Hungaria (Liszt)
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Hungaria (Liszt)
Franz Liszt wrote his symphonic poem ''Hungaria'' in 1854, basing it partly on the Heroic March in the Hungarian Style for piano which he wrote in 1840. It was premiered under Liszt's baton at the Hungarian National Theater in Budapest on September 8, 1856, where it achieved an enormous success. "There was better than applause," the composer later wrote. "All wept, both men and women!"Quoted in Walker, ''Weimar'', 407. He was reminded with that scene of the proverb that "tears are the joy of the Hungarians." Structure ''Hungaria'' has no programme and is best considered a Hungarian Rhapsody on an extended scale. After a short introduction, marked ''Largo con duolo'', the main theme of the March in the Hungarian Style appears on clarinets, bassoon The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, ...
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Lassan (music)
Lassan ( Hungarian for "slowly") or more properly lassú ("slow") is the slow section of the ''csárdás'', a Hungarian folk dance, or of most of Liszt's ''Hungarian Rhapsodies The Hungarian Rhapsodies, S.244, R.106 (french: Rhapsodies hongroises, german: Ungarische Rhapsodien, hu, Magyar rapszódiák), is a set of 19 piano pieces based on Hungarian folk themes, composed by Franz Liszt during 1846–1853, and late ...'', which take their form from this dance. It generally either has a dark, somber tone or a formal, stately one. See also * Friska zh-yue:查達斯 Hungarian styles of music Hungarian words and phrases {{Hungary-hist-stub ...
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Cambridge Companions To Music
The Cambridge Companions to Music form a book series A book series is a sequence of books having certain characteristics in common that are formally identified together as a group. Book series can be organized in different ways, such as written by the same author, or marketed as a group by their pu ... published by Cambridge University Press. Each book is a collection of essays on the topic commissioned by the publisher."Cambridge Companions to Music"
on Cambridge University Press website, accessed 21 September 2015.


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Hungarian Revolution Of 1848
The Hungarian Revolution of 1848 or fully Hungarian Civic Revolution and War of Independence of 1848–1849 () was one of many European Revolutions of 1848 and was closely linked to other revolutions of 1848 in the Habsburg areas. Although the revolution failed, it is one of the most significant events in Hungary's modern history, forming the cornerstone of modern Hungarian national identity. In April 1848, Hungary became the third country of Continental Europe (after France (1791), and Belgium (1831)) to enact law about democratic parliamentary elections. The new suffrage law (Act V of 1848) transformed the old feudal parliament ( Estates General) into a democratic representative parliament. This law offered the widest suffrage right in Europe at the time. The crucial turning point of events was when the new young Austrian monarch Franz Joseph I arbitrarily revoked the April laws (ratified by King Ferdinand I) without any legal competence. This unconstitutional act irrev ...
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Lajos Kossuth
Lajos Kossuth de Udvard et Kossuthfalva (, hu, udvardi és kossuthfalvi Kossuth Lajos, sk, Ľudovít Košút, anglicised as Louis Kossuth; 19 September 1802 – 20 March 1894) was a Hungarian nobleman, lawyer, journalist, politician, statesman and governor-president of the Kingdom of Hungary during the revolution of 1848–1849. With the help of his talent in oratory in political debates and public speeches, Kossuth emerged from a poor gentry family into regent-president of the Kingdom of Hungary. As the influential contemporary American journalist Horace Greeley said of Kossuth: "Among the orators, patriots, statesmen, exiles, he has, living or dead, no superior." Kossuth's powerful English and American speeches so impressed and touched the famous contemporary American orator Daniel Webster, that he wrote a book about Kossuth's life. He was widely honoured during his lifetime, including in Great Britain and the United States, as a freedom fighter and bellwe ...
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Ornament (music)
In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity to add expressiveness to a song or piece. Many ornaments are performed as "fast notes" around a central, main note. There are many types of ornaments, ranging from the addition of a single, short grace note before a main note to the performance of a virtuosic and flamboyant trill. The amount of ornamentation in a piece of music can vary from quite extensive (it was often extensive in the Baroque period, from 1600 to 1750) to relatively little or even none. The word ''agrément'' is used specifically to indicate the French Baroque style of ornamentation. Improvised vs. written In the Baroque period, it was common for performers to improvise ornamentation on a given melodic l ...
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Rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur over time, of the steps of a dance, or the meter of spoken language and poetry. In some performing arts, such as hip hop music, the rhythmic delivery of the lyrics is one of the most important elements of the style. Rhythm may also refer to visual presentation, as "timed ...
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Accent (music)
In music, an accent is an emphasis, stress, or stronger attack placed on a particular note or set of notes, or chord, either as a result of its context or specifically indicated by an accent mark. Accents contribute to the articulation and prosody of a performance of a musical phrase. Accents may be written into a score or part by a composer or added by the performer as part of his or her interpretation of a musical piece. Compared to surrounding notes: * A ''dynamic accent'' or ''stress accent'' is an emphasis using louder sound or a stronger sound, typically most pronounced on the attack of the sound. * A ''tonic accent'' is an emphasis on notes by virtue of being higher in pitch as opposed to higher in volume. * An ''agogic accent'' is an emphasis by virtue of being longer in duration. Accents which do not correspond to the stressed beats of the prevailing meter are said to be syncopated. For example, in common time, also called 4/4, the most common metre in popular mu ...
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Friska
Friska (from hu, friss, fresh, pronounced ''frish'') is the fast section of the csárdás, a Hungarian folk dance, or of most of (all except for 3, 5 and 17) Liszt's ''Hungarian Rhapsodies The Hungarian Rhapsodies, S.244, R.106 (french: Rhapsodies hongroises, german: Ungarische Rhapsodien, hu, Magyar rapszódiák), is a set of 19 piano pieces based on Hungarian folk themes, composed by Franz Liszt during 1846–1853, and late ...'', which take their form from this dance. The friska is generally either turbulent or jubilant in tone. The Friska of Hungarian Rhapsody No. 2 is also the most well-known of the Hungarian Rhapsodies. See also * Lassan zh-yue:查達斯 Hungarian styles of music Hungarian words and phrases {{Hungary-hist-stub ...
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Verbunkos
Verbunkos (), other spellings being ''Verbounko'', ''Verbunko'', ''Verbunkas'', ''Werbunkos'', ''Werbunkosch'', ''Verbunkoche''; sometimes known simply as the hongroise or ungarischer Tanz is an 18th-century Hungarian dance and music genre. The verbunkos is typically in a pair of sections, slow (''lassú''), with a characteristic dotted rhythm, and fast (''friss''), with virtuosic running-note passages. In some cases, this slow-fast pair alternates at greater length. The name is derived from the German word ''Werbung'', a noun derived from the verb ''werben'' that means, in particular, "to recruit"; verbunkos—recruiter. This music and dance was played during military recruiting before the Habsburg Emperors, who were also Kings of Hungary, introduced conscription in 1849. A group of a dozen hussars performed the dance in different parts, with the leading sergeant opening with slow movements, then the lower officers joining for more energetic parts, and the youngest soldiers con ...
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