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Italo Gardoni
Italo Gardoni (12 March 1821 – 26 March 1882) was a leading operatic tenore di grazia singer from Italy who enjoyed a major international career during the middle decades of the 19th century. Along with Giovanni Mario, Gaetano Fraschini, Enrico Tamberlik and Antonio Giuglini, he was one of the most celebrated Italian tenors of his era. His voice was not large but it was exceptionally pure toned and sweet, lacking any disruptive vibrato. He sang legato passages with impressive smoothness but he could also dispatch florid music with flair and considerable agility. Career Born in Parma, Gardoni studied with Antonio De Cesari (1797–1853). He made his debut as ''Roberto Devereux'' ( Donizetti) in Viadana in 1840, and over the following 7 years made his career in France, Italy and Germany. In Paris in December 1844 he was Bothwell in the Paris première of Louis Niedermeyer's opera '' Marie Stuart'' at the Théâtre de l'Académie Royale de Musique opposite the soprano Rosi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italo Gardoni 1874
Italo may refer to: *Italo-, a prefix indicating a relation to Italy or Italians Film * ''Italo'' (film), a 2014 comedy film * Italo crime, a genre of crime film Music genres *Italo disco * Italo dance *Italo house People *Italo Allodi (1928–1999), footballer * Ítalo Argentino Lúder (1916–2008), Argentine politician *Italo Balbo (1896–1940), politician * Italo Bocchino (born 1957), politician *Italo Brancucci (1904–1958), composer * Italo "Babe" Caccia (1917–2009), American college athlete, coach, and administrator *Italo Calvino (1923–1985), writer * Italo Campanini (1845–1896), singer * Italo Casini (1892–?), bobsledder * Italo Chelini (1914–1972), baseball player * Italo Cappabianca (1936–2001), politician * Ítalo Estupiñán (1952–2016), footballer * Ítalo Ferreira (born 1994), Brazilian surfer * Italo Galbiati (born 1937), footballer *Italo Gardoni (1821–1882), singer *Italo Gariboldi (1879–1970), soldier * Italo Gismondi (1887–1974), archæo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Puritani
' (''The Puritans'') is an 1835 opera by Vincenzo Bellini. It was originally written in two acts and later changed to three acts on the advice of Gioachino Rossini, with whom the young composer had become friends. The music was set to a libretto by Count Carlo Pepoli, an Italian émigré poet whom Bellini had met at a salon run by the exile Princess Belgiojoso, which became a meeting place for many Italian revolutionaries. The opera is based on ''Têtes Rondes et Cavaliers'' (''Roundheads and Cavaliers''), a historical play written by Jacques-François Ancelot and Joseph Xavier Saintine and set in the English Civil War, which some sources state was based on Walter Scott's 1816 novel '' Old Mortality,'' while others state that there is no connection. When Bellini arrived in Paris in mid-August 1833, he had intended to stay only about three weeks, the main aim being to continue the negotiations with the Paris Opéra which had begun on his way to London a few months earlier. Howev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sonnambula
''La sonnambula'' (''The Sleepwalker'') is an opera semiseria in two acts, with music in the ''bel canto'' tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ''ballet-pantomime'' written by Eugène Scribe and choreographed by Jean-Pierre Aumer called '' La somnambule, ou L'arrivée d'un nouveau seigneur''. The ballet had premiered in Paris in September 1827 at the height of a fashion for stage works incorporating somnambulism. The role of Amina was originally written for the soprano sfogato Giuditta Pasta and the tenor Giovanni Battista Rubini, but during Bellini's lifetime another soprano sfogato, Maria Malibran, was a notable exponent of the role. The first performance took place at the Teatro Carcano in Milan on 6 March 1831. The majority of twentieth-century recordings have been made with a soprano cast as Amina, usually with added top-notes and other changes according to tradition, although it was released in soprano s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Favorita
''La favorite'' (''The Favourite'', sometimes referred to by its Italian title: ''La favorita'') is a grand opera in four acts by Gaetano Donizetti to a French-language libretto by Alphonse Royer and Gustave Vaëz, based on the play ''Le comte de Comminges'' by Baculard d'Arnaud with additions by Eugène Scribe based on the story of Leonora de Guzman. The opera concerns the romantic struggles of the King of Castile, Alfonso XI, and his mistress, the "favourite" Leonora, against the backdrop of the political wiles of receding Moorish Spain and the life of the Catholic Church. It premiered on 2 December 1840 at the Académie Royale de Musique (Salle Le Peletier) in Paris. Background Originally, Donizetti had been composing an opera by the name of ''Le Duc d'Albe'' as his second work for the Opéra in Paris. However, the director, Léon Pillet, objected to an opera without a prominent role for his mistress, mezzo-soprano Rosine Stoltz. Donizetti therefore abandoned ''Le Duc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julia Clara Byrne
Julia Clara Pitt Byrne (nee Busk, christened 6 Jul 1819 – 1894) was a British author of memoirs about celebrities of her time, as well as more serious social commentary. Biography She was the second daughter of Hans Busk, and the sister of Hans Busk the younger and Rachel Harriette Busk. She was also the sister-in-law of Sir Robert Loder, 1st Baronet through her sister Maria Georgiana. She married William Pitt Byrne in 1842, who was owner of ''The Morning Post'' and son of Charlotte Dacre. She converted to Catholicism in 1860. She is best known for the work ''Flemish Interiors'', and her subsequent works were often published under the name of "The Author of ''Flemish Interiors''" rather than her own name, or sometimes as Mrs. William Pitt Byrne. Other books include ''Gossip of the Century'' and ''Social Hours With Celebrities''. In a more serious vein, ''Undercurrents Overlooked'' described abuses in workhouse In Britain, a workhouse () was an institution where th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacinta Toso
Giacinta Toso (1807–1889), (also Toso Puzzi or Puzzi Toso), Maman Puzzi, was an Italian operatic soprano who had a significant career in England during the 1820s and 1830s before ill health forced her to retire from the stage. For over half a century thereafter, she and her husband maintained a musical salon in London through which many of the greatest musical stars of the age made their entry into musical life in England. Professional and matrimonial engagement She began her career as Giacinta Toso and was singing in Turin when she was first engaged to appear in England. Her story is closely involved with that of her husband, the horn player Giovanni Puzzi. He was an Italian who in early youth took up the ''cornet à pistons'', and was brought before the public as a child prodigy. He was taken to Paris, where he played in an orchestra and was heard and admired by Napoleon Bonaparte, who made him a favourite and invited him to play and dine at his own table. The Duke of Welling ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Lumley
Benjamin Lumley (1811 – 17 March 1875 in London) was a Canadian-born British opera manager and solicitor. Born Benjamin Levy, he was the son of a Jewish merchant, Louis Levy. Beginnings at His Majesty's Theatre Lumley's father was a clothes-dealer who had made his original fortune in Canada. The young Benjamin Levy was a pupil at King Edward's School, Birmingham. Lumley trained as a solicitor, and then studied for the Bar under Basil Montagu. In this capacity he gave legal advice to the financially troubled manager of what was then His Majesty's Theatre, Pierre Laporte, who came to rely on him extensively. As Lumley had become familiar with making managerial decisions for the theatre, when Laporte died in 1841 the board of the opera company, consisting mainly of wealthy noblemen, asked him to take over. Lumley had already written a standard handbook on Parliamentary private bills and was launched on a promising legal career. But his memoirs clearly indicate his pleasure in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Her Majesty's Theatre
Her Majesty's Theatre is a West End theatre situated on Haymarket in the City of Westminster, London. The present building was designed by Charles J. Phipps and was constructed in 1897 for actor-manager Herbert Beerbohm Tree, who established the Royal Academy of Dramatic Art at the theatre. In the early decades of the 20th century, Tree produced spectacular productions of Shakespeare and other classical works, and the theatre hosted premieres by major playwrights such as George Bernard Shaw, J. M. Synge, Noël Coward and J. B. Priestley. Since the First World War, the wide stage has made the theatre suitable for large-scale musical productions, and the theatre has accordingly specialised in hosting musicals. The theatre has been home to record-setting musical theatre runs, notably the First World War sensation '' Chu Chin Chow''Larkin, Colin (ed). ''Guinness Who's Who of Stage Musicals'' (Guinness Publishing, 1994) and the current (June 2022) production of Andrew Lloyd Web ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opéra
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italo Gardoni As A Young Man
Italo may refer to: *Italo-, a prefix indicating a relation to Italy or Italians Film * ''Italo'' (film), a 2014 comedy film * Italo crime, a genre of crime film Music genres *Italo disco *Italo dance *Italo house People *Italo Allodi (1928–1999), footballer * Ítalo Argentino Lúder (1916–2008), Argentine politician *Italo Balbo (1896–1940), politician *Italo Bocchino (born 1957), politician *Italo Brancucci (1904–1958), composer * Italo "Babe" Caccia (1917–2009), American college athlete, coach, and administrator *Italo Calvino (1923–1985), writer *Italo Campanini (1845–1896), singer *Italo Casini (1892–?), bobsledder * Italo Chelini (1914–1972), baseball player *Italo Cappabianca (1936–2001), politician * Ítalo Estupiñán (1952–2016), footballer * Ítalo Ferreira (born 1994), Brazilian surfer * Italo Galbiati (born 1937), footballer *Italo Gardoni (1821–1882), singer *Italo Gariboldi (1879–1970), soldier *Italo Gismondi (1887–1974), archæologist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Huguenots
() is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history ''Les Huguenots'' was some five years in creation. Meyerbeer prepared carefully for this opera after the sensational success of '' Robert le diable'', recognising the need to continue to present lavish staging, a highly dramatic storyline, impressive orchestration and virtuoso parts for the soloists – the essential elements of the new genre of Grand Opera. Meyerbeer and his librettist for ''Robert le Diable'', Eugène Scribe, had agreed to collaborate on an epic work concerning the French Wars of Religion, with a drama partly based on Prosper Mérimée's 1829 novel ''Chronique du règne de Charles IX''. Coming from a wealthy family, Meyerbeer could afford to take his time, dictate his own terms, and to be a perfectionist. The very detai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
