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Jacques-Philippe Carel
Jacques-Philippe Carel () was a Parisian cabinet-maker (''ébéniste''), who was admitted to the cabinetmakers' guild in 1723 and specialized in rococo case pieces of high quality veneered in end-grain (''bois de bout'') floral marquetry. Two almost identical commodes made at the Frick Collection The Frick Collection (colloquially known as the Frick) is an art museum on the Upper East Side of Manhattan in New York City. It was established in 1935 to preserve the collection of the industrialist Henry Clay Frick. The collection (museum) ..., New York, are part of an unusually large group of commodes of almost identical shape, variously veneered but bearing the same mounts, apparently commissioned from numerous cabinetmakers by a single '' marchand-mercier'', who originated the design and retained a monopoly of the mounts.The group was identified by Theodore Dell, ''The Frick Collection. V. Furniture'' 1992:270-281. Notes {{DEFAULTSORT:Carel, Jacques Philippe French furnitur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ébéniste
An ''ébéniste'' () is a cabinet-maker, particularly one who works in ebony. The term is a loanword from French and translates to "ebonist". Etymology and ambiguities As opposed to ''ébéniste'', the term ''menuisier'' denotes a woodcarver or chairmaker in French. The English equivalent for ''ébéniste'', "ebonist", is not commonly used. Originally, an ''ébéniste'' was one who worked with ebony, a favoured luxury wood for mid-17th century Parisian cabinets, originating in imitation of elite furniture being made in Antwerp. The word is 17th-century in origin. Early Parisian ''ébénistes'' often came from the Low Countries themselves; an outstanding example is Pierre Gole, who worked at the '' Gobelins manufactory'' making cabinets and table tops veneered with marquetry, the traditional enrichment of ''ébénisterie'', or "cabinet-work". History ''Ébénistes'' make case furniture, either veneered or painted. Under Parisian guild regulations, painted varnishes, generica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marquetry
Marquetry (also spelled as marqueterie; from the French ''marqueter'', to variegate) is the art and craft of applying pieces of wood veneer, veneer to a structure to form decorative patterns or designs. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial panels appreciated in their own right. Marquetry differs from the more ancient craft of inlay, or intarsia, in which a solid body of one material is cut out to receive sections of another to form the surface pattern. The word derives from a Middle French word meaning "inlaid work". Materials The veneers used are primarily woods, but may include bone, ivory, turtle-shell (conventionally called "Tortoiseshell material, tortoiseshell"), mother-of-pearl, pewter, brass or fine metals. Marquetry using colored Straw marquetry, straw was a specialty of some European spa resorts from the end of the 18th century. Many exotic wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commode
A commode is any of many pieces of furniture. The ''Oxford English Dictionary'' has multiple meanings of "commode". The first relevant definition reads: "A piece of furniture with drawers and shelves; in the bedroom, a sort of elaborate chest of drawers (so in French); in the drawing room, a large (and generally old-fashioned) kind of chiffonier." The drawing room is itself a term for a formal reception room, and a chiffonier is, in this sense, a small sideboard dating from the early 19th century. Another meaning attested is a washstand, a piece of furniture equipped with basin, jug, and towel rail, and often with space to store the chamber pot behind closed doors. A washstand in the bedroom pre-dates indoor bathrooms and running water. In British English, "commode" is the standard term for a commode chair, often on wheels, enclosing a chamber pot—as used in hospitals and assisted living homes. In the United States, a "commode" is now a colloquial synonym for a flush ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frick Collection
The Frick Collection (colloquially known as the Frick) is an art museum on the Upper East Side of Manhattan in New York City. It was established in 1935 to preserve the collection of the industrialist Henry Clay Frick. The collection (museum), collection consists of 14th- to 19th-century European paintings, as well as other pieces of European fine and decorative art. It is located at the Henry Clay Frick House, a Beaux-Arts architecture, Beaux-Arts mansion designed for Henry Clay Frick. The Frick also houses the Frick Art Research Library, an art history research center established by Frick's daughter Helen Clay Frick in 1920, which contains sales catalogs, books, periodicals, and photographs. The museum dates to 1920, when the trustees of Frick's estate formed the Frick Collection Inc. to care for his art collection, which he had bequeathed for public use. After Frick's wife Adelaide Frick died in 1931, John Russell Pope converted the Frick House into a museum, which opened o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marchand-mercier
A ''marchand-mercier'' is a French language, French term for a type of entrepreneur working outside the guild system of craftsmen but carefully constrained by the regulations of a ''corporation'' under rules codified in 1613. The reduplicative term literally means a merchant of merchandise, but in the 18th century took the connotation of a merchant of ''Objet d'art, objets d'art''. Earliest references to this ''Corps de la Ville de Paris'' can be found at the close of the 16th century, but in the 18th century marchands-merciers were shopkeepers but they also played an important role in the decoration of Paris homes. In fact, they served as general contractors, designing and commissioning pieces of the most fashionable furniture, and often, in addition, worked outside of their shops as interior decorators, responsible for many aspects of a room's decor. In Paris, the guild system, in place since the late Middle Ages, prohibited craftsmen from working with any material with which the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
