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Jubiläum
''Jubiläum'' (Jubilee) is an orchestral composition by Karlheinz Stockhausen, work-number 45 in the composer's catalogue of works. History ''Jubiläum'' is a relatively short work of about 15 minutes duration, written in 1977 on commission for the 125th-anniversary celebration of the Hannover Opera House, and has therefore been called Stockhausen's ''Operatic Festival Overture''. It was premiered on 10 October 1977 by the Regional Orchestra of Lower Saxony, conducted by George Albrecht. In February 1980 Stockhausen revised the score, and this version was first performed on 9 May 1980 at the Royal Festival Hall, London, by the Philharmonia Orchestra conducted by Andrew Davis. The score is dedicated to Péter Eötvös. Character of the work In ''Jubiläum'', Stockhausen composed an orchestral sound event with superimposed layers of different speeds, degrees of noise, degrees of indeterminacy and integration, and simultaneous transitions from ordered to disordered and bac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th-century classical music, 20th and early 21st-century classical music, 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance (Aleatoric music, aleatory techniques) into Serialism, serial composition, and for musical spatial music, spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tierkreis (Stockhausen)
''Tierkreis'' (1974–75) is a musical composition by the German composer Karlheinz Stockhausen. The title is the German word for Zodiac, and the composition consists of twelve melodies, each representing one sign of the zodiac. History Once described as "melodic naïveté" in the form of "cheerful, empty-headed little tune , who nevertheless soon changed his mind, ''Tierkreis'' has proved to be Stockhausen's most popular composition. ''Tierkreis'' was originally written for music boxes as a component part of a theater piece for percussion sextet titled ''Musik im Bauch'' (Music in the Belly), which has been interpreted variously as "a fairy tale for children" or else as "a ritual played out in Mexican Indian scenery". These twelve melodies (with or without their accompaniments) form an autonomous work which can be played by any suitable instrument, and exist also in versions to be sung. The striking simplicity of the melodies has led some writers to see them (together with other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Formula Composition
Formula composition is a serially derived technique encountered principally in the music of Karlheinz Stockhausen, involving the projection, expansion, and '' Ausmultiplikation'' of either a single melody-formula, or a two- or three-voice contrapuntal construction (sometimes stated at the outset). In contrast to serial music, where the structuring features are more or less abstract and remain largely inaccessible to the listener's ear, in formula composition the musical specifications of pitch, dynamics, duration, timbre, and tempo are always directly evident in the sound, through the use of a concisely articulated melodic tone succession, the formula, which defines the large-scale form as well as all the internal musical details of the composition. Stockhausen's music Though foreshadowed in Stockhausen's once-withdrawn '' Formel'' ("Formula") of 1951, the technique made its first appearance in ''Mantra'' in 1970, and became the central focus of Stockhausen's music up to 2003. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestral Music
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, cello, and double bass * woodwinds, such as the flute, oboe, clarinet, saxophone, and bassoon * Brass instruments, such as the horn, trumpet, trombone, cornet, and tuba * percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, and mallet percussion instruments Other instruments such as the piano, harpsichord, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments and guitars. A full-size Western orchestra may sometimes be called a or philharmonic orchestra (from Greek ''phil-'', "loving", and "harmony"). The actual number of musicians employed in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oliver Knussen
Stuart Oliver Knussen (12 June 1952 – 8 July 2018) was a British composer and conductor. Early life Oliver Knussen was born in Glasgow, Scotland. His father, Stuart Knussen, was principal double bass of the London Symphony Orchestra, and also participated in a number of premieres of Benjamin Britten's music. Oliver Knussen studied composition with John Lambert between 1963 and 1969, and also received encouragement from Britten. He spent several summers studying with Gunther Schuller at Tanglewood in Massachusetts and in Boston. Musical life Knussen began composing at about the age of six; an ITV programme about his father's work with the London Symphony Orchestra prompted the commissioning for his first symphony (1966–1967). Aged 15, Knussen stepped in to conduct his symphony's première at the Royal Festival Hall, London, on 7 April 1968, after István Kertész fell ill. After his debut, Daniel Barenboim asked him to conduct the work's first two movements in New York ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Symphony Orchestra
The BBC Symphony Orchestra (BBC SO) is a British orchestra based in London. Founded in 1930, it was the first permanent salaried orchestra in London, and is the only one of the city's five major symphony orchestras not to be self-governing. The BBC SO is the principal broadcast orchestra of the British Broadcasting Corporation (BBC). The orchestra was originally conceived in 1928 as a joint enterprise by the BBC and the conductor Sir Thomas Beecham, but the latter withdrew the next year and the task of assembling and training the orchestra fell to the BBC's director of music, Adrian Boult. Among its guest conductors in its first years was Arturo Toscanini, who judged it the finest orchestra he had ever conducted. During and after the Second World War, Boult strove to maintain standards, but the senior management of the post-war BBC did not allocate the orchestra the resources to meet competition from new and well-funded rivals. After Boult's retirement from the BBC in 1950, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F Attachment
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the pitch instead of the valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as non-transposing instruments, reading at concert pitch in bass clef, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amplifier
An amplifier, electronic amplifier or (informally) amp is an electronic device that can increase the magnitude of a signal (a time-varying voltage or current). It may increase the power significantly, or its main effect may be to boost the voltage or current ( power, voltage or current amplifier). It is a two-port electronic circuit that uses electric power from a power supply to increase the amplitude of a signal applied to its input terminals, producing a greater amplitude signal at its output. The ratio of output to input voltage, current, or power is termed gain (voltage, current, or power gain). An amplifier, by definition has gain greater than unity (if the gain is less than unity, the device is an attenuator). An amplifier can either be a separate piece of equipment or an electrical circuit contained within another device. Amplification is fundamental to modern electronics, and amplifiers are widely used in almost all electronic equipment. Amplifiers can be ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coda (music)
In music, a coda () ( Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ground Bass
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the ''Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's "Baba O'Riley" (1971), and The Verve's "Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an ostin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eleventh
In music or music theory, an eleventh is the note eleven scale degrees from the root of a chord and also the interval between the root and the eleventh. The interval can be also described as a compound fourth, spanning an octave plus a fourth. Since there are only seven degrees in a diatonic scale the eleventh degree is the same as the subdominant. The eleventh is considered highly dissonant with the major third. A perfect eleventh is an eleventh which spans exactly 17 semitones. See also * Eleventh chord *Suspended chord A suspended chord (or sus chord) is a musical chord in which the (major or minor) third is omitted and replaced with a perfect fourth or a major second. The lack of a minor or a major third in the chord creates an open sound, while the dissonan ... References Chord factors Fourths (music) Compound intervals {{music-theory-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Process Music
Process music is music that arises from a process. It may make that process audible to the listener, or the process may be concealed. Primarily begun in the 1960s, diverse composers have employed divergent methods and styles of process. "A 'musical process' as Christensen defines it is a highly complex dynamic phenomenon involving audible structures that evolve in the course of the musical performance ... 2nd order audible developments, i.e., audible developments within audible developments". These processes may involve specific systems of choosing and arranging notes through pitch and time, often involving a long term change with a limited amount of musical material, or transformations of musical events that are already relatively complex in themselves. Steve Reich defines process music not as, "the process of composition but rather pieces of music that are, literally, processes. The distinctive thing about musical processes is that they determine all the note-to-note (sound- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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