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Jean-François Le Sueur
Jean-François Le Sueur (more commonly Lesueur; ) (15 February 17606 October 1837) was a French composer, best known for his oratorios and operas. Life He was born at Plessiel, a hamlet of Drucat near Abbeville, to a long-established family of Picardy, the great-nephew of the painter Eustache Le Sueur. Beginning as a chorister at the collegial church of Abbeville, then at the cathedral of Amiens, where he pursued his music studies, Le Sueur was named chorus master at the cathedral of Sées. He went to Paris to study harmony with the Abbé Nicolas Roze, chorus master at the Saints-Innocents. Le Sueur was named to positions at Dijon (1779), Le Mans (1782), then at Tours (1783) before he succeeded Roze at the Saints-Innocents at Paris. Finally in 1786, after a competition, he was made music director at Notre-Dame de Paris. For the Feast of the Assumption, he innovated by introducing an orchestra, with great success, and his sacred concerts at the main feasts of the Church filled th ...
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Drucat
Drucat () is a commune in the Somme department in Hauts-de-France in northern France. Geography Drucat is situated on the D82e road, some northeast of Abbeville. Population History There was a station on the Réseau des Bains de Mer, called ''Plessiel-Drucat'', which opened on 19 June 1892 and closed on 10 March 1947. Places of interest *Saint Martin's church. *The recently restored chapel. *Plessiel water-tower Personalities *The composer Jean-François Lesueur (1760–1837) was born at Plessiel, a hamlet within the commune of Drucat. The village hall is named in his honour. See also *Communes of the Somme department *Réseau des Bains de Mer The Réseau des Bains de Mer (RBM) was a group of five metre gauge railways centred on Noyelles-sur-Mer, with a total route length of some . It was a part of the ''Chemins de fer départementaux de la Somme''. Three of the lines are still ope ... References Communes of Somme (department) {{Abbeville-geo-stub ...
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Paris Conservatoire
The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant'' of the Menus-Plaisirs du Roi, pr ...
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André Grétry
André Ernest Modeste Grétry (; baptised 11 February 1741; died 24 September 1813) was a composer from the Prince-Bishopric of Liège (present-day Belgium), who worked from 1767 onwards in France and took French nationality. He is most famous for his '' opéras comiques''. Biography He was born at Liège, his father being a poor musician. He was a choirboy at the church of St. Denis (Liège). In 1753 he became a pupil of Jean-Pantaléon Leclerc and later of the organist at St-Pierre de Liège, Nicolas Rennekin, for keyboard and composition and of Henri Moreau, music master at the collegiate church of St. Paul. But of greater importance was the practical tuition he received by attending the performance of an Italian opera company. Here he heard the operas of Baldassarre Galuppi, Giovanni Battista Pergolesi, and other masters; and the desire of completing his own studies in Italy was the immediate result. To find the necessary means he composed in 1759 a mass which he dedic ...
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Académie Des Beaux-Arts
An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary or tertiary higher learning (and generally also research or honorary membership). The name traces back to Plato's school of philosophy, founded approximately 385 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and skill, north of Athens, Greece. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, ''Akademos''. Outside the city walls of Athens, the gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive grove, hence the expression "the groves of Academe". In these gardens, the philosopher Plato conversed with followers. Plato developed his sessions into a method of teaching philosophy and in 387 BC, established what is known today as the Old Academy. By extension, ''academia'' has come to mean the accumulation, d ...
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Giovanni Paisiello
Giovanni Paisiello (or Paesiello; 9 May 1740 – 5 June 1816) was an Italian composer of the Classical era, and was the most popular opera composer of the late 1700s. His operatic style influenced Mozart and Rossini. Life Paisiello was born in Taranto in the Apulia region and educated by the Jesuits there. He became known for his beautiful singing voice and in 1754 was sent to the Conservatorio di S. Onofrio at Naples, where he studied under Francesco Durante, and eventually became assistant master. For the theatre of the Conservatorio, which he left in 1763, he wrote some intermezzi, one of which attracted so much notice that he was invited to write two operas, ''La Pupilla'' and ''Il Mondo al Rovescio'', for Bologna, and a third, ''Il Marchese di Tidipano'', for Rome. His reputation now firmly established, he settled for some years at Naples, where, despite the popularity of Niccolò Piccinni, Domenico Cimarosa and Pietro Guglielmi, of whose triumphs he was bitterly jealous, ...
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Tuileries
The Tuileries Palace (french: Palais des Tuileries, ) was a royal and imperial palace in Paris which stood on the right bank of the River Seine, directly in front of the Louvre. It was the usual Parisian residence of most French monarchs, from Henry IV to Napoleon III, until it was burned by the Paris Commune in 1871. Built in 1564, it was gradually extended until it closed off the western end of the Louvre courtyard and displayed an immense façade of 266 metres. Since the destruction of the Tuileries, the Louvre courtyard has remained open and the site is now the location of the eastern end of the Tuileries Garden, forming an elevated terrace between the Place du Carrousel and the gardens proper. History Plan of Catherine de Medici (16th C.) The site of the Tuileries palace was originally just outside the walls of the city, in an area frequently flooded by the Seine as far as the present Rue Saint-Honore. The land was occupied by the workshops and kilns craftsmen who ma ...
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Napoleon
Napoleon Bonaparte ; it, Napoleone Bonaparte, ; co, Napulione Buonaparte. (born Napoleone Buonaparte; 15 August 1769 – 5 May 1821), later known by his regnal name Napoleon I, was a French military commander and political leader who rose to prominence during the French Revolution and led successful campaigns during the Revolutionary Wars. He was the ''de facto'' leader of the French Republic as First Consul from 1799 to 1804, then Emperor of the French from 1804 until 1814 and again in 1815. Napoleon's political and cultural legacy endures to this day, as a highly celebrated and controversial leader. He initiated many liberal reforms that have persisted in society, and is considered one of the greatest military commanders in history. His wars and campaigns are studied by militaries all over the world. Between three and six million civilians and soldiers perished in what became known as the Napoleonic Wars. Napoleon was born on the island of Corsica, not long af ...
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Académie Royale De Musique
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ...
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La Mort D'Adam
''La mort d'Adam'' is a tragédie lyrique on a biblical theme in 3 acts by Jean-François Le Sueur with a French libretto by Nicolas-François Guillard after Klopstock, first performed in 1809, though written a few years earlier. Composition and performance history Le Sueur wrote the opera while working as an instructor at the Conservatoire de Musique in Paris. The opera was initially scheduled to be performed at the Conservatoire but was dropped in favor of Charles-Simon Catel's '' Sémiramis''. Upset over this decision, Le Sueur published anonymously a pamphlet entitled , in which he harshly criticized the methods of instruction followed at the Conservatoire, his rival Catel, and Catel's patron, the director of the Conservatoire. Le Sueur was subsequently fired from the Conservatoire on 23 September 1802, and the composer lived in a state of poverty for about a year before he became to the First Consul in Paris in early 1804. Eventually, Le Sueur was able to mount a production ...
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Ossian, Ou Les Bardes
''Ossian, ou Les bardes'' (English: ''Ossian, or The Bards'') is an opera in five acts by the French composer Jean-François Le Sueur. The libretto, by Alphonse François "Paul" Palat-Dercy and Jacques-Marie Deschamps, is based on the Ossian poems of James Macpherson (specifically the poem "Calthon and Colmal"), which had been translated into French by . Performance history Le Sueur probably began work on the opera as early as 1795. It was first performed at the Paris Opera on 10 July 1804. The premiere was a huge success, especially with Emperor Napoleon, who was a great admirer of the Ossian poems. Napoleon was so enthusiastic, he invited the composer to join him in the imperial box at the third act and the next day he sent Le Sueur a gold casket engraved "The Emperor Napoleon to the author of ''Les bardes''", containing the cross of the Légion d'honneur. The opera received almost 70 performances over the next 12 years. Roles Synopsis The opera is set in an imaginary Scot ...
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Solfège
In music, solfège (, ) or solfeggio (; ), also called sol-fa, solfa, solfeo, among many names, is a music education method used to teach aural skills, pitch and sight-reading of Western music. Solfège is a form of solmization, though the two terms are sometimes used interchangeably. Syllables are assigned to the notes of the scale and enable the musician to audiate, or mentally hear, the pitches of a piece of music being seen for the first time and then to sing them aloud. Through the Renaissance (and much later in some shapenote publications) various interlocking 4, 5 and 6-note systems were employed to cover the octave. The tonic sol-fa method popularized the seven syllables commonly used in English-speaking countries: ''do'' (or ''doh'' in tonic sol-fa),''Oxford English Dictionary'' 2nd Ed. (1998) ''re'', ''mi'', ''fa'', ''so(l)'', ''la'', and ''ti'' (or ''si'') (see below). There are two current ways of applying solfège: 1) fixed do, where the syllables are alwa ...
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Charles Simon Catel
Charles-Simon Catel (10 June 1773 – 29 November 1830) was a French composer and educator born at L'Aigle, Orne. Biography Catel studied at the Royal School of Singing in Paris. He was the chief assistant to François-Joseph Gossec at the orchestra of the National Guard in 1790. A member of the Institute, he jointly composed pieces of military music for official state ceremonies, including ''L'Hymne à la Victoire'' (Victory Hymn), with words by Ponce-Denis Écouchard-Lebrun. He was appointed inaugural professor of harmony at the Conservatoire de Paris, but was destitute in 1814. Amongst his students were the Prix de Rome winning composers Joseph Daussoigne-Méhul and Victor Dourlen, the Belgian composer Martin-Joseph Mengal, and the famous, if eccentric, harpist Nicolas-Charles Bochsa. Catel died in Paris. His works include a ''Treatise on Harmony'' (1802), which was used by the young Berlioz, several concert band works, several dramatic compositions at the Opéra Natio ...
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