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Joseph Keilberth
Joseph Keilberth (19 April 1908 – 20 July 1968) was a German conductor who specialised in opera. Career Keilberth began his career in the State Theatre of his native city, Karlsruhe, joining as a répétiteur in 1925 and conducting from 1935 to 1940. In 1940, he became director of the German Philharmonic Orchestra of Prague. In 1945, near the end of World War II, he was appointed principal conductor of the venerable Saxon State Opera Orchestra in Dresden. In 1949, he became chief conductor of the Bamberg Symphony, formed mainly of German musicians expelled from postwar Czechoslovakia under the Beneš decrees. Starting in 1950, Keilberth became a guest conductor at the Berlin State Opera, and was named chief conductor of the Hamburg Philharmonic Orchestra. Keilberth became a conductor of the Bavarian State Opera in 1951, and he succeeded Ferenc Fricsay as its artistic director in 1959. Ring Cycles at Bayreuth and in recording Keilberth conducted at the Bayreuth Festival ...
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Martha Mödl
Martha Mödl (22 March 1912, Nuremberg – 17 December 2001, Stuttgart) was a German soprano, and later a mezzo-soprano. She specialized in large dramatic roles such as Isolde, Brünnhilde, and particularly Kundry, and is considered, along with Astrid Varnay and Birgit Nilsson, one of the three major postwar Wagner sopranos. She was among the preeminent Wagner sopranos—and most compelling singing actresses—of the twentieth century.Obituary
theguardian.com, 20 December 2001; accessed 8 September 2015.
She was celebrated for her highly individualized interpretations, exceptional acting ability, intense stage presence, and "rich, sexy voice."
telegraph.co.uk; ac ...
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Hermann Prey
Hermann Prey ( Berlin, 11 July 1929 – Krailling, 22 July 1998) was a German lyric baritone, who was equally at home in the Lied, operatic and concert repertoires. His American debut was in November 1952, with the Philadelphia Orchestra and Eugene Ormandy, and his American recital debut took place in 1956, at New York's Carnegie Hall. As a Lieder singer, he was a gifted interpreter of Schubert, including his song-cycles ''Die schöne Müllerin'' and '' Die Winterreise'' and the collection of songs ''Schwanengesang'', as well as of Robert Schumann, Richard Strauss and Gustav Mahler. He also appeared frequently as a soloist in Bach's ''Passions'' and Brahms' ''A German Requiem''. Early life and education Hermann Prey was born in Berlin and grew up in Germany. He was scheduled to be drafted when World War II ended. He studied voice at the Hochschule für Musik in Berlin and won the prize of the Frankfurt contest of the Hessischer Rundfunk in 1952. Career Repertoire and notab ...
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Fritz Wunderlich
Friedrich "Fritz" Karl Otto Wunderlich (26 September 1930 – 17 September 1966) was a German lyric tenor, famed for his singing of the Wolfgang Amadeus Mozart, Mozart repertory and various lieder. He died in an accident aged 35. Biography Wunderlich was born in Kusel in the Palatinate (region), Palatinate, Germany. His mother was a violinist and his father was a choirmaster. For a short time, the family kept the inn "Emrichs Bräustübl" (Emrich's Brewing Cottage). Fritz's father lost his job due to pressure imposed upon him by local Nazis, in addition to suffering from a severe battlefield injury. He died by suicide when Fritz was five years old. Fritz mastered several instruments while still a schoolboy and when he entered the Hochschule für Musik Freiburg in 1950, his principal study was the French horn, horn. Then the singing teacher discovered and trained his voice. Wunderlich was soon noted as a brilliant young tenor, especially in Wolfgang Amadeus Mozart, Mozartian rol ...
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The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( ) is an ''opera buffa'' (comic opera) in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy '' The Barber of Seville'' (1775). The premiere of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' is considered to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two centuries, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera '' The Marriage of Figaro,'' composed 30 years earlier in 178 ...
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Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer of the late Classical period (music), Classical and early Romantic music, Romantic eras. He gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces and some Church music, sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of twelve and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823, he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an alm ...
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Dietrich Fischer-Dieskau
Dietrich Fischer-Dieskau (; 28 May 1925 – 18 May 2012) was a German lyric baritone and conductor of classical music. One of the most famous Lieder (art song) performers of the post-war period, he is best known as a singer of Franz Schubert's Lieder, particularly ''"Winterreise"'' of which his recordings with accompanists Gerald Moore and Jörg Demus are still critically acclaimed half a century after their release. Because he recorded an array of repertoire (spanning centuries), musicologist Alan Blyth asserted, "No singer in our time, or probably any other has managed the range and versatility of repertory achieved by Dietrich Fischer-Dieskau. Opera, Lieder and oratorio in German, Italian or English came alike to him, yet he brought to each a precision and individuality that bespoke his perceptive insights into the idiom at hand." In addition, he recorded in French, Russian, Hebrew, Latin and Hungarian. He was described as "one of the supreme vocal artists of the 20th cen ...
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Arabella
''Arabella'', Op. 79, is a lyric comedy, or opera, in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration. Performance history It was first performed on 1 July 1933 at the Dresden Sächsisches Staatstheater. The opera received its premiere in the UK on 17 May 1934 at London's Royal Opera House. The Western Hemisphere premiere was at the Teatro Colón in Buenos Aires on 16 August 1934, conducted by Fritz Busch, with Margarete Teschemacher in the title role. Two decades later, on 10 February 1955, it was performed at the Metropolitan Opera in New York with Eleanor Steber in the title role. The Met has given numerous performances of the work since that date. At the 2008 Helpmann Awards, the production by Opera Australia won the Award for Best Opera.
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Richard Strauss
Richard Georg Strauss (; ; 11 June 1864 – 8 September 1949) was a German composer and conductor best known for his Tone poems (Strauss), tone poems and List of operas by Richard Strauss, operas. Considered a leading composer of the late Romantic and early Modernism (music), modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmony, harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. His first tone poem to achieve wide acclaim was ''Don Juan (Strauss), Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote (Strauss), Don Quixote'', ''Ein Heldenleben'', ''Symph ...
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Der Freischütz
' (Friedrich Wilhelm Jähns, J. 277, Opus number, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German List of operas by Carl Maria von Weber, opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Johann Friedrich Kind, Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection ''Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantische Oper, Romantic opera. The opera's plot is mainly based on Johann August Apel, August Apel's tale "Der Freischütz" from the ''Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''De ...
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Carl Maria Von Weber
Carl Maria Friedrich Ernst von Weber (5 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and Music criticism, critic in the early Romantic music, Romantic period. Best known for List of operas by Carl Maria von Weber, his operas, he was a crucial figure in the development of German ''Romantische Oper'' (German Romantic opera). Throughout his youth, his father, , relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers—his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher, and Georg Joseph Vogler—under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies, two concertos and a Concertino for Clarinet (Weber), concertino for clarinet and orchestra, a Bassoon Concerto (Weber), bassoon concerto, a Concertino for Horn and Orchestra (Weber), horn concer ...
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