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Jacques Collebaut
Jacquet of Mantua (Jacques Colebault, dit Jachet de Mantoue) (1483 – October 2, 1559) was a FrenchGeorge Nugent. "Jacquet of Mantua." Grove Music Online. Oxford Music Online. 23 Sep. 2010 . composer of the Renaissance, who spent almost his entire life in Italy. He was an influential member of the generation between Josquin and Palestrina, and represents well the transitional polyphonic style between those two composers. Life Jacquet was born in Vitré (Ille-et-Vilaine) and probably went to Italy at an early age. He was in Modena in 1519, working for the Rangoni family, and in 1525 was in Ferrara at the Este court, where he formed a close friendship with Adrian Willaert, the founder of the Venetian School. The next year he moved to Mantua, where he spent the rest of his life. He became ''maestro di cappella'' at the cathedral of Saints Peter and Paul, where his employer was Cardinal Ercole Gonzaga, the Bishop of Mantua. Cardinal Ercole Gonzaga was fond of Jacquet, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' '' contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Pal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medici
The House of Medici ( , ) was an Italian banking family and political dynasty that first began to gather prominence under Cosimo de' Medici, in the Republic of Florence during the first half of the 15th century. The family originated in the Mugello region of Tuscany, and prospered gradually until it was able to fund the Medici Bank. This bank was the largest in Europe during the 15th century and facilitated the Medicis' rise to political power in Florence, although they officially remained citizens rather than monarchs until the 16th century. The Medici produced four popes of the Catholic Church—Pope Leo X (1513–1521), Pope Clement VII (1523–1534), Pope Pius IV (1559–1565) and Pope Leo XI (1605)—and two queens of France— Catherine de' Medici (1547–1559) and Marie de' Medici (1600–1610). In 1532, the family acquired the hereditary title Duke of Florence. In 1569, the duchy was elevated to the Grand Duchy of Tuscany after territorial expansion. The Medici ru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1483 Births
Year 1483 ( MCDLXXXIII) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. Events January–December * January 1 – The Jews are expelled from Andalusia. * February 11 – The ''General Council of the Inquisition'' is created in Spain. * April 9 – Edward V becomes King of England. * April 29 – Gran Canaria, the main island of the Canary Islands, is conquered by the Kingdom of Castile, a very important step in the expansion of Spain. * April 30 – Pluto moves inside Neptune's orbit until July 23, 1503, according to modern orbital calculations. * April – King Edward V of England and his younger brother Richard, Duke of York reside in the Tower of London. Later this year, rumors of their murders start circulating. By December the rumors have reached France. This is the beginning of the mystery concerning the fates of the two Princes in the Tower. * June 13 – William ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Reese
Gustave Reese ( ; 29 November 1899 – 7 September 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) and ''Music in the Renaissance'' (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source. Early life and education Reese was born in New York City on 29 November 1899. He was an avid scholar and had interests in many areas outside music, including art, architecture, and literature. He studied law at New York University, graduating in 1921. Though he was admitted to the New York State Bar, he opted to re-enroll and pursue a Bachelor of Music from NYU, which he received in 1930. Career In 1927, however, he was already teaching classes at the university in medieval and Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Rice (conductor)
Stephen Rice may refer to: * Stephen Rice (footballer) (born 1984), Irish footballer * Stephen O. Rice (1907–1986), American electrical engineer * Stephen Rice (journalist) (born 1957), Australian journalist *Stephen Rice (judge) (1637–1715), chief baron of the exchequer in Ireland * Stephen Rice (academic) (fl. 1990s–2020s), geographer *Stephen Spring Rice (1814–1865), Anglo-Irish civil servant and philanthropist *Stephen Spring Rice (1856–1902), British civil servant and academic * Stephen E. Rice (c. 1905–1958), United States Tax Court judge See also *Steven Rice Steven Rice (born May 26, 1971) is a Canadian former professional ice hockey right winger who played eight seasons in the National Hockey League in the 1990s. Rice was born in Kitchener, Ontario. Rice was drafted 20th overall by the New York ... (born 1971), ice hockey player * Steven Rice (composer) (born 1979), American composer {{hndis, Rice, Stephen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Brabant Ensemble
The Brabant Ensemble is an early music choir based in Oxford, directed by Stephen Rice. Discography *Clemens non Papa: Missa "Ecce quam bonum" Behold How Joyful *Antoine Brumel: Missa de Beata Virgine, *Palestrina: Missa Ad coenam Agni *Jean Mouton: Missa Tu es Petrus, *Cipriano de Rore: Missa Doulce memoire, * Pierre de Manchicourt: Missa Cuidez vous que Dieu nous faille, *Clemens non Papa: Missa pro defunctis (Requiem) *Orlando di Lasso: Prophetiae Sibyllarum Missa Amor ecco colei, * Cristobal de Morales: Magnificat * Dominique Phinot: Missa Si bona suscepimus, * Pierre Moulu: Missa Missus est Gabriel angelus, *Nicolas Gombert: Motets Tribulatio et angustia *Music from the Chirk Castle Part-Books *Thomas Crecquillon: Missa Mort m'a prive,British Broadcasting Corporation Music Magazine 2006 - Stephen Rice and The Brabant Ensemble now show us what we've been missing. Crecquillon excelled in the craft of imitative writing. His melodic imagination was rich - both comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is oppose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass ( la, missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be '' a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental '' obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homophonic
In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh out the harmony. One melody predominates while the other parts play either single notes or an elaborate accompaniment. This differentiation of roles contrasts with equal-voice polyphony (in which similar lines move with rhythmic and melodic independence to form an even texture) and monophony (in which all parts move in unison or octaves). Historically, homophony and its differentiated roles for parts emerged in tandem with tonality, which gave distinct harmonic functions to the soprano, bass and inner voices. A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony, in which one voice, often the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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