Hyde Park (play)
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Hyde Park (play)
''Hyde Park'' is a Caroline era comedy of manners written by James Shirley, and first published in 1637. ''Hyde Park'' was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 20 April 1632, and acted at the Cockpit Theatre by Queen Henrietta's Men. The play was entered into the Stationers' Register on 13 April 1637, and published later that year by the bookselling partners Andrew Crooke and William Cooke, who issued several of Shirley's works in this period. ''Hyde Park'' was revived during the Restoration era – in a production that featured live horses for the horse-racing material. Samuel Pepys saw it on 11 July 1668, but didn't like it. Three days later, though, the play was given a royal performance. Place realism The play has been noted for the element of naturalism in its setting. ''Hyde Park'' exploits the atmosphere of the real contemporaneous Hyde Park, with horse races and footraces. Games and gambling are the constant themes and motifs ...
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Literature In English
English literature is literature written in the English language from United Kingdom, its crown dependencies, the Republic of Ireland, the United States, and the countries of the former British Empire. ''The Encyclopaedia Britannica'' defines English literature more narrowly as, "the body of written works produced in the English language by inhabitants of the British Isles (including Ireland) from the 7th century to the present day. The major literatures written in English outside the British Isles are treated separately under American literature, Australian literature, Canadian literature, and New Zealand literature." However, despite this, it includes literature from the Republic of Ireland, "Anglo-American modernism", and discusses post-colonial literature. ; See also full articles on American literature and other literatures in the English language. The English language has developed over the course of more than 1,400 years. The earliest forms of English, a set of Angl ...
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Ben Jonson
Benjamin "Ben" Jonson (c. 11 June 1572 – c. 16 August 1637) was an English playwright and poet. Jonson's artistry exerted a lasting influence upon English poetry and stage comedy. He popularised the comedy of humours; he is best known for the satirical plays ''Every Man in His Humour'' (1598), '' Volpone, or The Fox'' (c. 1606), '' The Alchemist'' (1610) and '' Bartholomew Fair'' (1614) and for his lyric and epigrammatic poetry. "He is generally regarded as the second most important English dramatist, after William Shakespeare, during the reign of James I." Jonson was a classically educated, well-read and cultured man of the English Renaissance with an appetite for controversy (personal and political, artistic and intellectual) whose cultural influence was of unparalleled breadth upon the playwrights and the poets of the Jacobean era (1603–1625) and of the Caroline era (1625–1642)."Ben Jonson", ''Grolier Encyclopedia of Knowledge'', volume 10, p. 388. His ancestor ...
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Michael Cordner
Michael Cordner is an academic, author and specialist in theatre and drama. His particular interests lie in English drama from c.1580–1720 and the development of the theatre in the UK in the second half of the twentieth century. A former Professor in English and Related Literature at the University of York, Cordner is now Professor of Theatre at the School of Arts and Creative Technologies (formerly the Department of Theatre, Film, Television and Interactive Media). He is the former general editor of Oxford English Drama for Oxford University Press Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print book .... Publications Michael Cordner's books and articles include: Editions * George Farquhar, ''The Beaux' Stratagem'' (1976) * Sir George Etherege, ''Plays'' (1982) * Sir John Vanbru ...
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Barry Kyle
Barry Albert Kyle (born 25 March 1947, in Bow, London) is an English theatre director, currently Honorary Associate Director of the Royal Shakespeare Company, England. Kyle attended Beal Grammar School in Ilford and then studied drama and English at the University of Birmingham. He began his theatre career in 1969 at the Liverpool Playhouse where he directed 21 productions. In 1973 he became an assistant director at the Royal Shakespeare Company where he directed in the studio theatre called The Other Place a production of ''Sylvia Plath a Dramatic Portrait'', his dramatisation of Sylvia Plath's poetry and life. This played at the Brooklyn Academy of Music in New York. In the Stratford main house he first directed Shakespeare's ''Measure for Measure'' with Michael Pennington, and then went on to direct many others including ''The Roaring Girl'' with Helen Mirren, ''The Taming of the Shrew'' with Sinead Cusack and Alun Armstrong, ''Love's Labour's Lost'' with Kenneth Branagh and ...
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John Carlisle (actor)
John Carlisle (6 September 1935 – 7 December 2011) was an English television and stage actor. Early life Carlisle was born in London and named John Roxburgh Clark. He decided in his early teens that he wanted to become an actor. He started acting in amateur productions until he was called up for National Service. Upon his release he worked odd jobs, determined to finance an acting course at RADA. Eventually he found himself with enough money, only to discover all his hard work had been unnecessary, for he had been entitled to a council grant all along. On completion of his training at RADA, Carlisle joined Harrogate Repertory and subsequently appeared in repertory all over the country, including at Ipswich, Birmingham and Liverpool. ''Grand Theatre Wolverhampton: Relatively Speaking'', Programme April 1968. http://www.grandmemories.co.uk/Memory.aspx?MemoryId=238&FileId=2666#Images Television and film While appearing in repertory at Birmingham, Carlisle was spotted by ...
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Alex Jennings
Alex Jennings (born 10 May 1957) is an English actor of the stage and screen, who worked extensively with the Royal Shakespeare Company and National Theatre. For his work on the London stage, Jennings received three Olivier Awards, winning for '' Too Clever by Half'' (1988), ''Peer Gynt'' (1996), and ''My Fair Lady'' (2003). He is the only performer to have won Olivier awards in the drama, musical, and comedy categories. He is known for his film work, in particular for his performance as Prince Charles in Stephen Frears' film '' The Queen'' (2006) opposite Helen Mirren. His other film appearances includes '' The Wings of the Dove'' (1997), '' Bridget Jones: The Edge of Reason'' (2004), ''Babel'' (2006), '' Belle'' (2013), and '' The Lady in the Van'' (2015) starring Maggie Smith. Jennings won acclaim for his performances in television including for his portrayal of Edward VIII, the Duke of Windsor, in the Netflix series ''The Crown'' acting opposite Claire Foy. He also sta ...
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Fiona Shaw
Fiona Shaw (born Fiona Mary Wilson; 10 July 1958) is an Irish film and theatre actress. She is known for her roles as Petunia Dursley in the ''Harry Potter'' film series (2001–2010), Marnie Stonebrook in the fourth season of the HBO series '' True Blood'' (2011), and Carolyn Martens in the BBC series '' Killing Eve'' (2018–22). For her performance in ''Killing Eve'', Shaw won the 2019 BAFTA TV Award for Best Supporting Actress. For her performances in the second seasons of ''Killing Eve'' and '' Fleabag'', she received Primetime Emmy Award nominations for Outstanding Supporting Actress in a Drama Series and Outstanding Guest Actress in a Comedy Series respectively. For the third season of ''Killing Eve'', she was again nominated for Outstanding Supporting Actress in a Drama Series. Shaw has worked extensively with the Royal Shakespeare Company and the National Theatre. She won the 1990 Olivier Award for Best Actress for various roles, including '' Electra'', th ...
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Royal Shakespeare Company
The Royal Shakespeare Company (RSC) is a major British theatre company, based in Stratford-upon-Avon, Warwickshire, England. The company employs over 1,000 staff and produces around 20 productions a year. The RSC plays regularly in London, Stratford-upon-Avon, and on tour across the UK and internationally. The company's home is in Stratford-upon-Avon, where it has redeveloped its Royal Shakespeare and Swan theatres as part of a £112.8-million "Transformation" project. The theatres re-opened in November 2010, having closed in 2007. The new buildings attracted 18,000 visitors within the first week and received a positive media response both upon opening, and following the first full Shakespeare performances. Performances in Stratford-upon-Avon continued throughout the Transformation project at the temporary Courtyard Theatre. As well as the plays of Shakespeare and his contemporaries, the RSC produces new work from living artists and develops creative links with theatre-mak ...
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The Lady Of Pleasure
''The Lady of Pleasure'' is a Caroline era comedy of manners written by James Shirley, first published in 1637. It has often been cited as among the best, and sometimes as the single best, the "most brilliant," of the dramatist's comic works. Date and performance The play was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 15 October 1635. It was performed by Queen Henrietta's Men at the Cockpit Theatre in Drury Lane, in the final winter before the theatres suffered a long closure due to bubonic plague (May 1636 to October 1637) and Shirley himself left London for Dublin (1637). Publication The 1637 quarto was printed by Thomas Cotes for the booksellers Andrew Crooke and William Cooke. This first edition may throw some light on the publication of Shirley's works in the late 1630s and after. Scholarly opinion has been divided as to the degree to which Shirley was or wasn't involved in the publication of his plays. One body of opinion holds that th ...
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The Ball (play)
''The Ball'' is a Caroline comedy by James Shirley, first performed in 1632 and first published in 1639. ''The Ball'' was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 16 November 1632. Herbert, however, was not happy with the play: in a note in his office book dated two days later, 18 November, he complained that the play showed "diverse personated so naturally, both of lords and others of the Court, that I took it ill, and would have forbidden the play" – but impresario Christopher Beeston promised Herbert that everything that Herbert disliked in the play would be fixed before the performance. The desired changes must have been made satisfactorily since the play was acted by Queen Henrietta's Men at the Cockpit Theatre. The 1639 quarto publication of the play, printed by Thomas Cotes for the booksellers Andrew Crooke and William Cooke, confused subsequent generations of critics since the title page attributes the play to both Shirley and Geor ...
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Richard Brome
Richard Brome ; (c. 1590? – 24 September 1652) was an English dramatist of the Caroline era. Life Virtually nothing is known about Brome's private life. Repeated allusions in contemporary works, like Ben Jonson's '' Bartholomew Fair'', indicate that Brome started out as a servant of Jonson, in some capacity. Scholars have interpreted the allusions to mean that Brome may have begun as a menial servant but later became a sort of secretary and general assistant to the older playwright. A single brief mention of his family's need seems to show that he had a wife and children and struggled to support them. He may have had some experience as a professional actor: a 1628 warrant lists him as a member of the Queen of Bohemia's Men. Yet he had already started writing for the stage by this date. An early collaboration, ''A Fault in Friendship'' (now lost) was licensed in 1623 for Prince Charles's Men; a 1629 solo Brome effort, ''The Lovesick Maid'' (also lost), was a success for t ...
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Thomas Nabbes
Thomas Nabbes (1605 – buried 6 April 1641) was an English dramatist. He was born in humble circumstances in Worcestershire, was educated at as a King's scholar at the King's School, Worcester (1616–1620), and entered Exeter College, Oxford in 1621. He left the university without taking a degree, and in about 1630 began a career in London as a dramatist. He was employed at some point in the household of a nobleman near Worcester, and seems to have been of a convivial disposition."Nabbes, Thomas" Dictionary of National Biography, 1885–1900, Volume 40. by Sidney Lee. s:Nabbes, Thomas (DNB00). Retrieved 15 Jul. 2013 He had at least two children, Bridget and William, both of whom died within two years of his death, and were buried with him at St Giles in the Fields. Works About 1630 Nabbes seems to have settled in London, resolved to try his fortunes as a dramatist. He was always a stranger to the best literary society, but found congenial companions in Chamberlain, Jorda ...
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