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José Mangual Jr
José Mangual Jr. (born January 11, 1948, in Manhattan, New York City) is American Salsa percussionist of Puerto Rican Descent, singer and composer best known for his recordings with Willie Colón and Héctor Lavoe during the 1960s and 1970s salsa boom in New York. Early career He is the son of the legendary bongo musician, Jose Mangual, Sr., aka "Buyú" (1924–1998) and brother of Luis Mangual who is also a well-known Salsa percussionist. Both were born and raised in East Harlem. At age 15 Mangual began performing. In 1968 Willie Colón hired Mangual to play bongos and sing background vocals for Hector Lavoe in Willie Colon's orchestra and in 1969 he played bongo and cowbell on Willie Colon and Hector Lavoe's Cosa Nuestra album which was the first album of Colon's to go gold. In 1973, Mangual co-authored the song "San Miguel.” In 1974 he produced and recorded ''José Mangual* & Carlos "Patato" Valdez* – Understanding Latin Rhythms Vol. 1'', which was an instructiona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongo Drum
Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The larger drum is called a hembra (Spanish for female) and the smaller drum is called the macho (Spanish for male). They are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. This brought bongos into our cultural vocabulary, from Beatniks to Mambo to the current revival of Cuban folkloric music. Bongo drummers (''bongoseros'') emerged as the only drummers of son cubano ensembles in eastern Cuba toward the end of the 19th century. It is believed that Bongos evolved from the Abakua Drum trio 'Bonko' and its lead drum 'Bonko Enmiwewos'. These drums are still a fundamental part of the Abakua Religion in Cuba. If joined with a wooden p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Cuban Jazz
Afro-Cuban jazz is the earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban music has deep roots in African ritual and rhythm.{{cite web, Cuba: Son and Afro-Cuban Music, https://worldmusic.net/blogs/guide-to-world-music/cuba-son-and-afro-cuban-music Afro-Cuban jazz emerged in the early 1940s with the Cuban musicians Mario Bauzá and Frank Grillo "Machito" in the band Machito and his Afro-Cubans in New York City. In 1947, the collaborations of bebop trumpeter Dizzy Gillespie and percussionist Chano Pozo brought Afro-Cuban rhythms and instruments, such as the tumbadora and the bongo, into the East Coast jazz scene. Early combinations of jazz with Cuban music, such as " Manteca" and "Mangó Mangüé", were commonly referred to as "Cubop" for Cuban bebop.{{cite book , last=Fernandez , first=Raul A. , title=From Afro-Cuban Rhythms to Latin Jazz , url=https://books.google.com/books?id=6WO7YevK_18C&pg=P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Cohen (entrepreneur)
Martin Cohen (born Jan 28, 1939) is an American inventor, entrepreneur, mechanical engineer, and photographer, best known as the founder of the Latin Percussion company. He invented many percussion instruments used in the Latin, Jazz, World, for which he was awarded 8 patents. Cohen has captured and documented thousands of Latin and jazz musicians and performances through photography, videos, and audio recordings. Latin Percussion Corp Cohen was influenced by Cal Tjader, Candido, Herbie Mann, Jose Mangual, Chano Pozo and others at the Birdland Jazz Club in New York. He was unable to find authentic bongos to learn on due to the U.S./Cuba embargo of 1960. As a mechanical engineer by trade, he decided to construct them himself in the machine shop of Bendix, NJ with assistance from a local wood turner. He made bongos in his garage and sold them through consignment stores. He founded Latin Percussion (company) in 1964, and made instruments in his basement until he opened a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celia Cruz
Úrsula Hilaria Celia de la Caridad Cruz Alfonso (21 October 1925 – 16 July 2003), known as Celia Cruz, was a naturalized Cuban-American singer and one of the most popular Latin artists of the 20th century. Cruz rose to fame in Cuba during the 1950s as a singer of guarachas, earning the nickname "La Guarachera de Cuba". In the following decades, she became known internationally as the " Queen of Salsa" due to her contributions to Latin music. She began her career in her native Cuba, earning recognition as a vocalist of the popular musical group Sonora Matancera, a musical association that lasted fifteen years (1950-1965). Cruz mastered a wide variety of Afro-Cuban music styles including guaracha, rumba, afro, son and bolero, recording numerous singles in these styles for Seeco Records. In 1960, after the Cuban Revolution caused the nationalization of the music industry, Cruz left her native country, becoming one of the symbols and spokespersons of the Cuban community in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Byrne
David Byrne (; born 14 May 1952) is a Scottish-American singer, songwriter, record producer, actor, writer, music theorist, visual artist and filmmaker. He was a founding member and the principal songwriter, lead singer, and guitarist of the American new wave band Talking Heads. Byrne has released solo recordings and worked with various media including film, photography, opera, fiction, and non-fiction. He has received an Academy Award, a Grammy Award, a Tony Award, and a Golden Globe Award, and he is an inductee to the Rock and Roll Hall of Fame as part of Talking Heads. Early life David Byrne was born on 14 May 1952 in Dumbarton, Dunbartonshire, Scotland, the elder of two children born to Tom (from Lambhill, Glasgow) and Emma Byrne. Byrne's father was Catholic and his mother Presbyterian. Two years after his birth, the family moved to Canada, settling in Hamilton, Ontario. The family left Scotland in part because there were few jobs requiring his father's engi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herb Alpert
Herb Alpert (born March 31, 1935) is an American trumpeter who led the band Herb Alpert & the Tijuana Brass in the 1960s. During the same decade, he co-founded A&M Records with Jerry Moss. Alpert has recorded 28 albums that have landed on the ''Billboard'' 200 chart, five of which became No. 1 albums; he has had 14 platinum albums and 15 gold albums. Alpert is the only musician to hit No. 1 on the U.S. ''Billboard'' Hot 100 as both a vocalist (" This Guy's in Love with You", 1968) and an instrumentalist ("Rise", 1979). Alpert has reportedly sold 72 million records worldwide. He has received many accolades, including a Tony Award, and eight Grammy Awards, as well as the Grammy Lifetime Achievement Award. In 2006, he was inducted into the Rock and Roll Hall of Fame. Alpert was awarded the National Medal of Arts by Barack Obama in 2013. Early life and career Herb Alpert was born and raised in the Boyle Heights section of Eastside Los Angeles, California, the younger child (bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Barretto
Raymundo "Ray" Barretto Pagán (April 29, 1929 – February 17, 2006) was an American percussionist and bandleader of Puerto Rican descent. Throughout his career as a percussionist, he played a wide variety of Latin music styles, as well as Latin jazz. His first hit, "El Watusi," was recorded by his Charanga Moderna in 1962, becoming the most successful pachanga song in the United States. In the late 1960s, Barretto became one of the leading exponents of boogaloo and what would later be known as salsa. Nonetheless, many of Barretto's recordings would remain rooted in more traditional genres such as son cubano. A master of the descarga (improvised jam session), Barretto was a long-time member of the Fania All-Stars. His success continued into the 1970s with songs such as "Cocinando" and "Indestructible." His last album for Fania Records, ''Soy dichoso'', was released in 1990. He then formed the New World Spirit jazz ensemble and continued to tour and record until his death i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siembra
''Siembra'' () is the second studio album by Panamian singer and songwritter Rubén Blades and Puerto Rican-American trombonist Willie Colón. It was released through Fania Records on 7 September 1978. It is considered the best selling salsa album in the history of salsa music and Latin music. Was recorded by Jerry Masucci and Johnny Pacheco at the La Tierra Sound Studios between 1977 and 1978. Background ''Siembra'' is the second of four collaborative duo albums produced by Rubén Blades and Willie Colón. During its time, it was the best-selling salsa record in history. It has sold over three million copies worldwide, and almost all of its songs were hits at one time or another in various Latin American countries. With its rousing social commentary and unconventional sound, "Siembra" set the salsa world on fire and remains one of the most original and influential works in that genre. Among Siembra's tracks, Blades' masterpiece is still "Pedro Navaja," a song that he fashioned aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metiendo Mano
''Metiendo Mano!'' () It is the debut studio album between the duo by Puerto Rican-American trombonist and singer Willie Colón and Panamian singer-songwriter Rubén Blades. released on October 7, 1977 through Fania Records. It was produced by Colón and Jerry Masucci Gerald "Jerry" Masucci (October 7, 1934 – December 21, 1997) was an American attorney, businessman and was co-founder of Fania Records. Biography Masucci was born in Brooklyn, New York to Italian immigrant parents Urbano and Elvira Masucci. He w .... ''Metiendo Mano!'' is the second of four collaborative duo albums by Willie Colón and Rubén Blades The production includes the song Pablo Pueblo, a piece that is part of the beginnings of "conscious" or "intellectual" salsa..The New Rolling Stone Album Guide Nathan Brackett, Christian David Hoard - 2004 - Page 81 0743201698 "It was Colon who took Blades under his wing, collaborating with him on the smoldering, thickly textured Metiendo Mano!" Track listing Personn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maraca
A maraca (), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas (from Guaraní ), also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from '' Lagenaria'' gourds are being shaken by the natural grip, while the round ''Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the (scarlet ibis). Every man had his maraca. It was used at their dances and to heal the sick. Andean curanderos (healers) use maracas in their healing rites. Modern maraca balls are also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chano Pozo
Luciano Pozo González (January 7, 1915 – December 3, 1948), known professionally as Chano Pozo, was a Cuban jazz percussionist, singer, dancer, and composer. Despite only living to age 33, he played a major role in the founding of Latin jazz. He co-wrote some of Dizzy Gillespie's Latin-flavored compositions, such as " Manteca" and "Tin Tin Deo", and was the first Latin percussionist in Gillespie's band. Early life Luciano "Chano" Pozo González was born in Havana to Cecelio González and Carnación Pozo. Chano grew up with three sisters and a brother, as well as his older half brother, Félix Chappottín, who would later become one of the great Cuban '' soneros''. The family struggled with poverty throughout his youth. His mother died when Chano was eleven, and Cecelio took his family to live with his long-time mistress, Natalia, who was Felix's mother. Chano showed an early interest in playing drums, and performed ably in Afro-Cuban religious ceremonies in which drumming ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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