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Heavy Sky
''Heavy Sky'' is the fourth studio EP by 65daysofstatic. It was recorded in Sheffield, during the We Were Exploding Anyway sessions. It was released on 25 October 2010 in Europe and the United States, and on 15 January 2011 in Japan. It is their first EP to be released on Hassle Records. The only single, "Tiger Girl (Wishful Thinking Edit)", was released on 18 October. Style Musically, it follows the same electronic/ post-rock course as We Were Exploding Anyway. Closing track ''Guitar Cascades'' has similarities to the closing track on We Were Exploding Anyway, ''Tiger Girl''. The Japanese version contains 3 bonus tracks, including an instrumental version of WWEA track ''Come To Me'', an alternate version of ''The Wrong Shape'' and a new, more epic-sounding track, ''String Loop''. The Track ''PX3'' was given away as a free download, prior to release, on the 65daysofstatic 65daysofstatic (often abbreviated as 65dos, 65days, or simply 65) are a post-rock band from Sheffield ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
65daysofstatic
65daysofstatic (often abbreviated as 65dos, 65days, or simply 65) are a post-rock band from Sheffield, England. Formed in 2001, the band is composed of instrumentalists Paul Wolinski, Joe Shrewsbury, Rob Jones and Simon Wright. The band's music has been described as noisy, electronic, guitar-driven instrumentals, interspersed with live drums and off-beat sampled drums akin to those of IDM artists, although they have continued to evolve their sound by incorporating electronic music, drum and bass and glitch music. They have been described as, "a soundtrack to a new dimension, where rock, dance and electronica are equals." The band's first album, ''The Fall of Math'', was released in September 2004, to critical acclaim, described as "an album that can retain the dynamics, fraught tension and climactic explosiveness of its peers and influences, whilst still sounding like one of the most urgent and direct long-player releases of the year." The band released a further five st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instrumental Rock
Instrumental rock is rock music that emphasizes musical instruments and features very little or no singing. Examples of instrumental rock can be found in practically every subgenre of rock, often from musicians who specialize in the style. Instrumental rock was most popular from the mid-1950s to mid-1960s, with artists such as Bill Doggett Combo, The Fireballs, The Shadows, The Ventures, Johnny and the Hurricanes and The Spotnicks. Surf music had many instrumental songs. Many instrumental hits had roots from the R&B genre. The Allman Brothers Band feature several instrumentals. Jeff Beck also recorded two instrumental albums in the 1970s. Progressive rock and art rock performers of the 1960s and 1970s did many virtuosic instrumental performances. During the 1980s and 1990s, the instrumental rock genre was dominated by several guitar soloists, including Joe Satriani, Yngwie Malmsteen and Steve Vai. The 2000s gave way to a new style of instrumental performer. For exa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-industrial Music
Industrial music is a form of experimental music which emerged in the 1970s. In the 1980s, industrial splintered into a range of offshoots, sometimes collectively named post-industrial music. This list details some of these offshoots, including fusions with other experimental and electronic music genres as well as rock, folk, heavy metal and hip hop. Industrial genres have spread worldwide and are particularly well represented in North America, Europe, and Japan. Industrial music Industrial music comprises many styles of experimental music, including many forms of electronic music. The term was coined in the mid-1970s for Industrial Records artists. The first industrial artists experimented with noise and controversial topics. Their production was not limited to music, but included mail art, performance art, installation pieces and other art forms. Prominent industrial musicians include Throbbing Gristle, Cabaret Voltaire, Boyd Rice, SPK, and Z'EV. Test Dept, Clock DVA, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Music
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are old fashioned dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hassle Records
Hassle Records is an independent record label that was created by Chris Baker in 2005. Artists ;Current * Petrol Girls * Under the Influence * Lonely the Brave * August Burns Red * Cancer Bats * The James Cleaver Quintet * The Get Up Kids * Pagan * Senses Fail * Thousand Foot Krutch * Turbowolf * The Used * Casey * Brutus * Swedish Death Candy (Acid Rock from London/Seoul/Bari) * Phoxjaw ;Former * Alexisonfire (United Kingdom only, now disbanded) * Attack! Attack! * Blitz Kids * Canterbury * Four Year Strong * Juliette Lewis * Rolo Tomassi (Now on Destination Moon) * Trash Talk * We Are the Ocean * 65daysofstatic *Fact A fact is a datum about one or more aspects of a circumstance, which, if accepted as true and proven true, allows a logical conclusion to be reached on a true–false evaluation. Standard reference works are often used to check facts. Scie ... References External links * {{Authority control British independent record labels Alternative ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
We Were Exploding Anyway
''We Were Exploding Anyway'' is the fourth studio album by 65daysofstatic. It was recorded in Sheffield, while mixing and mastering took place in New York. It was released on 26 April 2010 in Europe and the United States, and on 19 May in Japan. It was their first album to be released on Hassle Records. The two singles, "Weak4" and "Crash Tactics", were released on 18 and 30 March respectively. To promote the release of their album, the band organized a headlining European tour with the bands Nedry and Loops Haunt; beginning in the Netherlands and ending in Ireland, they have also hinted towards a future U.S. tour. The album was made available as a live stream on the band's Myspace page on the 19 April, one week ahead of its release. The album debuted at number 99 in the UK Albums Chart and number 7 in the UK independent albums chart. Musically, ''We Were Exploding Anyway'' has a stronger electronic sound, featuring more dance beats, electronic bass and drum tracks, and less co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Running (album)
''Silent Running'' is an album by 65daysofstatic. It is an alternate soundtrack to the 1972 science fiction film, ''Silent Running''. It was originally commissioned by Glasgow Film Festival The Glasgow Film Festival is an annual film festival based in Glasgow, Scotland. The festival began in 2005. By 2015, the festival had seen audience figures top 40,000 for two consecutive years. 2008 2008's festival took place between 14–24 Fe ... at the beginning of 2011 as a live re-score performed by the band. In July 2011, the band announced their intention to fund a studio recording of the Silent Running soundtrack by raising $7500 through the crowd-funding website Indiegogo. By the end of the funding period they had raised over $27,000. Silent Running was released in mid-November 2011 as a numbered, limited edition vinyl LP to those Indiegogo funders who had paid for this option, and as a digital download from the band's website. Track listing References {{Authority control ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drowned In Sound
''Drowned in Sound'', sometimes abbreviated to ''DiS'', is a UK-based music webzine financed by artist management company Silentway. Founded by editor Sean Adams, the site features reviews, news, interviews, and discussion forums. History ''DiS'' began as an email fanzine in 1998 called ''The Last Resort'' but was relaunched by founder and editor Sean Adams as ''Drowned in Sound'' in 2000. The freelance writing team is currently spread across four continents – North America, Asia, Europe and Australasia. The site is mostly based on contributions from unpaid writers and has an integrated forum to allow for discussion and comments on interviews, news and reviews. It also includes a user-rated database of artists and bands as well as details for most live music venues (big and small) in the UK. The site has over 60,000 registered members, and gets around 470,000 unique visitors per month. In 2006, the site launched a podcast called ''Drowned in Sound Radio''. In November 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-rock
Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical. Artists such as Talk Talk and Slint have been credited with producing foundational works in the style in the early 1990s. The term post-rock itself was notably employed by journalist Simon Reynolds in a review of the 1994 Bark Psychosis album '' Hex''. It later solidified into a recognizable trend with the release of Tortoise's 1996 album '' Millions Now Living Will Never Die''. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2010 EPs
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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