Herb Ellis Meets Jimmy Giuffre
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Herb Ellis Meets Jimmy Giuffre
''Herb Ellis Meets Jimmy Giuffre'' is an album by American jazz guitarist Herb Ellis and saxophonist, composer and arranger Jimmy Giuffre which was released on the Verve label in 1959.Discogs album entry
accessed July 6, 2015


Track listing

# "Goose Grease" (Herb Ellis, Jimmy Giuffre) - 3:05 # "" () - 5:57 # "Remember" (Giuffre) - 7:43 # "Patricia" (Art Pepper) - 4:06 # "A Country Boy" (Ellis) - 5:06 # "You Know" (Giuffre) - 4:32 # "My Old Flame" (

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Herb Ellis
Mitchell Herbert Ellis (August 4, 1921 – March 28, 2010), known professionally as Herb Ellis, was an American jazz guitarist. During the 1950s, he was in a trio with pianist Oscar Peterson. Biography Born in Farmersville, Texas, and raised in the suburbs of Dallas, Ellis first heard the electric guitar performed by George Barnes on a radio program. This experience is said to have inspired him to take up the guitar. He became proficient on the instrument by the time he entered North Texas State University. Ellis majored in music, but because they did not yet have a guitar program at that time, he studied the string bass. Unfortunately, due to lack of funds, his college days were short-lived. In 1941, Ellis dropped out of college and toured for six months with a band from the University of Kansas. In 1943, he joined Glen Gray and the Casa Loma Orchestra, and it was with Gray's band that he got his first recognition in the jazz magazines. After Gray's band, Ellis joined the ...
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Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ...
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Jimmy Giuffre Albums
Jimmy may refer to: Arts and entertainment Film and television * ''Jimmy'' (2008 film), a 2008 Hindi thriller directed by Raj N. Sippy * ''Jimmy'' (1979 film), a 1979 Indian Malayalam film directed by Melattoor Ravi Varma * ''Jimmy'' (2013 film), a 2013 drama directed by Mark Freiburger * "The Jimmy", a 1995 episode of the sitcom ''Seinfeld'' * "Jimmy", a 2002 episode of ''Static Shock'' Music * ''Jimmy'' (musical), a 1969 musical Songs * "Jimmy" (song), a song by M.I.A. from the 2007 album ''Kala'' * "Jimmy", a song by Irving Berlin, see also List of songs written by Irving Berlin * "Jimmy", a song by Tones and I from her EP '' The Kids Are Coming'' * "Jimmy", a song by Tool from their 1996 album ''Ænima'' * "Jimmy", a song by dutch artist Boudewijn de Groot * "Jimmy", a song by Jay Thompson for the 1967 film ''Thoroughly Modern Millie'' Theater * Jimmy Awards, annual awards given by the Broadway League to high school musical theater performers in the United States ...
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Herb Ellis Albums
In general use, herbs are a widely distributed and widespread group of plants, excluding vegetables and other plants consumed for macronutrients, with savory or aromatic properties that are used for flavoring and garnishing food, for medicinal purposes, or for fragrances. Culinary use typically distinguishes herbs from spices. ''Herbs'' generally refers to the leafy green or flowering parts of a plant (either fresh or dried), while ''spices'' are usually dried and produced from other parts of the plant, including seeds, bark, roots and fruits. Herbs have a variety of uses including culinary, medicinal, aromatic and in some cases, spiritual. General usage of the term "herb" differs between culinary herbs and medicinal herbs; in medicinal or spiritual use, any parts of the plant might be considered as "herbs", including leaves, roots, flowers, seeds, root bark, inner bark (and cambium), resin and pericarp. The word "herb" is pronounced in Commonwealth English, but is common am ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral music sett ...
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Stan Levey
Adolph Stanley Levey known professionally as Stan Levey (April 5, 1926 – April 19, 2005) was an American jazz drummer. He was known for working with Charlie Parker and Dizzy Gillespie in the early development of bebop during the 1940s, and in the next decade had stint with bandleader Stan Kenton. Levey retired from music in the 1970s to work as a photographer. Biography He was born in Philadelphia, Pennsylvania, United States, Levey is considered one of the earliest bebop drummers, and one of the very few white drummers involved in the formative years of bebop. He played in Philadelphia with Dizzy Gillespie's group in 1942, at the age of 16. Soon after, he went to New York City, where he and Gillespie worked on 52nd Street with Charlie Parker and Oscar Pettiford. After his tenure with the Stan Kenton Orchestra he moved to the West Coast in 1954, joining Howard Rumsey, Don Joham and the Lighthouse All-Stars, and was a major influence in West Coast jazz. Though "cool" jazz was c ...
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Double Bass
The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the , and is featured in concertos, solo, and

Joe Mondragon
Joe Mondragon (February 2, 1920 – July 1987) was an American jazz bassist. Early life Mondragon was born in Antonito, Colorado, and raised in the Española Valley region of New Mexico. Mondragon was of Apache and Hispanic origin. Career Mondragon was an autodidact on bass, and began working professionally in Los Angeles. He served in the United States Army during World War II, and then joined Woody Herman's First Herd in 1946. Over the next two decades, he became one of the more popular studio bassists for jazz recording on the West Coast, appearing on albums by June Christy, Shorty Rogers, Shelly Manne, Buddy Rich, Buddy DeFranco, Marty Paich, Claude Williamson, Georgie Auld, Chet Baker, Bob Cooper, Harry Sweets Edison, Gerry Mulligan, Art Pepper, Bud Shank and Ella Fitzgerald. Mondragon can also be heard on soundtracks for films such as ''The Wild One'' and '' Pete Kelly's Blues''. Mondragon never recorded as a leader. Personal life Mondragon died in San Juan ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and '' fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the gr ...
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Lou Levy (pianist)
Louis A. "Lou" Levy (March 5, 1928 – January 23, 2001) was an American jazz pianist. Biography Levy was born to Jewish parents in Chicago, Illinois, United States, and start to play the piano aged twelve. His chief influences were Art Tatum and Bud Powell. A professional at age nineteen, Levy played with Georgie Auld (1947 and later), Sarah Vaughan, Chubby Jackson (1947–1948), Boyd Raeburn, Woody Herman's Second Herd (1948–1950), Tommy Dorsey (1950) and Flip Phillips. Levy left music for a few years in the early 1950s and then returned to gain a strong reputation as an accompanist to singers, working with Peggy Lee (1955–1973), Ella Fitzgerald (1957–1962), June Christy, Anita O'Day and Pinky Winters. Levy also played with Dizzy Gillespie, Shorty Rogers, Stan Getz, Terry Gibbs, Benny Goodman, Supersax and most of the major West Coast players. Levy recorded as a leader for Nocturne (1954), RCA, Jubilee, Philips Koninklijke Philips N.V. (), commonly shortened ...
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Jim Hall (musician)
James Stanley Hall (December 4, 1930 – December 10, 2013) was an American jazz guitarist, composer and arranger. Biography Early life and education Born in Buffalo, New York, Hall moved with his family to Cleveland, Ohio, during his childhood. Hall's mother played the piano, his grandfather violin, and his uncle guitar.Hall, Devra "Sketches from PROS Folios: Jim Hall". Copyright 1988-2004. He began playing the guitar at the age of 10, when his mother gave him an instrument as a Christmas present. At 13 he heard Charlie Christian play on a Benny Goodman record, which he calls his "spiritual awakening". As a teenager in Cleveland, he performed professionally, and also took up the double bass. Hall's major influences since childhood were tenor saxophonists Coleman Hawkins, Lester Young, Paul Gonsalves, and Lucky Thompson. While he copied out solos by Charlie Christian, and later Barney Kessel, it was horn players from whom he took the lead. In 1955, Hall attended the Cleveland ...
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Richie Kamuca
Richie Kamuca (July 23, 1930 – July 22, 1977) was an American jazz tenor saxophonist. Musical career Kamuca was born in Philadelphia, Pennsylvania, United States, and, like many players associated with West Coast jazz, grew up in the East before moving West around the time that bebop changed the prevailing style of jazz. His early playing, in what is generally considered the Lester Young style, was done on tour with the big bands of Stan Kenton and Woody Herman, where he became a member of the later line-ups of Herman's ''Four Brothers'' saxophone section with Al Cohn and Bill Perkins. Kamuca stayed on the West Coast, playing with the smaller groups of Chet Baker, Maynard Ferguson, Shorty Rogers, and others. He was one of the Lighthouse All-Stars in 1957 and 1958, and recorded with Perkins, Art Pepper, Jimmy Rowles, Cy Touff and many others in those years, as well as leading recording sessions in his own right. Kamuca was a member of the group Shelly Manne and His Men fro ...
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