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Joe Somebody
''Joe Somebody'' is a 2001 American comedy-drama film written by John Scott Shepherd and directed by John Pasquin. The film stars Tim Allen as an ordinary man forced into violence by a workplace bully. The film also stars Julie Bowen, Kelly Lynch, Greg Germann, Hayden Panettiere, Patrick Warburton and Jim Belushi. Screenwriter John Scott Shepherd wrote the script based on his experiences working in advertising. Though originally offered to Jim Carrey, the role of Joe Scheffer would eventually be taken by Allen. The film marked Allen and Pasquin's third feature together, after 1994's ''The Santa Clause'' and 1997's ''Jungle 2 Jungle''. The entire film was shot over a nearly eight-week span in Minnesota. The film was released in the U.S. on December 21, 2001, to mixed reviews. Produced on a $38 million budget, the film ended its theatrical run with $24.5 million worldwide, making it a financial failure. The film received one award nomination, which went to young Panettiere's pe ...
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John Pasquin
John Pasquin (born November 30, 1944) is an American director of film, television and theatre.
Film Reference


Career

An alumnus of and , Pasquin began directing plays in the early 1980s. He moved on to television, directing episodes of the series ''

Comedy-drama
Comedy drama, also known by the portmanteau ''dramedy'', is a genre of dramatic works that combines elements of comedy and drama. The modern, scripted-television examples tend to have more humorous bits than simple comic relief seen in a typical hour-long legal or medical drama, but exhibit far fewer jokes-per-minute as in a typical half-hour sitcom. In the United States Examples from United States television include: ''M*A*S*H'', ''Moonlighting'', '' The Days and Nights of Molly Dodd'', '' Northern Exposure'', '' Ally McBeal'', '' Sex and the City'', '' Desperate Housewives'' and '' Scrubs''. The term "dramedy" was coined to describe the late 1980s wave of shows, including '' The Wonder Years'', ''Hooperman'', '' Doogie Howser, M.D.'' and '' Frank's Place''. See also * List of comedy drama television series *Black comedy * Dramatic structure * Melodrama * Seriousness * Tragicomedy * Psychological drama References Comedy drama Drama Drama is the specific mode of ...
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Confidant
The confidant ( or ; feminine: confidante, same pronunciation) is a character in a story whom a protagonist confides in and trusts. Confidants may be other principal characters, characters who command trust by virtue of their position such as doctors or other authority figures, or anonymous confidants with no separate role in the narrative. Role The confidant is a type of secondary character in the story, often a friend or authority figure, whose role is to listen to the protagonist's secrets, examine their character, and advise them on their actions. Rather than simply acting as a passive listener for the protagonist's monologues, the confidant may themselves act to move the story forward, or serve to guide and represent the reactions of the audience. History The presence of the confidant in Western literature may be traced back to Greek drama and the work of Euripides. The characters of Agamemnon in '' Hecuba'' and Pylades in '' Orestes'' serve as confidants, actin ...
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Antagonist
An antagonist is a character in a story who is presented as the chief foe of the protagonist. Etymology The English word antagonist comes from the Greek ἀνταγωνιστής – ''antagonistēs'', "opponent, competitor, villain, enemy, rival," which is derived from ''anti-'' ("against") and ''agonizesthai'' ("to contend for a prize"). Types Heroes and villains The antagonist is commonly positioned against the protagonist and their world order. While most narratives will often portray the protagonist as a hero and the antagonist as a villain, like Harry Potter and Lord Voldemort in ''Harry Potter'', the antagonist does not always appear as the villain. In some narratives, like Light Yagami and L in '' Death Note'', the protagonist is a villain and the antagonist is an opposing hero. Antagonists are conventionally presented as making moral choices less savory than those of protagonists. This condition is often used by an author to create conflict within a story. This is ...
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Protagonist
A protagonist () is the main character of a story. The protagonist makes key decisions that affect the plot, primarily influencing the story and propelling it forward, and is often the character who faces the most significant obstacles. If a story contains a subplot, or is a narrative made up of several stories, then each subplot may have its own protagonist. The protagonist is the character whose fate is most closely followed by the reader or audience, and who is opposed by the antagonist. The antagonist provides obstacles and complications and creates conflicts that test the protagonist, revealing the strengths and weaknesses of the protagonist's character, and having the protagonist develop as a result. Etymology The term ''protagonist'' comes , combined of (, 'first') and (, 'actor, competitor'), which stems from (, 'contest') via (, 'I contend for a prize'). Ancient Greece The earliest known examples of a protagonist are found in Ancient Greece. At first, dramatic p ...
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Martial Arts
Martial arts are codified systems and traditions of combat practiced for a number of reasons such as self-defense; military and law enforcement applications; competition; physical, mental, and spiritual development; entertainment; and the preservation of a nation's intangible cultural heritage. Etymology According to Paul Bowman, the term ''martial arts'' was popularized by mainstream popular culture during the 1960s to 1970s, notably by Hong Kong martial arts films (most famously those of Bruce Lee) during the so-called " chopsocky" wave of the early 1970s. According to John Clements, the term '' martial arts'' itself is derived from an older Latin term meaning "arts of Mars", the Roman god of war, and was used to refer to the combat systems of Europe ( European martial arts) as early as the 1550s. The term martial science, or martial sciences, was commonly used to refer to the fighting arts of East Asia ( Asian martial arts) up until the 1970s, while the term ''Chinese box ...
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B Movie
A B movie or B film is a low-budget commercial motion picture. In its original usage, during the Golden Age of Hollywood, the term more precisely identified films intended for distribution as the less-publicized bottom half of a double feature (akin to B-sides for recorded music). However, the U.S. production of films intended as second features largely ceased by the end of the 1950s. With the emergence of commercial television at that time, film studio B movie production departments changed into television film production divisions. They created much of the same type of content in low budget films and series. The term ''B movie'' continues to be used in its broader sense to this day. In its post-Golden Age usage, B movies can range from lurid exploitation films to independent arthouse films. In either usage, most B movies represent a particular genre—the Western was a Golden Age B movie staple, while low-budget science-fiction and horror films became more popular in the ...
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