Johannes Pullois
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Johannes Pullois
Johannes Pullois (numerous variant spellings of his name include Pillays, Pilloys, Pylois, Pyloys, Pyllois, Puilloys, Puylloys, Puyllois) (died 23 August 1478) was a Franco-Flemish composer of the Renaissance, active in both the Low Countries and Italy. He was one of the early generation of composers to carry the Franco-Flemish polyphonic style from its home region in the Netherlands to Italy. He was probably born in Pulle, near Antwerp, but nothing is known about his life until he became ''zangmeester'' (singing master) at the church of Our Lady in Antwerp in 1443. He unsuccessfully auditioned with Philip the Good for the Burgundian court chapel, but was not accepted for a position. He then went to Rome in 1447 where he sang in the papal chapel until 1468. He returned to Antwerp, becoming residential canon at the same church at which he had worked in the 1440s, and he died there in 1478. During his career he was a colleague of both Johannes Philibert and Johannes Ockeghem. ...
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Dutch School (music)
The designation Franco-Flemish School, also called Netherlandish School, Burgundian School, Low Countries School, Flemish School, Dutch School, or Northern School, refers, somewhat imprecisely, to the style of polyphonic vocal music composition originating from France and from the Burgundian Netherlands in the 15th and 16th centuries as well as to the composers who wrote it. The spread of their technique, especially after the revolutionary development of printing, produced the first true international style since the unification of Gregorian chant in the 9th century. Franco-Flemish composers mainly wrote sacred music, primarily masses, motets, and hymns. Term and controversy Several generations of Renaissance composers from the region loosely known as the Low Countries (Imperial and French fiefs ruled in personal union by the House of Valois-Burgundy in the period from 1384 to 1482)—i.e. present-day Northern France, Belgium and the Southern Netherlands—are grouped under "Fran ...
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Mass (music)
The Mass ( la, missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be '' a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental '' obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The e ...
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15th-century Franco-Flemish Composers
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the wor ...
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