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Jérusalem (23697365406)
''Jérusalem'' is a grand opera in four acts by Giuseppe Verdi. The libretto was to be an adaptation and partial translation of the composer's original 1843 Italian opera, ''I Lombardi alla prima crociata''. It was the one opera which he regarded as the most suitable for being translated into French and, taking Eugène Scribe's advice, Verdi agreed that a French libretto was to be prepared by Alphonse Royer and Gustave Vaëz, who had written the libretto for Donizetti's most successful French opera, ''La favorite''. The opera received its premiere performance at the Salle Le Peletier in Paris on 26 November 1847. The maiden production was designed by Paul Lormier (costumes), Charles Séchan, Jules Diéterle and Édouard Desplechin (sets of Act I, Act II, scene 1, Act III scene 1, and Act IV), and Charles-Antoine Cambon and Joseph Thierry (sets for Act II, scene 2 and Act III, scene 2). Composition history The director of the Paris Opéra, Léon Pillet, had invited Verdi to co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legislation Ottomane
Legislation is the process or result of enrolling, enacting, or promulgating laws by a legislature, parliament, or analogous governing body. Before an item of legislation becomes law it may be known as a bill, and may be broadly referred to as "legislation" while it remains under consideration to distinguish it from other business. Legislation can have many purposes: to regulate, to authorize, to outlaw, to provide (funds), to sanction, to grant, to declare, or to restrict. It may be contrasted with a non-legislative act by an executive or administrative body under the authority of a legislative act. Overview Legislation to design or amend a bill requires identifying a concrete issue in a comprehensive way. When engaging in legislation, drafters and policy-makers must take into consideration the best possible avenues to address problem areas. Possible solutions within bill provisions might involve implementing sanctions, targeting indirect behaviors, authorizing agency action ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opéra
The Paris Opera ( ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Corsaro
''Il corsaro'' (''The Corsair'') is an opera in three acts by Giuseppe Verdi, from a libretto by Francesco Maria Piave, based on Lord Byron's 1814 poem '' The Corsair''. The first performance was given at the Teatro Grande in Trieste on 25 October 1848. Composition history The composer expressed interest in Byron's poem ''The Corsair'' (along with ''The Two Foscari'' and others) as early as 1844 when he was planning an opera for Venice, but a suitable baritone was not available.Budden, pp. 363 – 366 In 1845, before it was determined that '' I masnadieri'' was to be the opera presented in London, the composer had contracted with the Milanese publisher, Francesco Lucca, for three operas, including ''Attila'' and one for London. Three things prevented it from being ''I masnadieri'' at that time: firstly, Verdi's illness postponed any opera for London for almost a year; secondly, he demanded that the work be ''Il corsaro'' and that it be written by Piave, who had begun work; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Parker
Roger Parker (born London United Kingdom, 2 August 1951) is an English musicologist who was previously Thurston Dart Professor of Music at King's College London. His work has centred on opera. Between 2006 and 2010, while Professor of Music at Gresham College, London, Parker presented four series of free public lectures, one example being "Verdi and Milan" in 2007 which is available on video. In addition to teaching, Parker has been active as joint editor in the preparation of critical editions of the work of 19th-century Italian composer Gaetano Donizetti for the Milan publishing house Ricordi. He also acts as Repertory Consultant to the UK's specialised recording company, Opera Rara, which has commissioned performances and recordings of rare Donizetti operas such as '' Belisario'' in 2012 and ''Les Martyrs'' in 2014. Additionally, Parker has presented talks on UK radio on aspects of opera, including his talk "Verdi 200: Viva Verdi" on BBC Radio 3 on 6 January and 13 October ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Crusade
The First Crusade (1096–1099) was the first of a series of religious wars, or Crusades, initiated, supported and at times directed by the Latin Church in the Middle Ages. The objective was the recovery of the Holy Land from Muslim conquest of the Levant, Islamic rule. While Jerusalem had been under Muslim rule for hundreds of years, by the 11th century the Seljuk Empire, Seljuk takeover of the region threatened local Christian populations, pilgrimages from the West, and the Byzantine Empire itself. The earliest initiative for the First Crusade began in 1095 when List of Byzantine emperors, Byzantine emperor Alexios I Komnenos requested military support from the Council of Piacenza in the empire's conflict with the Seljuk-led Turks. This was followed later in the year by the Council of Clermont, during which Pope Urban II supported the Byzantine request for military assistance and also urged faithful Christians to undertake an armed pilgrimage to Jerusalem. This call was met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nabucco
''Nabucco'' (; short for ''Nabucodonosor'' , i.e. "Nebuchadnezzar II, Nebuchadnezzar") is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on the biblical books of Books of Kings, 2 Kings, Book of Jeremiah, Jeremiah, Book of Lamentations, Lamentations, and Book of Daniel, Daniel, and on the 1836 play by Auguste Anicet-Bourgeois and Francis Cornu. However, Antonio Cortese's ballet adaptation of the play (with its necessary simplifications), given at La Scala in 1836, was a more important source for Solera than the play itself. Under its original name of ''Nabucodonosor'', the opera was first performed at La Scala in Milan on 9 March 1842. ''Nabucco'' is the opera that is considered to have permanently established Verdi's reputation as a composer. He commented that "this is the opera with which my artistic career really begins. And though I had many difficulties to fight against, it is cert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberto (opera)
''Oberto, Conte di San Bonifacio'' is an opera in two acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on an existing libretto by probably called ''Rocester''.David Kimbell 2001, in Holden, p. 977 It was Verdi's first opera, written over a period of four years, and was first performed at the Teatro alla Scala, Milan, on 17 November 1839. The La Scala production enjoyed "a fair success" and the theatre's impresario, Bartolomeo Merelli, commissioned two further operas from the young composer. Composition history During his student days in Milan, Verdi began the process of making connections to the world of music in that city which were to stand him in good stead. These included an introduction by his teacher Lavigna to an amateur choral group, the Società Filarmonica, where he functioned as rehearsal director and continuo player for Haydn's '' The Creation'' in 1834, as well as conducting Rossini's '' La cenerentola'' himself the following year. 1836 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Temistocle Solera
Temistocle Solera (25 December 1815 – 21 April 1878) was an Italian opera composer and librettist. Life and career He was born in Ferrara. He received his education at the Imperial College in Vienna and at the University of Pavia. Throughout his life he actively participated in anti-Austrian resistance. At one point, he was incarcerated for his activities. He completed several literary works, including the novel ''Michelino'', his style influenced by Alessandro Manzoni. He then found work as a librettist; his collaboration with the composer Giuseppe Verdi began in 1839 and lasted for a few years.O'Grady, Dierdre. ''The last troubadours: poetic drama in Italian opera 1597-1887''. (New York: Routledge, Chapman and Hall, 1991). 214. Solera then found work as the impresario for the Royal Theatre in Madrid. He died in Milan in 1878. List of major works Composer * ''Ildegonda'' (1840) * ''Il contadino d'Agliate'' (1841; rev. as ''La fanciulla di Castelguelfo'' in 1842) * ''Gen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; ; 3 November 1801 – 23 September 1835) was an Italian opera composer famed for his long, graceful melodies and evocative musical settings. A central figure of the era, he was admired not only by the public, but also by many composers who were influenced by his work. His songs balanced florid Ornament (music), embellishment with a deceptively simple approach to lyric setting. Born to a musical family in Sicily, he distinguished himself early and earned a scholarship to study under several noted musicians at Music conservatories of Naples#Conservatorio di San Sebastiano, Naples' Real Collegio di Musica. There he absorbed elements of the Neapolitan School's style and was inspired by performances of Donizetti's and Rossini's operas, among others, in more modern idioms. He wrote his first opera, ''Adelson e Salvini'' (1825), for the conservatory, and his next, ''Bianca e Fernando'' (1826), on a Teatro di San Carlo-affiliated commiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer of the late Classical and early Romantic eras. He gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of twelve and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823, he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
