Ion (dialogue)
In Plato's ''Ion'' (; ) Socrates discusses with the titular character, a professional rhapsode who also lectures on Homer, the question of whether the rhapsode, a performer of poetry, gives his performance on account of his skill and knowledge or by virtue of divine possession. It is one of the shortest of Plato's dialogues. Dramatis personae *Socrates, the Greek philosopher. In this dialogue, he questions the nature of art and of divine inspiration. *Ion of Ephesus, the rhapsode. In poetry, he specialized in the works of Homer. The city of Ephesus was under Athenian control at this time and Athens had lost many of its beloved generals in the recent Sicilian expedition. Athens was in the process of hiring foreign mercenaries so Socrates' suggestion that Ion should serve as a general to the Athenian soldiers is not the non-sequitur it may at first appear when these circumstances are taken into account. Dialogue summary Ion's skill: Is it genuine? (530a–533c) Ion has just come ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Plato
Plato ( ; Greek language, Greek: , ; born BC, died 348/347 BC) was an ancient Greek philosopher of the Classical Greece, Classical period who is considered a foundational thinker in Western philosophy and an innovator of the written dialogue and dialectic forms. He influenced all the major areas of theoretical philosophy and practical philosophy, and was the founder of the Platonic Academy, a philosophical school in History of Athens, Athens where Plato taught the doctrines that would later become known as Platonism. Plato's most famous contribution is the theory of forms, theory of forms (or ideas), which aims to solve what is now known as the problem of universals. He was influenced by the pre-Socratic thinkers Pythagoras, Heraclitus, and Parmenides, although much of what is known about them is derived from Plato himself. Along with his teacher Socrates, and his student Aristotle, Plato is a central figure in the history of Western philosophy. Plato's complete ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Daemon (classical Mythology)
The daimon (), also spelled daemon (meaning "god", "godlike", "power", "fate"), denotes an "unknown superfactor", which can be either good or hostile. In ancient Greek religion and Greek mythology, mythology a daimon was imagined to be a lesser deity or guiding spirit. The word is derived from Proto-Indo-European ''daimon'' "provider, divider (of fortunes or destinies)," from the root ''*da-'' "to divide". Daimons were possibly seen as the Ensoulment#Ancient Greeks, souls of men of the golden age, Tutelary deity, tutelary deities, or the forces of fate. Description Daimons are lesser divinity, divinities or spirits, often personifications of abstraction, abstract concepts, beings of the same nature as both mortals and deities, similar to ghosts, chthonic heroes, spirit guides, forces of nature, or the deities themselves (see Plato's ''Symposium (Plato), Symposium''). According to Hesiod's myth, "great and powerful figures were to be honoured after death as a daimon…" A daimon ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Dialogues Of Plato
Plato ( ; Greek: , ; born BC, died 348/347 BC) was an ancient Greek philosopher of the Classical period who is considered a foundational thinker in Western philosophy and an innovator of the written dialogue and dialectic forms. He influenced all the major areas of theoretical philosophy and practical philosophy, and was the founder of the Platonic Academy, a philosophical school in Athens where Plato taught the doctrines that would later become known as Platonism. Plato's most famous contribution is the theory of forms (or ideas), which aims to solve what is now known as the problem of universals. He was influenced by the pre-Socratic thinkers Pythagoras, Heraclitus, and Parmenides, although much of what is known about them is derived from Plato himself. Along with his teacher Socrates, and his student Aristotle, Plato is a central figure in the history of Western philosophy. Plato's complete works are believed to have survived for over 2,400 yearsunlike tha ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Divine Inspiration
Divine inspiration is the concept of a supernatural force, typically a deity, causing a person or people to experience a creative desire. It has been a commonly reported aspect of many religions, for thousands of years. Divine inspiration is often closely tied to the concept of revelation, information being revealed or disclosed through communication with a deity or other supernatural entity or entities. Examples Besides ancient mythology, the religious texts of traditions including Hinduism, Judaism, Christianity, Islam, Mormonism, and the Baháʼí Faith are all claimed to be divinely inspired to some degree. * Ancient Mesopotamia: In the Mesopotamian epic '' Atra-Hasis'', the writer describes his work as dictated by the Goddess in a dream-vision. * Ancient Greece: The ancient Greek muses were said to be supernatural forces that gave artists their skill, while the Ancient Greek oracles were said to be subject to supernatural forces. * Hinduism: Music has historically been co ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Theia Mania
Divine madness, also known as ''theia mania'' and crazy wisdom, is unconventional, outrageous, unexpected, or unpredictable behavior linked to religious or spiritual pursuits. Examples of divine madness can be found in Buddhism, Christianity, Hellenism, Hinduism, Islam, Judaism and Shamanism. It is usually explained as a manifestation of enlightened behavior by persons who have transcended societal norms, or as a means of spiritual practice or teaching among mendicants and teachers. These behaviors may seem to be symptoms of mental illness, but could also be manifestations of religious ecstasy or even be "strategic, purposeful activity" "by highly self-aware individuals making strategic use of the theme of madness in the construction of their public personas". Cross-cultural parallels According to June McDaniel and other scholars, divine madness is found in the history and practices of many cultures and may reflect religious ecstasy or expression of divine love. Plato in his ' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Poetics (Aristotle)
Aristotle's ''Poetics'' ( ''Peri poietikês''; ; ) is the earliest surviving work of Greek dramatic theory and the first extant philosophical treatise to solely focus on literary theory. In this text, Aristotle offers an account of , which refers to poetry, and more literally, "the poetic art", deriving from the term for "poet; author; maker", . Aristotle divides the art of poetry into verse drama (comedy, tragedy, and the satyr play), lyric poetry, and epic. The genres all share the function of mimesis, or imitation of life, but differ in three ways that Aristotle describes: # There are differences in music rhythm, harmony, meter, and melody. # There is a difference of goodness in the characters. # A difference exists in how the narrative is presented: telling a story or acting it out. The surviving book of ''Poetics'' is primarily concerned with drama; the analysis of tragedy constitutes the core of the discussion. Although the text is universally acknowledged in the West ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Poetics
Poetics is the study or theory of poetry, specifically the study or theory of device, structure, form, type, and effect with regards to poetry, though usage of the term can also refer to literature broadly. Poetics is distinguished from hermeneutics by its focus on the synthesis of non-semantic elements in a text rather than its semantic interpretation. Most literary criticism combines poetics and hermeneutics in a single analysis; however, one or the other may predominate given the text and the aims of the one doing the reading. History of Poetics Western Poetics Generally speaking, poetics in the western tradition emerged out of Ancient Greece. Fragments of Homer and Hesiod represent the earliest Western treatments of poetic theory, followed later by the work of the lyricist Pindar. The term ''poetics'' derives from the Ancient Greek ποιητικός ''poietikos'' "pertaining to poetry"; also "creative" and "productive". It stems, not surprisingly, from the word for poetry, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Schleiermacher
Friedrich Daniel Ernst Schleiermacher (; ; 21 November 1768 – 12 February 1834) was a German Reformed theologian, philosopher, and biblical scholar known for his attempt to reconcile the criticisms of the Enlightenment with traditional Protestant Christianity. He also became influential in the evolution of higher criticism, and his work forms part of the foundation of the modern field of hermeneutics. Because of his profound effect on subsequent Christian thought, he is often called the "Father of Modern Liberal Theology" and is considered an early leader in liberal Christianity. The neo-orthodoxy movement of the twentieth century, typically (though not without challenge) seen to be spearheaded by Karl Barth, was in many ways an attempt to challenge his influence. As a philosopher he was a leader of German Romanticism. Biography Early life and development Born in Breslau in Prussian Silesia as the grandson of Daniel Schleiermacher, a pastor at one time assoc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Goethe
Johann Wolfgang (von) Goethe (28 August 1749 – 22 March 1832) was a German polymath who is widely regarded as the most influential writer in the German language. His work has had a wide-ranging influence on Western literature, literary, Political philosophy#European Enlightenment, political, and Western philosophy, philosophical thought in the Western world from the late 18th century to the present.. A poet, playwright, novelist, scientist, statesman, theatre-director, and critic, Johann Wolfgang von Goethe bibliography, his works include plays, poetry and aesthetic criticism, as well as treatises on botany, anatomy, and colour. Goethe took up residence in Weimar in 1775 following the success of his first novel, ''The Sorrows of Young Werther'' (1774), and joined a thriving intellectual and cultural environment under the patronage of Duchess Anna Amalia of Brunswick-Wolfenbüttel, Duchess Anna Amalia that formed the basis of Weimar Classicism. He was ennobled by Karl August, G ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Gregory Vlastos
Gregory Vlastos (; ; July 27, 1907 – October 12, 1991) was a preeminent scholar of ancient philosophy, and author of many works on Plato and Socrates. He transformed the analysis of classical philosophy by applying techniques of modern analytic philosophy to restate and evaluate the views of Socrates and Plato. Life and career Vlastos was born in Istanbul, to a Scottish mother and a Greek father, where he received a Bachelor of Arts from Robert College before moving to Harvard University where he received a PhD in 1931. After teaching for several years at Queen's University in Kingston, Ontario, Canada, he moved to Cornell University in 1948. He was Stuart Professor of Philosophy at Princeton University between 1955 and 1976. Upon his retirement from Princeton, he became Mills Professor of Philosophy at University of California, Berkeley until 1987. He received a MacArthur Foundation Fellowship in 1990. He was twice awarded a Guggenheim Fellowship, was a fellow of th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Laws (dialogue)
The ''Laws'' () is Plato's last and longest dialogue. The conversation depicted in the work's twelve books begins with the question of who is given the credit for establishing a civilization's laws. Its musings on the ethics of government and law have frequently been compared to Plato's more widely read ''Republic''. Some scholars see this as the work of Plato as an older man having failed in his effort to guide the rule of the tyrant Dionysius II of Syracuse. These events are alluded to in the '' Seventh Letter''. The text is noteworthy as the only Platonic dialogue not to feature Socrates. Setting Characters Unlike most of Plato's dialogues, Socrates does not appear in the ''Laws''. The conversation is instead led by an Athenian Stranger * An Athenian "Stranger" () * Cleinias of Knossos * Megillus of Sparta Summary The Athenian Stranger joins the other two on their religious pilgrimage from Knossos, on Crete to the cave of Zeus on Mount Ida. The entire dialogue takes p ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
The Republic (Plato)
The ''Republic'' (; ) is a Socratic dialogue authored by Plato around 375 BC, concerning justice (), the order and character of the just city-state, and the just man. It is Plato's best-known work, and one of the world's most influential works of philosophy and political theory, both intellectually and historically. In the dialogue, Socrates discusses with various Athenians and foreigners the meaning of justice and whether the just man is happier than the unjust man.In ancient times, the book was alternately titled ''On Justice'' (not to be confused with the spurious dialogue of the same name). He considers the natures of existing regimes and then proposes a series of hypothetical cities in comparison, culminating in Kallipolis (), a utopian city-state ruled by a class of philosopher-kings. They also discuss ageing, love, theory of forms, the immortality of the soul, and the role of the philosopher and of poetry in society. The dialogue's setting seems to be the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |