Sangita Ratnakara''. Structure and Lakshana ''Varali'' is an asymmetric rāgam due to the ''vakra p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Todi (raga)
Miyan ki Todi, often simply referred to as Todi or Darbari Todi (), is a Hindustani classical raga which gave its name to the Todi thaat, one of the ten types of classical music according to the musicologist Bhatkhande. Ragas from the Todi raganga (class of ragas) include Todi (a.k.a. Miyan ki Todi) itself, Bilaskhani Todi, Gujari Todi (also called Gurjari Todi), Desi Todi, Hussaini Todi, Asavari Todi (more commonly known as Komal Rishabh Asavari), and Bahaduri Todi. The equivalent raga in Carnatic music is Shubhapantuvarali. But in Todi, the pancham is omitted in the Arohana, whereas Shubhapanthuvarali uses the panchamam in both the arohana and avarohana. The Carnatic Melakarta Hanumatodi is the equivalent of Bhairavi thaat, but the Hindustani Bhairavi raga is the equivalent of Carnatic Sindhu Bhairavi. Carnatic Todi does not have any similarity with Hindustani Todi (Miyan ki Todi) raga. Though the Swarasthana orders of Carnatic Thodi are similar to Hindustani Bhairavi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
