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Hirtenschalmei
The Hirtenschalmei (or shepherd's shawm) is a double reeded woodwind instrument, with a cylindrical bore and a flared Bell of a wind instrument, bell, reconstructed based on iconographic sources in the late 20th century. The instrument is described as producing a "buzzy" sound. The Hirtenschalmei tends to be quieter than a shawm. The double reed in the instrument is List of woodwind instruments#Capped, capped. The instrument is often mentioned in Medieval French literature, medieval french literature and art, depicted as being played by rustic figures. All instances of the instruments today are reconstructed based on an instrument found on the wreck of the Mary Rose, during Salvage diving, salvage operations in the 1980s. However, this instrument could also have been dulzaina. Today, reconstructions are made in soprano, tenor and alto sizes. References [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shawm
The shawm () is a conical bore, double-reed woodwind instrument made in Europe from the 12th century to the present day. It achieved its peak of popularity during the medieval and Renaissance periods, after which it was gradually eclipsed by the oboe family of descendant instruments in classical music. It is likely to have come to Western Europe from the Eastern Mediterranean around the time of the Crusades.The Shawm and Curtal €”from the Diabolus in Musica Guide to Early Instruments Double-reed instruments similar to the shawm were long present in Southern Europe and the East, for instance the , and later |
Shawm
The shawm () is a conical bore, double-reed woodwind instrument made in Europe from the 12th century to the present day. It achieved its peak of popularity during the medieval and Renaissance periods, after which it was gradually eclipsed by the oboe family of descendant instruments in classical music. It is likely to have come to Western Europe from the Eastern Mediterranean around the time of the Crusades.The Shawm and Curtal €”from the Diabolus in Musica Guide to Early Instruments Double-reed instruments similar to the shawm were long present in Southern Europe and the East, for instance the , and later |
List Of Woodwind Instruments
Flutes * Piccolo * Western concert flute * Fife (instrument), Fife * Alto flute * Bass flute * Contra-alto flute * Contrabass flute * Double contrabass flute * Bansuri (India) * Irish flute * Koudi (China) * Dizi (instrument), Dizi (China) * Native American flute * Daegeum (Korea) * Nohkan (Japan) * Ryūteki (Japan) * Shinobue (Japan) * Švilpa (Lithuania) * Venu (India) * Kaval (Anatolian-Turkic, Bulgaria, Macedonia) * Fyell (Albanian polla) * Ney (Anatolian-Turkic) * Danso (Korea) * Hocchiku (Japan) * Hun (instrument), Hun (Korea) * Palendag (Philippines) * Panflute (Greece) * Suling (Indonesia/Philippines) * Tumpong (Philippines) * Xiao (flute), Xiao (China) * Xun (instrument), Xun (China) * Khlui (Thailand) * Yerbomatófono, Matófono (Argentina/Uruguay) Notched * Quena (South America) * Shakuhachi (Japan) Internal Duct (fipple) * Almpfeiferl (Austria) * Caval (Romania) * Diple, Diple (or Dvojnice, a double recorder) (Serbia) * Flageolet (France) * Fluier (Romani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aerophone
An aerophone () is a musical instrument that produces sound primarily by causing a body of air to vibrate, without the use of strings or membranes (which are respectively chordophones and membranophones), and without the vibration of the instrument itself adding considerably to the sound (or idiophones). According to Sachs, These may be lips, a mechanical reed, or a sharp edge. Also, an aerophone may be excited by percussive acts, such as the slapping of the keys of a flute or of any other woodwing. A free aerophone lacks the enclosed column of air yet, "cause a series of condensations and rarefications by various means." Overview Aerophones are one of the four main classes of instruments in the original Hornbostel–Sachs system of musical instrument classification, which further classifies aerophones by whether or not the vibrating air is contained within the instrument. The first class (41) includes instruments which, when played, do ''not'' contain the vibrating air. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rauschpfeife
Rauschpfeife is a commonly used term for a specific type of capped conical reed musical instrument of the woodwind family, used in Europe in the 16th and 17th centuries. In common with the crumhorn and cornamuse, it is a wooden double-reed instrument with the reed enclosed in a windcap. The player blows into a slot in the top of the windcap to produce the sound. Description Rauschpfeifes (Schreierpfeiffen) differ from cornamusen mainly in the shape of the bore, which, like the shawm, is conical. This bore profile combined with the unrestricted vibration of the reed within the windcap produced an instrument that was exceedingly loud, which made it useful for outdoor performances. The word ''Rauschpfeife'' (German for "rush (or reed) pipe" from the Old German "rusch" for 'rush', as in grass), is found in the description of two windcapped instruments depicted in one of the 16th-century woodcut illustrations of '' Triumphal Procession'', commissioned by Holy Roman Emperor Maximili ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Reed
A double reed is a type of reed used to produce sound in various wind instruments. In contrast with a single reed instrument, where the instrument is played by channeling air against one piece of cane which vibrates against the mouthpiece and creates a sound, a double reed features two pieces of cane vibrating against each other. This means, for instruments with the double reed fully exposed, that the air flow can be controlled by the embouchure from the top, bottom and sides of the reed. The term ''double reeds'' can also refer collectively to the class of instruments which use double reeds. Structure and dimensions The size and shape of the reed depend on the type of double-reed instrument which is of two groups, conical and cylindrical. Even within families of instruments, for example, the oboe family, the reed for the oboe is quite different from that for the cor anglais (English horn). Oboe reeds are usually 7 mm (0.3 in) in width, while bassoon reeds are wider, from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodwind Instrument
Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and reed instruments (otherwise called reed pipes). The main distinction between these instruments and other wind instruments is the way in which they produce sound. All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed or a fipple. Despite the name, a woodwind may be made of any material, not just wood. Common examples include brass, silver, cane, as well as other metals such as gold and platinum. The saxophone, for example, though made of brass, is considered a woodwind because it requires a reed to produce sound. Occasionally, woodwinds are made of earthen materials, especially ocarinas. Flutes Flutes produce sound by directing a focused stream of air below the edge of a hole in a cylindrical tu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cylindrical Bore
In music, the bore of a wind instrument (including woodwind and brass) is its interior chamber. This defines a flow path through which air travels, which is set into vibration to produce sounds. The shape of the bore has a strong influence on the instrument's timbre. Bore shapes The cone and the cylinder are the two idealized shapes used to describe the bores of wind instruments. Other shapes are not generally used, as they tend to produce dissonant, anharmonic overtones and an unmusical sound. Instruments may consist of a primarily conical or cylindrical tube, but begin in a mouthpiecs, and end in a rapidly-expanding "flare" or "bell". This flare reduces the acoustic impedance mismatch between the instrument and the air, allowing the instrument to transmit sound to the air more effectively. These shapes affect the prominence of harmonics associated with the timbre of the instrument. A bore that flares from the mouthpiece reduces resistance to the breath, while a bore that n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell Of A Wind Instrument
A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound. Methods for obtaining different notes * Using different air columns for different tones, such as in the pan flute. These instruments can play several notes at once. * Changing the length of the vibrating air column by changing the length of the tube through engaging valves ''(see rotary valve, piston valve)'' which route the air through additional tubing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconographic
Iconology is a method of interpretation in cultural history and the history of the visual arts used by Aby Warburg, Erwin Panofsky and their followers that uncovers the cultural, social, and historical background of themes and subjects in the visual arts. Though Panofsky differentiated between iconology and iconography, the distinction is not very widely followed, "and they have never been given definitions accepted by all iconographers and iconologists". Few 21st-century authors continue to use the term "iconology" consistently, and instead use iconography to cover both areas of scholarship. To those who use the term, iconology is derived from synthesis rather than scattered analysis and examines symbolic meaning on more than its face value by reconciling it with its historical context and with the artist's body of work – in contrast to the widely descriptive iconography, which, as described by Panofsky, is an approach to studying the content and meaning of works of art th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval French Literature
Medieval French literature is, for the purpose of this article, Medieval literature written in Oïl languages (particularly Old French and early Middle French) during the period from the eleventh century to the end of the fifteenth century. The material and cultural conditions in France and associated territories around the year 1100 unleashed what the scholar Charles Homer Haskins termed the " Renaissance of the 12th century" and, for over the next hundred years, writers, " jongleurs", "clercs" and poets produced a profusion of remarkable creative works in all genres. Although the dynastic struggles of the Hundred Years' War and the Black Death pandemic of the fourteenth century in many ways curtailed this creative production, the fifteenth century laid the groundwork for the French Renaissance. Language Up to roughly 1340, the Romance languages spoken in the Middle Ages in the northern half of what is today France are collectively known as "ancien français" ("Old French") ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Rose
The ''Mary Rose'' (launched 1511) is a carrack-type warship of the English Tudor navy of King Henry VIII. She served for 33 years in several wars against France, Scotland, and Brittany. After being substantially rebuilt in 1536, she saw her last action on 1545. She led the attack on the galleys of a French invasion fleet, but sank in the Solent, the strait north of the Isle of Wight. The wreck of the ''Mary Rose'' was located in 1971 and was raised on 11 October 1982 by the Mary Rose Trust in one of the most complex and expensive maritime salvage projects in history. The surviving section of the ship and thousands of recovered artefacts are of great value as a Tudor period time capsule. The excavation and raising of the ''Mary Rose'' was a milestone in the field of maritime archaeology, comparable in complexity and cost to the raising of the 17th-century Swedish warship '' Vasa'' in 1961. The ''Mary Rose'' site is designated under the Protection of Wrecks Act 1973 by s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
