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Hardcore Techno
Hardcore (also known as hardcore techno or hardcore house) is a genre of electronic dance music that originated in the United Kingdom, the Netherlands, Belgium and Germany in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick (160 to 200 BPM or more), the intensity of the kicks and the synthesized bass (in some subgenres), the rhythm and the atmosphere of the themes (sometimes violent), the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber. History Early 1970s to early 1980s Hardcore is rooted in the 1970s and early 1980s industrial music, specifically the elements of hard electronic dance music. Groups such as Throbbing Gristle, Coil, Cabaret Voltaire, SPK, Foetus and Einstürzende Neubauten produced music using a wide range of electronic instruments. The message diffused by industrial was then very provocative. Some of the musical sounds and experimentation of i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sludge Metal
Sludge metal (also known as sludge or sludge doom) is an extreme subgenre of heavy metal music that originated through combining elements of doom metal and hardcore punk. It is typically harsh and abrasive, often featuring shouted vocals, heavily distorted instruments and sharply contrasting tempos. The Melvins from the US state of Washington produced the first sludge metal albums in the mid-late 1980s. Characteristics The key characteristics of both sludge and doom metal are a slow tempo combined with down-tuned, heavily- distorted guitars to deliver the heaviest feel that is possible. The drummer must be able to lead the band through the slow parts of a piece with an accurate time feel, which is much harder to achieve when compared with playing faster pieces. Sludge metal includes sections of the aggression, shouted vocals and occasional fast tempos of hardcore punk. As ''The New York Times'' wrote on The Melvins, "The shorthand term for the kind of rock descending from ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Happy Hardcore
Happy hardcore, also known as 4-beat or happycore, is a subgenre of hardcore dance music or " hard dance". It emerged both from the UK breakbeat hardcore rave scene, and Belgian, German and Dutch hardcore techno scenes in the early 1990s. History Origins The breakbeat hardcore rave scene was beginning to fragment by late 1992 into a number of subsequent breakbeat-based genres: darkcore (tracks embracing dark-themed samples and stabs), hardcore jungle (reggae basslines and influences became prominent), and 4-beat also known as ''happy hardcore'' where piano rolls and uplifting vocals were still central to the sound. DJs such as Slipmatt, DJ Sy, DJ Seduction, Wishdokta, DJ Dougal, and DJ Vibes continued to play and put out music of this nature throughout 1993/4 – notably Slipmatt through the ''SMD'' releases, Wishdokta as ''Naughty Naughty'', and Seduction on the ''Impact'' label. In mainland Europe, new beat and hardcore techno from Belgium had spread into Germany ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moombahcore
Moombahton (, ) is an electronic dance music genre, derived from house music and reggaeton, that was created by American DJ and producer Dave Nada in Washington, D.C., in 2009. Nada coined the name as a portmanteau of "Moombah" (a track by Surinamese house DJ Chuckie and Dutch producer/DJ Silvio Ecomo) and reggaeton (itself a neologism combining reggae with the Spanish suffix ''-ton'', signifying big). Characteristics Identifying characteristics of moombahton include a thick and spread-out bass line, dramatic builds, and a two-step pulse with quick drum fills. Occasionally moombahton includes rave music synthesizers and a cappella rap samples. Musically, moombahton mixes the rhythmic origins of Dutch house or house music, the slow tempo of reggaeton, usually between 100-110bpm, accompanied by bouncy percussions from reggaeton. History Moombahton was created by Dave Nada in late 2009 while DJing his cousin's high school cut party in Washington, D.C. He blended the ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jumpstyle
Jumpstyle is an electronic dance style and music genre popular in Western Europe, originally in Belgium. Jumpstyling is often referred to as "Jumpen": a combination of the English word 'Jump' and the Dutch and German suffix '-en' (meaning "to jump", or "jumping"). It originated in Belgium but gathered bigger popularity in their neighbouring country the Netherlands in the 2000s. History Jumpstyle, originally known simply as jump, was created in Belgium. It was a short-lived small genre that did not gain popularity in its original form. However, it came back to the public during the turn of the century, and fandom began increasing throughout Europe after undergoing significant changes in Germany in early 2003. After acquiring its current name, jumpstyle was reintroduced in Europe and in 2005 saw artists and groups producing and releasing its music. The first key stage of its popularity came between 2007 and 2008 due to the success of music videos such as Scooter's "The Questio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hardstyle
Hardstyle is an electronic dance genre that emerged in the late 1990s, with origins in the Netherlands, Belgium and Italy. Hardstyle mixes influences from techno, new beat and hardcore. Early hardstyle was typically written at 140 BPM (''beats per minute''), however modern hardstyle is faster, produced around 150 BPM. It consisted of overdriven and hard-sounding kick drums, often accompanied by an offbeat bass, known as a "reverse bass". As the genre grew, the production techniques and songwriting changed to be suited to a more commercial audience. Modern hardstyle can be recognized by its use of synthesizer melodies and distorted sounds, coupled with hardstyle's signature combination of percussion and bass. The genre is particularly known for its harmonic use of kickdrums. Due to the sustained nature of a hardstyle kick, producers are able to play basslines by using only the kick itself, which becomes a distinct bass tone through a series of distortion, equalization and laye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dubstyle
Hardstyle is an electronic dance genre that emerged in the late 1990s, with origins in the Netherlands, Belgium and Italy. Hardstyle mixes influences from techno, new beat and hardcore. Early hardstyle was typically written at 140 BPM (''beats per minute''), however modern hardstyle is faster, produced around 150 BPM. It consisted of overdriven and hard-sounding kick drums, often accompanied by an offbeat bass, known as a "reverse bass". As the genre grew, the production techniques and songwriting changed to be suited to a more commercial audience. Modern hardstyle can be recognized by its use of synthesizer melodies and distorted sounds, coupled with hardstyle's signature combination of percussion and bass. The genre is particularly known for its harmonic use of kickdrums. Due to the sustained nature of a hardstyle kick, producers are able to play basslines by using only the kick itself, which becomes a distinct bass tone through a series of distortion, equalization and layer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Hardcore
Digital hardcore is a fusion genre that combines hardcore punk with electronic dance music genres such as breakbeat, techno, and drum and bass while also drawing on heavy metal and noise music. It typically features fast tempos and aggressive sound samples. The style was pioneered by Alec Empire of the German band Atari Teenage Riot during the early 1990s, and often has sociological or far-left lyrical themes. Characteristics Digital hardcore music is typically fast and abrasive, combining the speed, heaviness and attitude of hardcore punk, thrash metal, and riot grrrl with electronic music such as hardcore techno, gabber, jungle, drum and bass, glitch, and industrial rock. Some bands, like Atari Teenage Riot, incorporate elements of hip-hop music, such as freestyle rap. According to Jeff Terich of ''Treble Media'', digital hardcore is "on the verge of reaching speeds incompatible with popular music, as if the rapid acceleration of BPMs would render the idea of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breakcore
Breakcore is a style and microgenre of electronic dance music that emerged from jungle, hardcore, and drum and bass in the mid-to-late 1990s. It is characterized by very complex and intricate breakbeats and a wide palette of sampling sources played at high tempos. History As the early days of " hardcore techno" or just "hardcore" began to settle in Europe, breakcore as a genre began to take more concrete forms in other parts of the world. Inspired by new labels such as Addict, from Milwaukee, US; Peace Off from Rennes, France; Sonic Belligeranza from Bologna, Italy; and Planet Mu, from London, it began to take a new shape, adding in more elements of mashup and IDM to the hardcore sounds. Each of these labels began to draw in aspects of their own social and aesthetic scenes into their music, allowing for an even broader definition of what was possible in the music. In Europe, the breakcore genre was solidified by raves and club events such as Belgium's Breakcore Giv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Splittercore
Speedcore is a form of electronic music that is characterized by a high tempo and aggressive themes. It was created in the early to mid-1990s and the name originates from the hardcore genre as well as the high-speed tempo used. This music rarely drops below 300 beats per minute (bpm). Earlier speedcore tracks often averaged at about 250 bpm, which could be defined as terror(core), whereas some tracks exceed 1000 bpm where it becomes known as extratone. Characteristics Aside from the very fast tempo, which rarely drops below the 300 bpm mark, speedcore can often be distinguished from other forms of hardcore by an aggressive and overridden electronic percussion track that is often punctuated with a hyperactive snare or tom-tom fills. Most producers will overdrive their kicks so far that they become square waves. Speedcore DJs often use violent, vulgar, and offensive themes in their music to push the boundaries of the genre. Since the 2000s, the use of digital audio workstations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flashcore
Speedcore is a form of electronic music that is characterized by a high tempo and aggressive themes. It was created in the early to mid-1990s and the name originates from the hardcore genre as well as the high-speed tempo used. This music rarely drops below 300 beats per minute (bpm). Earlier speedcore tracks often averaged at about 250 bpm, which could be defined as terror(core), whereas some tracks exceed 1000 bpm where it becomes known as extratone. Characteristics Aside from the very fast tempo, which rarely drops below the 300 bpm mark, speedcore can often be distinguished from other forms of hardcore by an aggressive and overridden electronic percussion track that is often punctuated with a hyperactive snare or tom-tom fills. Most producers will overdrive their kicks so far that they become square waves. Speedcore DJs often use violent, vulgar, and offensive themes in their music to push the boundaries of the genre. Since the 2000s, the use of digital audio workstation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extratone
Speedcore is a form of electronic music that is characterized by a high tempo and aggressive themes. It was created in the early to mid-1990s and the name originates from the hardcore genre as well as the high-speed tempo used. This music rarely drops below 300 beats per minute (bpm). Earlier speedcore tracks often averaged at about 250 bpm, which could be defined as terror(core), whereas some tracks exceed 1000 bpm where it becomes known as extratone. Characteristics Aside from the very fast tempo, which rarely drops below the 300 bpm mark, speedcore can often be distinguished from other forms of hardcore by an aggressive and overridden electronic percussion track that is often punctuated with a hyperactive snare or tom-tom fills. Most producers will overdrive their kicks so far that they become square waves. Speedcore DJs often use violent, vulgar, and offensive themes in their music to push the boundaries of the genre. Since the 2000s, the use of digital audio workstations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Speedcore
Speedcore is a form of electronic music that is characterized by a high tempo and aggressive themes. It was created in the early to mid-1990s and the name originates from the hardcore genre as well as the high-speed tempo used. This music rarely drops below 300 beats per minute (bpm). Earlier speedcore tracks often averaged at about 250 bpm, which could be defined as terror(core), whereas some tracks exceed 1000 bpm where it becomes known as extratone. Characteristics Aside from the very fast tempo, which rarely drops below the 300 bpm mark, speedcore can often be distinguished from other forms of hardcore by an aggressive and overridden electronic percussion track that is often punctuated with a hyperactive snare or tom-tom fills. Most producers will overdrive their kicks so far that they become square waves. Speedcore DJs often use violent, vulgar, and offensive themes in their music to push the boundaries of the genre. Since the 2000s, the use of digital audio workstations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
