|
K. C. Kesava Pillai
Kanakku Chembakaraman Kesava Pillai (1868–1914) was an Indian composer of Carnatic music and a poet of Malayalam literature. He was the Poet Laureate of Travancore and was known for ''Kesaveeyam'', a mahakavya in Malayalam, two Attakatha (performance), attakathas and several bhajans and kirtans. He also translated the Sanskrit text, Narayaniyam, into Malayalam under the title, ''Bhashanarayaniyam''. Biography K. C. Kesava Pillai was born on February 4, 1868, in Paravur, Kollam, Paravur in Kollam district of Kerala in India to Valiyavelichathu Veettil Raman Pillai and Desathu Lakshmy Amma. His early schooling was at Paravur Malayalam School where he studied up to 5th standard and followed it up with Sanskrit studies under the tutelage of Paravur Kesavan Asan and grammar studies under Enakkattu Rajaraja Varma. As a boy, Pillai regularly watched Kathakali and learnt the basics of Kathakali literature, costumes and mudras, besides gaining proficiency in music. Aged 15, he wrote h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paravur, Kollam
Paravur, , (''Paravoor''), is a town and a municipality in the Kollam Metropolitan Area of Kollam district in the Indian state of Kerala. Paravur railway station is the last station in Kollam district which is on the route to Trivandrum while travelling towards South India. Governance and Wards Paravur Municipality consists of Kottapuram, Koonayil, Thekkumbhagam, Chillakkal, Perumpuzha, Nedungolam, Pozhikara, Maniyamkulam, Kurumandal, Kottamoola, Attinpuram & Kochalummoodu. Paravur Municipality is a Grade-II Municipality of Kerala. Geography Paravur is located at 8.78 N 76 E. It has an average elevation of 10 metres (32 feet). Paravur, 21 kilometers from the Kollam, is a narrow skirt of land stretching in between the backwaters and the sea. There is an elevation of 6 metres above sea level, extending to 16 metres on the inland. Ithikkara river is flowing through paravur. Nedungolam in paravur is now famous for mangrove forest. Demographics India census, Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thiruvananthapuram
Thiruvananthapuram (; ), also known by its former name Trivandrum (), is the capital of the Indian state of Kerala. It is the most populous city in Kerala with a population of 957,730 as of 2011. The encompassing urban agglomeration population is around 1.68 million. Located on the west coast of India near the extreme south of the mainland, Thiruvananthapuram is a major information technology hub in Kerala and contributes 55% of the state's software exports as of 2016. Referred to by Mahatma Gandhi as the "Evergreen city of India", the city is characterised by its undulating terrain of low coastal hills. The present regions that constitute Thiruvananthapuram were ruled by the Ays who were feudatories of the Chera dynasty. In the 12th century, it was conquered by the Kingdom of Venad. In the 18th century, the king Marthanda Varma expanded the territory, founded the princely state of Travancore, and made Thiruvananthapuram its capital. Travancore became the most dominan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kadaksham
''Kadaksham'' is a 2010 Malayalam film by Sasi Paravoor starring Suresh Gopi, Shwetha Menon and Shwetha Vijay. Plot Kadaksham movie is a women oriented movie which states the story of how women has to survive against all odds even now in the society which still has a contemporary outlook. Cast * Shwetha Vijay * Suresh Gopi * Shweta Menon * Vijaya Raghavan * Jagathy Sreekumar * Indrans * Manasa Radhakrishnan Malu(child artist) * Jijoy Rajagopal * Sreedhanya as Nirmala Soundtrack *"Prananathan" - K. S. Chithra Krishnan Nair Shantakumari Chithra (born 27 July 1963), always credited as K. S. Chithra or Chithra, is an Indian playback singer and Carnatic musician. In a career spanning over four decades, she has recorded over 25,000 songs in various I ... *"Omanapennallayo" - Sharreth *"Parayathevayya" - M. Jayachandra *"Khalchowdvi" - Fiaz Khan References External links * Nowrunning.comCinecurry.com 2010 films 2010s Malayalam-language films Films scored by M. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantuvarali
Kamavardhani (pronounced kāmavardhini – కామవర్ధిని/ ಕಾಮವರ್ಧಿನಿ/ காமவர்தினி / कामवर्धिनि) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 51st ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is also referred by the name ''Pantuvarāḷi'',''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications although purists prefer to designate it as Kamavardhini. It literally means "that which increases desire". This rāgam is very popular with musicians who typically sing it in the beginning of a concert. It is called Kāshirāmakriya in the Muthuswami Dikshitar school. The Hindustani music equivalent of ''Kamavardhini'' is the '' Poorvi thaat''/ Puriya Dhanashree.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana It is the 3rd rāgam in the 9th ''chakra Brahma''. The m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalyani (raga)
Kalyani is a melakarta raga (parent musical scale) in the Carnatic music. It was called Kalyan but is now more popularly called Yaman in Hindustani Music. Its Western equivalent is the Lydian mode. Kalyani in Carnatic music In South Indian weddings it is a very prominently played raga. The word ''Kalyani'' means ''she who causes auspicious things''. It is the 65th melakarta raga under the Katapayadi sankhya. It is also called ''Mechakalyani''. The notes for Kalyani are S R2 G3 M2 P D2 N3. Kalyani is the first Prathi Madhyama raga that was ever discovered. It was obtained by the process of Graha Bhedam or modal shift of tonic of the ancient Shadja Grama. Specifics on this raga Kalyani has scope for elaborate alapana. One should not remain too long on panchamam (pa) or alternate between shadjamam and panchamam too frequently. Kalyani is prominently known among the public. It is often performed at the beginning of concerts because it is considered auspicious. Structure and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kapi (raga)
Kāpi is a popular rāga in Carnatic music, the classical music of South India. ''Kāpi'' is a janya rāgam of ''Kharaharapriya'' with a meandering vakra scale. Typically performed at slow and medium speeds, it is capable of inducing moods of devotion, pathos and sadness in the listeners. ''Kāpi'' is different from the Hindustani raag and thaat ''Kafi.'' The equivalent raag in Hindustani is Pilu. Structure and Lakshana Kāpi is an audava-vakra sampoorna rāgam with an ascending pentatonic scale and a descending scale with seven notes, but not in a descending order. Use of Kakali Nishadam and Anthara Gandharam make it a Bhashanga Raagam. * : * : The presence of different ''nishāda'' swarās (N2 and N3) lends a distinctive quality to Kāpi, along with the fact that it uses a set of vakra swarās (N2 D2 N2). There is also a mild presence of shuddha daivatham (D1) that renders an invaluable feeling of devotion to the raagam. This, and the presence of Anthara Gandha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohanam
Mohanam is a rāga in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāga (or ''owdava'' rāga, meaning pentatonic scale). It is usually described as a '' janya'' rāga of Harikamboji (28th Melakartha Raga). However, alternate opinions suggest that '' Mechakalyani'' may be a more appropriate classification based on the lakshana of the raga. The equivalent of ''Mohanam'' in Hindustani music is '' Bhoop''''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications (or ''Bhopali''''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras). It is one of the most common pentatonic scales across the world and is very popular in East Asian and Southeast Asian music, including China and Japan. Structure and Lakshana ''Mohanam'' is a symmetric rāga that does not contain ''madhyamam'' and ''nishādham''. It is a symmetric pentatonic scale (''audava-audava'' raga in Carnatic music classification - ''audava'' meanin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sankarabharanam (ragam)
Dhīraśankarābharaṇaṃ, commonly known as ''Śankarābharaṇaṃ'', is a rāga in Carnatic music. It is the 29th ''Melakarta'' rāga in the 72 ''Melakarta'' rāga system of Carnatic music. Since this raga has many Gamakās (ornamentations), it is glorified as ''"Sarva Gamaka Maaṇika Rakti Rāgaṃ".'' By scale wise, the Śankarābharaṇaṃ scale corresponds to ''Bilaval'' in the Hindustani music system. The Western equivalent is the major scale, or the ''Ionian mode''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Hence this rāga is one of the most popular scales across the world, known with different names in different musical styles. Its nature is mellifluous and smooth. This rāga offers a large scope for compositions. It is ideal for a melodious, but still laid back majestic presentation. Structure and Lakshana It is the 5th rāga in the 5th ''Chakra Bāṇa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Todi (raga)
Miyan ki Todi, often simply referred to as Todi or Darbari Todi (), is a Hindustani classical raga which gave its name to the Todi thaat, one of the ten types of classical music according to the musicologist Bhatkhande. Ragas from the Todi raganga (class of ragas) include Todi (a.k.a. Miyan ki Todi) itself, Bilaskhani Todi, Gujari Todi (also called Gurjari Todi), Desi Todi, Hussaini Todi, Asavari Todi (more commonly known as Komal Rishabh Asavari), and Bahaduri Todi. The equivalent raga in Carnatic music is Shubhapantuvarali. But in Todi, the pancham is omitted in the Arohana, whereas Shubhapanthuvarali uses the panchamam in both the arohana and avarohana. The Carnatic Melakarta Hanumatodi is the equivalent of Bhairavi thaat, but the Hindustani Bhairavi raga is the equivalent of Carnatic Sindhu Bhairavi. Carnatic Todi does not have any similarity with Hindustani Todi (Miyan ki Todi) raga. Though the Swarasthana orders of Carnatic Thodi are similar to Hindustani Bhaira ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme
A rhyme is a repetition of similar sounds (usually, the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of perfect rhyming is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word ''rhyme'' has come to be sometimes used as a shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme. Etymology The word derives from Old French ''rime'' or ''ryme'', which might be derived from Old Frankish ''rīm'', a Germanic term meaning "series, sequence" attested in Old English (Old English ''rīm'' meaning "enumeration, series, numeral") and Old High German ''rīm'', ultimately cognate to Old Irish ''rím'', Greek ' ''arithmos'' "number". Alternatively, the Old French words may derive from Latin ''rhythmus'', fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khanta Kavyam
Khanta is a village in the Harishchandrapur II CD block in the Chanchal subdivision of Malda district in the state of West Bengal, India. Geography Location Khanta is located at . The map of Harishchandrapur II CD block on page 153 of District Census Handbook 2011 specifies Khanta (Barduari). Area overview The area shown in the adjacent map covers two physiographic regions – the ''Barind'' in the east and the ''tal'' in the west. The eastern part is comparatively high (up to 40 metres above mean sea level at places) and uneven. The soils of the eastern region are “hard salty clays of a reddish hue and the ground is baked hard as iron.” It lies to the east of the Mahananda River. The area lying to the west of the Mahananda River, the ''tal'', is a flat low land and “is strewn with innumerable marshes, bils and oxbow lakes.” The ''tal'' area is prone to flooding by local rivers.The total area is overwhelmingly rural.There are two important historical/ archaeological ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottan Thullal
Ottan Thullal (or ''Ottamthullal'', Malayalam: ഓട്ടൻ തുള്ളൽ) is a recite-and-dance art-form of Kerala, India. It was introduced in the eighteenth century by Kunchan Nambiar, one of the Prachina Kavithrayam (three famous Malayalam-language poets). The folksy performance, often laced with humour intended at criticism of society, is accompanied by a mridangam (a barrel-shaped double-headed drum) and/or the handy idakka besides a pair of ilathalam cymbals. History Like most Indian performing art forms, Ottamthullal has its principles influenced by the Natya Shastra (). The word ''Thullal'' means "to jump" or "leap about" in the Malayalam language. Legend has it that Nambiar, the poet, fell asleep while playing the mizhavu drum for a Chakyar Koothu performance, inviting ridicule from the chakyar. In response, Nambiar developed Ottamthullal, which raised prevalent sociopolitical questions and made a satire of human pedigrees and prejudices. The chakyar comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
