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Jimmy Johnson (session Guitarist)
Jimmy Ray Johnson (February 4, 1943 – September 5, 2019) was an American session guitarist and record producer. Johnson was a member of the Muscle Shoals Rhythm Section who was attached to FAME Studios in Muscle Shoals, Alabama, for a period in the 1960s. In 1969, with the backing of Atlantic Records executive Jerry Wexler, Johnson became a co-founder of the Muscle Shoals Sound Studio, along with drummer Roger Hawkins, bassist David Hood, and keyboardist Barry Beckett. The studio was originally located at 3614 Jackson Highway in Sheffield and later moved to 1000 Alabama Avenue, also in Sheffield. Johnson performed with Wilson Pickett and Aretha Franklin. He also engineered three tracks on the Rolling Stones' album '' Sticky Fingers''. He died from kidney failure in 2019 at the age of 76. Discography 1960s *"Searching for My Love", Bobby Moore and the Rhythm Aces (1965) *" Road Runner", the Gants (1965) *''Sweet Soul Music'' (LP, 45), Arthur Conley (1966) *" When a ...
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Sheffield, Alabama
Sheffield is a city in Colbert County, Alabama, United States, and is included in the Shoals metropolitan area. As of the 2010 census, the population of the city was 9,039. Sheffield is the birthplace of "country-soul pioneer" and songwriter Arthur Alexander, French horn player Willie Ruff, notable attorney, actor, former senator and presidential contender Fred Thompson, Watergate committee U.S. Senator Howell Heflin and U.S. Senator Mitch McConnell, whose father was working in nearby Athens when he was born. It sometimes is referred to as "the City of Senators" due to the births of Heflin, McConnell and Thompson within its borders. Col. Harland Sanders worked in the Sheffield depot for Southern Railway in the 1907. It is also home to the Muscle Shoals Sound Studio where many popular 20th century musicians recorded their work, including Alexander and Ruff. It is the site of historic Helen Keller Hospital, formerly known as Colbert County Hospital and originally constructed in 192 ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at   rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disappeared ...
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Aretha Arrives
''Aretha Arrives'' is the eleventh studio album by American singer Aretha Franklin, released on August 4, 1967, by Atlantic Records. Its first single release was " Baby I Love You", a million-selling Gold 45 which hit #1 R&B and #4 on the ''Billboard'' Hot 100, followed by her cover version of The Rolling Stones' "(I Can't Get No) Satisfaction" in 1968. This was her second album for Atlantic. The sessions for the album were delayed because Franklin shattered her elbow in an accident during a Southern tour. She decided she was ready to record before her doctor thought she was ready. While she still did not have full mobility, she provided piano accompaniment on the slower songs and played with her left hand only on "You Are My Sunshine"."Aretha Arrives", Aretha Franklin, Atlantic 8150 (1967) LP. Reception After its release, ''Rolling Stone'' stated: "...neither the sophistication nor the subtlety of the musicians involved gets in the way of the basic primitivism of Aretha's music. ...
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Shake, Rattle And Roll
"Shake, Rattle and Roll" is a song, written in 1954 by Jesse Stone (usually credited as Charles Calhoun, his songwriting name). The original recording by Big Joe Turner is ranked number 127 on the ''Rolling Stone'' magazine's list of The 500 Greatest Songs of All Time. Background In early 1954, Ahmet Ertegun of Atlantic Records suggested to Jesse Stone that he write an up-tempo blues for Big Joe Turner, a blues shouter whose career had begun in Kansas City before World War II. Stone played around with various phrases before coming up with "shake, rattle and roll". Nick Tosches, ''Unsung Heroes of Rock 'n' Roll'' (2nd ed. 1991), page 12-21. (Stone used his real name for ASCAP songs, while using the pseudonym "Charles Calhoun" for BMI-registered songs, such as "Shake, Rattle and Roll"). However, the phrase had been used in earlier songs. In 1910, vaudeville performer "Baby" Franklin Seals published "You Got to Shake, Rattle and Roll", a ragtime tune about gambling with dice, in ...
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James & Bobby Purify
James & Bobby Purify were an R&B singing duo, whose biggest hits were "I'm Your Puppet" in 1966, which reached number six in the US ''Billboard'' Hot 100 chart and in a re-recorded version number 12 in the UK Singles Chart (in May 1976), and " Let Love Come Between Us" in 1967, which reached number 23 in the US. The original "Bobby Purify" (Robert Lee Dickey) was replaced by a second "Bobby Purify" (Ben Moore) in the 1970s. Life and career The vocal duo of James Lee Purify (May 12, 1944, Pensacola, Florida, – January 22, 2021, Pensacola) and his cousin Robert Lee Dickey (September 2, 1939, Tallahassee, Florida – December 29, 2011, Tallahassee) formed in 1965. Dickey had previously worked as a guitarist with the Dothan Sextet. The duo were signed by Don Schroeder to Bell Records in 1966, with Dickey taking his cousin's surname as a stage name. They had immediate success with "I'm Your Puppet", written by Spooner Oldham and Dan Penn and produced by Penn at the ...
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I'm Your Puppet
"I'm Your Puppet" is a song written by Dan Penn and Spooner Oldham; the best known version is the one recorded by James & Bobby Purify which reached #5 on the US R&B chart and #6 on the ''Billboard'' Hot 100 in 1966. The single was nominated for a Grammy Award for Best R&B Performance by a Duo or Group with Vocals in 1967. The song was featured on their 1967 album, ''James & Bobby Purify''. The duo released a re-recorded version as a single in 1976 which reached #12 on the UK Singles Chart and #20 in New Zealand. In Canada, it reached #4. Papa Don Enterprises produced the song, and it was arranged by Penn and Don Schroeder. The single ranked #46 on the ''Billboard'' Year-End Hot 100 singles of 1966. Chart history Weekly charts Year-end charts Other charting versions *Cam-Pact released a version of the song as the B-side to their 1968 single "Drawing Room". Their version charted regionally in Australia, reaching #17 in Melbourne and #26 in Brisbane. *Dianne Leigh ...
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I Never Loved A Man (The Way I Love You)
"I Never Loved a Man (The Way I Love You)" is a 1967 single released by American soul singer Aretha Franklin. Released on Atlantic Records, as the first big hit of her career, it became a defining song for Franklin, peaking at number one on the rhythm and blues charts and number nine on the pop charts. The B-side was "Do Right Woman, Do Right Man". Before this Franklin had placed only two Top 40 singles on the pop chart during her modest tenure with Columbia Records. Background and recording Aretha Franklin had made nine albums while under contract to Columbia Records but had remained commercially unsuccessful. When Columbia Records let Franklin's contract lapse in 1966, Atlantic Records producer Jerry Wexler quickly signed her, taking her in January 1967 to Muscle Shoals, Alabama, along with recording engineer Tom Dowd and Franklin's then-husband Ted White. Wexler had arranged for Chips Moman and Tommy Cogbill from Stax to join the Muscle Shoals Rhythm Section at Rick Hal ...
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Mustang Sally (song)
"Mustang Sally" is a rhythm and blues (R&B) song written and first recorded by Mack Rice in 1965. It was released on the Blue Rock label (4014) in May 1965 with "Sir Mack Rice" as the artist. The song uses an AAB layout with a 24-bar structure. It gained greater popularity when Wilson Pickett covered it the following year on a single, a version that was also released on the 1966 album '' The Wicked Pickett''. Also in 1966, John Lee Hooker recorded an entirely different song with a similar title — "Mustang Sally & GTO." Personnel Credits are adapted from the liner notes of ''The Muscle Shoals Sound: 3614 Jackson Highway''. *Gilbert Caples – tenor saxophone * Charlie Chalmers – tenor saxophone * Tommy Cogbill – bass guitar * Roger Hawkins – drums * Jimmy Johnson – rhythm guitar *Ed Logan – tenor saxophone *Gene "Bowlegs" Miller – trumpet *Chips Moman – lead guitar * Floyd Newman – baritone saxophone *Spooner Oldham – organ *Wilson Pickett – lead vocals * ...
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Land Of A Thousand Dances
"Land of a Thousand Dances" (or "Land of 1000 Dances") is a song written and first recorded by American rhythm and blues singer Chris Kenner in 1962. It later became a bigger hit in versions by Cannibal & the Headhunters and Wilson Pickett. A version by Thee Midniters reached #27 in Canada on March 22, 1965. The song references a number of dance styles/moves including the Twist, the Alligator, the Mashed Potato, the Watusi and the Pony. Background The original Chris Kenner recording, which peaked at No. 77 on the ''Billboard'' chart in 1963, mentions 16 dances: the Pony, the Chicken, the Mashed Potato, the Alligator, the Watusi, the Twist, the Fly, the Jerk, the Tango, the Yo-Yo, the Sweet Pea, the Hand Jive, the Slop, the Bop, the Fish, and the Popeye. Kenner's original recording included a brief, gospel-influenced, a capella introduction with the words: "Children, go where I send you / (Where will you send me?) / I'm gon' send you to that land / the land of a thousand ...
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The Exciting Wilson Pickett
''The Exciting Wilson Pickett'', released in 1966, was the third album by R&B and soul singer Wilson Pickett. The album charted at #3 on the U.S. ''Billboard'' R&B albums chart and #21 on the popular albums chart, becoming the highest-charting studio album of Pickett's career. The making of the album saw Pickett end his relationship with Stax Studios in Memphis, Tennessee, where he had cut his early singles, and move to Fame Studios in Muscle Shoals, Alabama, where he would record for the next two years. According to AllMusic, this album firmly established Picket's "stature as a major '60s soul man". The album launched four major hits for Pickett, but AllMusic emphasizes that the album cuts, "of nearly an equal level", will be of more interest to collectors. Originally released on the Atlantic label, the album has been re-issued on CD by Rhino, Collectables and Warner Bros. Records. In 2007, a new LP edition was released by the label 4 Men with Beards. Hit singles ''The ...
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When A Man Loves A Woman (Percy Sledge Song)
"When a Man Loves a Woman" is a song written by Calvin Lewis and Andrew Wright and first recorded by Percy Sledge in 1966 at Norala Sound Studio in Sheffield, Alabama. It made number one on both the ''Billboard'' Hot 100 and R&B singles charts. Country singer John Wesley Ryles had a minor hit with his version of the song in 1976 while singer and actress Bette Midler recorded the song 14 years later and had a Top 40 hit with her version in 1980. In 1991, Michael Bolton recorded the song and his version peaked at number one on both the ''Billboard'' Hot 100 chart and the ''Billboard'' Adult Contemporary Singles chart. Percy Sledge original version Background According to Dan Penn the song was initially recorded by Percy Sledge at Rick Hall's FAME Studios at Muscle Shoals, before being re-recorded at the nearby Norala Studios owned by Quin Ivy.''Muscle Shoals, The Muscle Shoals Sound: 3614 Jackson Highway'', CD, Rhino Records Inc., © 1993, liner notes by Randy Poe According t ...
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Sweet Soul Music
"Sweet Soul Music" is a soul song, first released by Arthur Conley in 1967. Written by Conley and Otis Redding, it is based on the Sam Cooke song "Yeah Man" from his posthumous album '' Shake''; the opening riff is a quote from Elmer Bernstein's score for the 1960 movie '' The Magnificent Seven''. In the US, "Sweet Soul Music" reached the No. 2 spot on the ''Billboard'' Hot 100 (behind " The Happening" by The Supremes), and No. 2 on the ''Billboard'' R&B chart. Overseas, it peaked at No. 7 on the UK Singles Chart. "Sweet Soul Music" sold over one million copies, and was awarded a gold disc. J. W. Alexander, Cooke's business partner, sued both Redding and Conley for appropriating the melody. A settlement was reached in which Cooke's name was added to the writer credits, and Redding agreed to record some songs in the future from Kags Music, a Cooke–Alexander enterprise. Lyrics The song is an homage to soul music. The following songs are mentioned in the lyrics: *" Going to ...
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