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Havana Widows
''Havana Widows'' is a 1933 American pre-Code comedy film directed by Ray Enright, starring Joan Blondell and Glenda Farrell. It was released by Warner Bros. on November 18, 1933. Two chorus girls travel to Havana in search of rich husbands. Their target is Deacon Jones, a self-appointed moralist who cannot drink without getting drunk. The film is the first of a series of five movies by Warner Bros. where Blondell and Farrell were paired as blonde bombshell comedy team, throughout the early 1930s. The other films in the series include ''Kansas City Princess'' (1934), '' Traveling Saleslady'' (1935), '' We're in the Money'' (1935) and '' Miss Pacific Fleet'' (1935). Four of the five films were directed by Ray Enright. Farrell and Blondell also co-starred in other Warner Bros. movies: ''Three on a Match'' (1932), '' I've Got Your Number'' (1934) and ''Gold Diggers of 1937'' (1936). Plot Mae Knight (Joan Blondell) and Sadie Appleby (Glenda Farrell), chorus line dancers in a New Y ...
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Earl Baldwin
Earl Baldwin (January 11, 1901 in Newark, New Jersey – October 9, 1970 in Hollywood, California, age 69) was an American screenwriter. During his career he wrote more than 50 produced screenplays, including ''Wild Boys of the Road'', '' Brother Orchid'', and Abbott and Costello's ''Africa Screams''. Partial filmography :''As screenwriter, unless otherwise indicated.'' * ''On Ze Boulevard'' (1927) * '' Brotherly Love'' (1928) (scenario) * ''The Broadway Melody'' (1929) (titles) * ''The Sophomore'' (1929) * '' Sweet Mama'' (1930) * '' The Widow from Chicago'' (1930) * ''College Lovers'' (1930) (story) * ''The Naughty Flirt'' (1931) (adaptation) * '' The Tip-Off'' (1931) * '' The Big Shot'' (1931) * ''The Mouthpiece'' (1932) (adaptation and story) * '' Doctor X'' (1932) * '' Life Begins'' (1932) (adaptation) * '' The Crash'' (1932) * ''Central Park'' (1932) * ''Blondie Johnson'' (1933) (also story) * ''Wild Boys of the Road'' (1933) * ''Havana Widows'' (1933) * ''Wonder Bar'' (1 ...
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Gold Diggers Of 1937
''Gold Diggers of 1937'' is a Warner Bros. movie musical directed by Lloyd Bacon with musical numbers created and directed by Busby Berkeley. The film stars Dick Powell and Joan Blondell, who were married at the time, with Glenda Farrell and Victor Moore. The film features songs by the teams of Harold Arlen and E.Y. Harburg, and Harry Warren and Al Dubin. It was based on the play "Sweet Mystery of Life" by Richard Maibaum, Michael Wallach and George Haight, which ran briefly on Broadway in 1935. Warren Duff wrote the screenplay with the assistance of Tom Reed, who was billed as "Screenplay constructor". This is the fifth movie in Warner Bros.' series of "Gold Digger" films, following the now lost films '' The Gold Diggers'' (1923), a silent film, and the partially lost sound film ''Gold Diggers of Broadway'' (1929), as well as ''Gold Diggers of 1933'' – a remake of ''The Gold Diggers'' and the first to feature Busby Berkeley's extravagant production numbers – and ' ...
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Maude Eburne
Maude Eburne (born Maud Eburne Riggs, November 10, 1875 – October 15, 1960) was a Canadian character actress of stage and screen, known for playing eccentric roles. Early years Eburne was born the daughter of John and Mary Riggs, in Bronte-on-the-Lake, Ontario. She studied elocution in Toronto. The death of Eburne's father in 1901 was a catalyst for her entry into acting as a profession. She said that he would not have approved a stage career for her and added, "If my father knew I was on the stage, he would not rest in peace." Career Eburne began her career in stock theater in Buffalo, New York. Her early theater work was in Ontario and New York City, debuting on Broadway to great acclaim as "Coddles" in the 1914 farce ''A Pair of Sixes''. "When I first came to New York... I said I didn't want to be beautiful young girls or stately leading women, but wanted parts that had something queer in them, especially if there were dialect." She continued to play mainly humo ...
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Ralph Ince
Ralph Waldo Ince (January 16, 1887 – April 10, 1937) was an American pioneer film actor, director and screenwriter whose career began near the dawn of the silent film era. Ralph Ince was the brother of John E. Ince and Thomas H. Ince. Biography Ralph Ince was born in Boston, Massachusetts, the younger of three sons and a daughter raised by English immigrants, John and Emma Ince. Sometime after his birth Ince moved to Manhattan where his entire family was engaged in theater work; his father as a musical agent and mother, sister Bertha and brothers, John and Thomas as actors. Ralph Ince studied art with cartoonist Dan McCarthy and for a while worked as a newspaper cartoonist for the New York World and later magazine illustrator for the New York Mirror and The Evening Telegram. At times over his acting and directing career Ince would continue to contribute cartoons to popular magazines of the day. Early on in his career Ince, who had done some stage acting as a child, was a mem ...
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Hobart Cavanaugh
Hobart Cavanaugh (September 22, 1886 – April 26, 1950 ) was an American character actor in films and on stage. Biography He was born in Virginia City, Nevada on September 22, 1886. Cavanaugh attended the University of California. He worked in vaudeville, teaming with Walter Catlett at some point. He appeared in numerous Broadway productions, including the original 1919 musical '' Irene'' and the long-running 1948 musical ''As the Girls Go''. He made his film debut in ''San Francisco Nights'' (1928). Over the next few years he established himself as a supporting actor, and although many of his roles were small and received no film credit, he played more substantial roles in films such as ''I Cover the Waterfront'' (1933) and '' Mary Stevens, M.D.'' (1933). By the mid-1930s, he was appearing in more prestigious productions, such as ''A Midsummer Night's Dream'' (1935), '' Captain Blood'' (1935), '' Wife vs. Secretary'' (1936) and ''A Letter to Three Wives'' (1949). He continued ...
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Ruth Donnelly
Ruth Donnelly (May 17, 1896 – November 17, 1982) was an American film and stage actress. Early years and family Born in Philadelphia, Pennsylvania, Donnelly was the daughter of Harry Augustus and Bessie B. Donnelly. Her uncle, Frederick W. Donnelly, was the longtime mayor of Trenton, New Jersey. According to a 1915 article in '' The Day Book'', the young Donnelly was forced to leave Sacred Heart Convent in New Jersey because she repeatedly broke into laughter at inappropriate times. Career Donnelly began her stage career at the age of 17 in '' The Quaker Girl''. Actress Rose Stahl took the teen under her wing and, after giving her training and a year's experience in the chorus, placed the then 18-year-old in the play ''Maggie Pepper''. Her Broadway debut brought her to the attention of George M. Cohan, who proceeded to cast her in numerous comic-relief roles in such musicals as '' Going Up'' (1917). Though she made her first film appearance in 1914, her Hollyw ...
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Frank McHugh
Francis Curry McHugh (May 23, 1898 – September 11, 1981) was an American stage, radio, film and television actor. Early years Born in Homestead, Pennsylvania, of Irish descent, McHugh came from a theatrical family. His parents, Edward A. "Cutie" McHugh and Katherine Curry "Katie" McHugh, ran the McHugh stock theater company in Braddock, Pennsylvania. As a young child he performed on stage. His brother Matt and sister Kitty performed in an act with him by the time he was 10 years old, but the family quit the stage around 1930. Another brother, Ed, became a stage manager and agent in New York. Career Leaving the family stage company at age 17, McHugh went to Pittsburgh as leading man and stage manager at the Empire Theater there. He spent nine years in stock companies and road troupes before appearing on Broadway. McHugh debuted on Broadway in ''The Fall Guy'', written by George Abbott and James Gleason in 1925. He also appeared in ''Show Girl'' (1929), a musical. I ...
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Lyle Talbot
Lyle Florenz Talbot (born Lisle Henderson, also credited Lysle Talbot; February 8, 1902 – March 2, 1996) was an American stage, screen and television actor. His career in films spanned three decades, from 1931 to 1960, and he performed on a wide variety of television series from the early 1950s to the late 1980s. Among his notable roles on television was his portrayal of Ozzie Nelson's friend and neighbor Joe Randolph, a character he played for ten years on the ABC sitcom ''The Adventures of Ozzie and Harriet''. Talbot began his film career under contract with Warner Bros. during the early years of the sound era. Ultimately, he appeared in more than 175 productions with various studios, first as a young matinee idol, then as the star of many B movies, and later as a character actor.
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Allen Jenkins
Allen Curtis Jenkins (born Alfred McGonegal; April 9, 1900 – July 20, 1974) was an American character actor and singer who worked on stage, film, and television. Life and career Jenkins was born on Staten Island, New York, on April 9, 1900. In 1959, Jenkins played the role of elevator operator Harry in the comedy ''Pillow Talk''. He was a member of Hollywood's so-called "Irish Mafia", a group of Irish-American actors and friends which included Spencer Tracy, James Cagney, Pat O'Brien and Frank McHugh. Jenkins later voiced the character of Officer Charlie Dibble on the Hanna-Barbera TV cartoon, ''Top Cat'' (1961–62). He was a regular on the television sitcom ''Hey, Jeannie!'' (1956–57), starring Jeannie Carson and often portrayed Muggsy on the 1950s-1970s CBS series ''The Red Skelton Show''. He was also a guest star on many other television programs, such as ''The Man from U.N.C.L.E.'', '' Mr. & Mrs. North'', ''I Love Lucy'', ''Playhouse 90'', ''The Tab Hunter Show'', ...
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Guy Kibbee
Guy Bridges Kibbee (March 6, 1882 – May 24, 1956) was an American stage and film actor. Early years Kibbee was born in El Paso, Texas. His father was editor of the ''El Paso Herald-Post'' newspaper, and Kibbee learned how to set type at age 7. At the age of 14, he ran away to join a traveling show. His younger brother was actor Milton Kibbee. Career Kibbee began his entertainment career on Mississippi riverboats. He became an actor in traveling stock companies. He began to lose his hair at 19. In his early days on stage, he was a romantic leading man. In 1930, he made his debut on Broadway in the play ''Torch Song'', which won acclaim in New York and attracted the interest of Hollywood. Shortly afterwards, Paramount Pictures signed Kibbee, and he moved to California. He later became part of Warner Bros.'s stock company, contract actors who cycled through different productions in supporting roles. Kibbee's specialty was daft and jovial characters; he is perhaps best reme ...
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Havana Widows (1933)
''Havana Widows'' is a 1933 American pre-Code comedy film directed by Ray Enright, starring Joan Blondell and Glenda Farrell. It was released by Warner Bros. on November 18, 1933. Two chorus girls travel to Havana in search of rich husbands. Their target is Deacon Jones, a self-appointed moralist who cannot drink without getting drunk. The film is the first of a series of five movies by Warner Bros. where Blondell and Farrell were paired as blonde bombshell comedy team, throughout the early 1930s. The other films in the series include ''Kansas City Princess'' (1934), '' Traveling Saleslady'' (1935), '' We're in the Money'' (1935) and '' Miss Pacific Fleet'' (1935). Four of the five films were directed by Ray Enright. Farrell and Blondell also co-starred in other Warner Bros. movies: ''Three on a Match'' (1932), '' I've Got Your Number'' (1934) and ''Gold Diggers of 1937'' (1936). Plot Mae Knight (Joan Blondell) and Sadie Appleby (Glenda Farrell), chorus line dancers in a New Y ...
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Breach Of Promise
Breach of promise is a common law tort, abolished in many jurisdictions. It was also called breach of contract to marry,N.Y. Civil Rights Act article 8, §§ 80-A to 84. and the remedy awarded was known as heart balm. From at least the Middle Ages until the early 20th century, a man's promise of engagement to marry a woman was considered, in many jurisdictions, a legally binding contract. If the man were to subsequently change his mind, he would be said to be in "breach" of this promise and subject to litigation for damages. The converse of this was seldom true; the concept that "it's a woman's prerogative to change her mind" had at least some basis in law (though a woman might pay a high social price for exercising this privilege)—and unless an actual dowry of money or property had changed hands or the woman could be shown to have become engaged to a man only to enable her use of his money, a man was only rarely able to recover in a "breach of promise" suit against a woma ...
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