Hester Santlow
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Hester Santlow
Hester Santlow (married name Hester Booth; c. 1690 – 1773) was a noted British dancer and actress, who has been called "England's first ballerina". She was influential in many spheres of theatrical life. Life Hester Santlow was born circa 1690, and by about 1705 had produced an illegitimate daughter named Harriet; the father was James Craggs. Harriet married *firstly in 1726 Richard Eliot, having 9 children, including Edward Craggs-Eliot, 1st Baron Eliot, *secondly in 1749 to John Hamilton, by whom she had a son, John Hamilton, 1st Marquess of Abercorn. Career In 1706, Santlow made her first appearance as a dancer at Drury Lane, and three years later as an actress on the London stage. Some of her earliest roles included Harlequin, for which she earned a considerable boost in her reputation. John Essex, in the preface of ''The Dancing Master'' (1728), his translation of Pierre Rameau's ''Le Maître à danser'', writes: WE have had a great many Women attempt to be The ...
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Mrs Hester Booth, Nee Santlow (circa 1690–1773) Dressed As A Harlequin, Attributed To John Ellys
Mrs. (American English) or Mrs (British English; standard English pronunciation: ) is a commonly used English honorific for women, usually for those who are married and who do not instead use another title (or rank), such as ''Doctor'', ''Professor'', ''President'', '' Dame'', etc. In most Commonwealth countries, a full stop (period) is usually not used with the title. In the United States and Canada a period (full stop) is usually used (see Abbreviation). ''Mrs'' originated as a contraction of the honorific ''Mistress'' (the feminine of ''Mister'' or ''Master'') which was originally applied to both married and unmarried women. The split into ''Mrs'' for married women and '' Miss'' for unmarried began during the 17th century; the 17th century also saw the coinage of a new unmarked option '' Ms'' with a return of this usage appearing in the 20th century. It is rare for ''Mrs'' to be written in a non-abbreviated form, and the unabbreviated word lacks a standard spelling. In ...
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Sarabande
The sarabande (from es, zarabanda) is a dance in triple metre, or the music written for such a dance. History The Sarabande evolved from a Spanish dance with Arab influences, danced by a lively double line of couples with castanets. A dance called ''zarabanda'' is first mentioned in 1539 in Central America in the poem ''Vida y tiempo de Maricastaña'', written in Panama by Fernando de Guzmán Mejía. In 1596, Alonso López, "el Pinciano", traces its origins even to the Dionysian cult. The dance seems to have been especially popular in the 16th and 17th centuries, initially in Spain and in the Spanish colonies. The Jesuit priest Juan de Mariana thought it indecent, describing it in his ''Tratato contra los juegos públicos'' (Treatise Against Public Amusements, 1609) as "a dance and song so loose in its words and so ugly in its motions that it is enough to excite bad emotions in even very decent people".Jane Bellingham, "Sarabande", ''The Oxford Companion to Music'', edited b ...
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18th-century English Ballet Dancers
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ...
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