Helga Dernesch
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Helga Dernesch
Helga Dernesch (born 3 February 1939) is an Austrian soprano and mezzo-soprano. Her career has taken her through four successive phases: from mezzo-soprano to lyric soprano to dramatic soprano, and after about 1980 back to mezzo again. "Her voice had great richness and power, and her strikingly handsome stage appearance and intense acting made her a compelling performer." Rosenthal, Harold and Alan Blyth, "Dernesch, Helga" in Sadie, Stanley; John Tyrrell, eds. (2001). ''The New Grove Dictionary of Music and Musicians'', 2nd edition. New York: Grove's Dictionaries. . Life and career Born in Vienna, Dernesch studied at the Vienna Hochschule für Musik before making her debut in 1961 singing Marina in ''Boris Godunov'' in Bern. She continued to sing in Bern from 1961 to 1963, in Wiesbaden 1963-1965 and at the Cologne Opera from 1965 to 1968. She made her first appearance in Bayreuth (as Wellgunde in ''Der Ring des Nibelungen'') in 1965. Two years later she was singing Elisabeth i ...
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Vienna Hochschule Für Musik
The University of Music and Performing Arts Vienna (german: link=no, Universität für Musik und darstellende Kunst Wien, abbreviated MDW) is an Austrian university located in Vienna, established in 1817. With a student body of over three thousand, it is the largest institution of its kind in Austria, and one of the largest in the world. In 1817, it was established by the Society for the Friends of Music. It has had several names: ''Vienna Conservatory'', ''Vienna Academy'' and in 1909 it was nationalized as the ''Imperial Academy of Music and the Performing Arts''. In 1998, the University assumed its current name to reflect its university status, attained in a wide 1970 reform for Austrian ''Arts Academies''. In 2019, the Universität für Musik und Darstellende Kunst Wien (MDW) was named one of the "best performing arts schools in the world" by the ''CEOWORLD'' magazine. The university With a student body of more than 3000, the Universität für Musik und Darstellende Kunst ...
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Götterdämmerung
' (; ''Twilight of the Gods''), WWV 86D, is the last in Richard Wagner's cycle of four music dramas titled (''The Ring of the Nibelung'', or ''The Ring Cycle'' or ''The Ring'' for short). It received its premiere at the on 17 August 1876, as part of the first complete performance of the whole work. The title is a translation into German of the Old Norse phrase ', which in Norse mythology refers to a prophesied war among various beings and gods that ultimately results in the burning, immersion in water, and renewal of the world. As with the rest of the ''Ring'', however, Wagner's account diverges significantly from these Old Norse sources. Composition Roles Synopsis Prologue Prelude to the Prologue Scene 1 The three Norns, daughters of Erda, the goddess of Nature, gather beside Brünnhilde's rock, weaving the Rope of Destiny. From it they read of the past, the present, and of the future when Walhalla will be set on fire and the end of the gods will c ...
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Lyric Opera Of Chicago
Lyric Opera of Chicago is one of the leading opera companies in the United States. It was founded in Chicago in 1954, under the name 'Lyric Theatre of Chicago' by Carol Fox, Nicola Rescigno and Lawrence Kelly, with a season that included Maria Callas's American debut in ''Norma''. The company was re-organized by Fox in 1956 under its present name and, after her 1981 departure, it has continued to be of one of the major opera companies in the United States. The Lyric is housed in a theater and related spaces in the Civic Opera Building. These spaces are now owned by the Lyric. Opera in Chicago 1850–1954 The first opera to be performed in Chicago was Bellini's ''La sonnambula'', presented by a traveling opera company on 29 July 1850. Chicago's first opera house opened in 1865 but was destroyed in the Great Fire of Chicago in 1871. The second opera house, the Chicago Auditorium, opened in 1889. In 1929 the current Civic Opera House on 20 North Wacker Drive was opened, though ...
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Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances a ...
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San Francisco Opera
San Francisco Opera (SFO) is an American opera company founded in 1923 by Gaetano Merola (1881–1953) based in San Francisco, California. History Gaetano Merola (1923–1953) Merola's road to prominence in the Bay Area began in 1906 when he first visited the city. In 1909, he returned as the conductor of the International Opera Company of Montreal, one of the many visiting troupes that frequented the bustling city. Continued visits for the next decade convinced him that a San Francisco company was viable. In 1921, Merola returned to live in the city under the patronage of Mrs. Oliver Stine. During this time, Merola conceived of branching away from the area's reliance on visiting troupes for entertainment that had been common place since the Gold Rush era. By the fall, he was planning his first season, and the very next year, Merola organized a trial season at Stanford University. The first performance occurred in the Stanford Cardinal's football stadium on June 3rd, 1922 w ...
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Opéra Bastille
The Opéra Bastille (, "Bastille Opera House") is a modern opera house in the 12th arrondissement of Paris, France. Inaugurated in 1989 as part of President François Mitterrand's '' Grands Travaux'', it became the main facility of the Paris National Opera, France's principal opera company, alongside the older Palais Garnier; most opera performances are shown at the Bastille along with some ballet performances and symphony concerts, while Palais Garnier presents a mix of opera and ballet performances. Designed by Uruguayan architect Carlos Ott, it is situated facing Place de la Bastille. It may seat 2,723 people in total, with a main theatre, concert hall and studio theatre. History Background and construction The idea of a new "popular and modern" opera house in Paris first arose in the 1880s, only years after the opening of the Palais Garnier. It would remain virtual for a century and reemerge periodically due to the recurrent "crisis at the Opera" and to the limitation ...
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Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, makin ...
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Glyndebourne Festival Opera
Glyndebourne Festival Opera is an annual opera festival held at Glyndebourne, an English country house near Lewes, in East Sussex, England. History Under the supervision of the Christie family, the festival has been held annually since 1934, except in 1941–45 during World War II and 1993 when the theatre was being rebuilt, for a 1994 reopening. Gus Christie, son of Sir George Christie and grandson of festival founder John Christie, became festival chairman in 2000. Since the company's inception, Glyndebourne has been particularly celebrated for its productions of Mozart operas. Recordings of Glyndebourne's past historic Mozart productions have been reissued. Other notable productions included their 1980s production of George Gershwin's ''Porgy and Bess'', directed by Trevor Nunn, and later expanded from the Glyndebourne stage and videotaped in 1993 for television, with Nunn again directing. While Mozart operas have continued to be the mainstay of its repertory, the comp ...
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De Nederlandse Opera
The Dutch National Opera (DNO; formerly De Nederlandse Opera, now De Nationale Opera in Dutch) is a Dutch opera company based in Amsterdam, Netherlands. Its present home base is the Dutch National Opera & Ballet housed in the Stopera building, a modern building designed by Cees Dam and Wilhelm Holzbauer which opened in 1986. History The DNO was established shortly after the end of World War II as a repertory company with a permanent ensemble. In the postwar period, it toured extensively in the Netherlands from its home base in the Stadsschouwburg, a ''fin de siècle'' theatre on the Leidseplein in Amsterdam. In 1964, it was renamed ''De Nederlandse Operastichting''. (''The Dutch Opera Foundation''), and the company adopted a ''stagione'' orientation, inviting different soloists and artistic teams for each new production. In 1986, the company moved to the new Stopera building, which it shares with the Dutch National Ballet, and thereafter became known as De Nederlandse Opera (DNO). ...
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Les Troyens
''Les Troyens'' (; in English: ''The Trojans'') is a French grand opera in five acts by Hector Berlioz. The libretto was written by Berlioz himself from Virgil's epic poem the ''Aeneid''; the score was composed between 1856 and 1858. ''Les Troyens'' is Berlioz's most ambitious work, the summation of his entire artistic career, but he did not live to see it performed in its entirety. Under the title ''Les Troyens à Carthage'', the last three acts were premièred with many cuts by Léon Carvalho's company, the Théâtre Lyrique, at their theatre (now the Théâtre de la Ville) on the Place du Châtelet in Paris on 4 November 1863, with 21 repeat performances. After decades of neglect, today the opera is considered by some music critics as one of the finest ever written. Composition history Berlioz began the libretto on 5 May 1856 and completed it toward the end of June 1856. He finished the full score on 12 April 1858. Berlioz had a keen affection for literature, and he ...
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Ariadne Auf Naxos
(''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention. First version (1912) The opera was originally conceived as a 30-minute divertissement to be performed at the end of Hofmannsthal's adaptation of Molière's play '' Le Bourgeois gentilhomme.'' Besides the opera, Strauss provided incidental music to be performed during the play. In the end, the opera occupied ninety minutes, and the performance of play plus opera occupied over six hours. It was first performed at the Hoftheater Stuttgart on 25 October 1912, directed by Max Reinhardt. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come to hear the opera resented having to wait until the play finished. ...
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