Hans Springinklee
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Hans Springinklee
Hans Springinklee (c.1490/c.1495 – c.1540) was a German artist from Nuremberg, best known for his woodcuts.British Museum bio, see refs below. He was a pupil of Albrecht Dürer. Life Little written evidence remains of Springinklee's life, and neither his exact dates of birth or death are known. He was born in Nuremberg between 1490 and 1495, was alive in 1524, and died no later than 1540. In 1547, Johann Neudörffer the Elder wrote that Springinklee had lived with, and learned his craft from, Albrecht Dürer. His first woodcuts date from 1512–1513, but there is no evidence of his presence in Nuremberg after 1524, and it is presumed that he had left Nuremberg by that date. The first documentary evidence dates to 1520, when the council of Nuremberg commissioned him to decorate rooms in Nuremberg Castle before a visit of the Holy Roman Emperor Charles V. On 10 September 1527, his two daughters mentioned that he had left them in Nuremberg three years before, and his f ...
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Der Heilige Paul Mit Zwei Schwertern - Springinklee
Der or DER may refer to: Places * Darkənd, Azerbaijan * Dearborn (Amtrak station) (station code), in Michigan, US * Der (Sumer), an ancient city located in modern-day Iraq * d'Entrecasteaux Ridge, an oceanic ridge in the south-west Pacific Ocean Science and technology * Derivative chromosome, a structurally rearranged chromosome * Distinguished Encoding Rules, a method for encoding a data object, including public key infrastructure certificates and keys * Distributed Energy Resources * ∂, the partial derivative symbol *Deep energy retrofit, an energy conservation measure Organizations * Digital Education Revolution, former Australian Government-funded educational reform program * DER rental (Domestic Electric Rentals Ltd), a UK television rentals company * Documentary Educational Resources, a non-profit film producer and distributor Other uses *Defence (Emergency) Regulations, legal regulations promulgated by the British in Mandatory Palestine in 1945 *Department of Enviro ...
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Anton Koberger
Anton Koberger (c. 1440/1445 – 3 October 1513) was the German goldsmith, printer and publisher who printed and published the ''Nuremberg Chronicle'', a landmark of incunabula, and was a successful bookseller of works from other printers. In 1470 he established the first printing house in Nuremberg. Koberger was the godfather of Albrecht Dürer, whose family lived on the same street. Life Anton Koberger was born in 1440 to an established Nuremberg family of bakers, and makes his first appearance in 1464 in the Nuremberg list of citizens. In 1470 he married Ursula Ingram, the daughter of a well-off tradesman, and after her death he remarried a member of the Nuremberg patriciate, Margarete Holzschuher (1470–1539), daughter of city councilor Gabriel Holzschuher, in 1491. She was also a cousin of the city councilor Hieronymus Holzschuher who was portrayed by his friend Dürer in 1526. Anton Koberger would become the first of his family to become a printer. In the year before h ...
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16th-century German Painters
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ...
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1490s Births
149 may refer to: *149 (number), a natural number *AD 149, a year in the 2nd century AD *149 BC, a year in the 2nd century BC *British Airways Flight 149 British Airways Flight 149 was a flight from London Heathrow Airport to Sultan Abdul Aziz Shah Airport, then the international airport for Kuala Lumpur, Malaysia, via Kuwait and Madras International Airports, operated by British Airways u ..., a flight from LHR to Kuwait City International Airport; the aircraft flying this flight was destroyed by Iraqi troops See also * List of highways numbered 149 * {{Number disambiguation ...
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British Museum
The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It documents the story of human culture from its beginnings to the present.Among the national museums in London, sculpture and decorative and applied art are in the Victoria and Albert Museum; the British Museum houses earlier art, non-Western art, prints and drawings. The National Gallery holds the national collection of Western European art to about 1900, while art of the 20th century on is at Tate Modern. Tate Britain holds British Art from 1500 onwards. Books, manuscripts and many works on paper are in the British Library. There are significant overlaps between the coverage of the various collections. The British Museum was the first public national museum to cover all fields of knowledge. The museum was established in 1753, largely b ...
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Allgemeine Deutsche Biographie
''Allgemeine Deutsche Biographie'' (ADB, german: Universal German Biography) is one of the most important and comprehensive biographical reference works in the German language. It was published by the Historical Commission of the Bavarian Academy of Sciences between 1875 and 1912 in 56 volumes, printed in Leipzig by Duncker & Humblot. The ADB contains biographies of about 26,500 people who died before 1900 and lived in the German language Sprachraum of their time, including people from the Netherlands before 1648. Its successor, the '' Neue Deutsche Biographie'', was started in 1953 and is planned to be finished in 2023. The index and full-text articles of ADB and NDB are freely available online via the website ''German Biography'' (''Deutsche Biographie ''Deutsche Biographie'' ( en, German Biography) is a German-language online biographical dictionary. It published thus far information about more than 730,000 individuals and families (2016).Historische Kommission bei ...
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Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in app ...
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Man Of Sorrows
Man of Sorrows, a biblical term, is paramount among the prefigurations of the Messiah identified by the Bible in the passages of Isaiah 53 ('' Servant songs'') in the Hebrew Bible. It is also an iconic devotional image that shows Christ, usually naked above the waist, with the wounds of his Passion prominently displayed on his hands and side (the " ostentatio vulnerum", a feature of other standard types of image), often crowned with the Crown of Thorns and sometimes attended by angels. It developed in Europe from the 13th century and was especially popular in Northern Europe. The image continued to spread and develop iconographical complexity until well after the Renaissance, but the Man of Sorrows in its many artistic forms is the most precise visual expression of the piety of the later Middle Ages, which took its character from mystical contemplation rather than from theological speculation. Together with the ''Pietà'', it was the most popular of the Andachtsbilder-type ima ...
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Chiaroscuro
Chiaroscuro ( , ; ), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro. Further specialized uses of the term include chiaroscuro woodcut for coloured woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro drawing for drawings on coloured paper in a dark medium with white highlighting. Chiaroscuro is one of the canonical painting modes of the Renaissance (alongside cangiante, sfumato and unione) (see also Renaissance art). Artists known for using the technique include Leonardo da Vinci, Caravaggio Rembrandt, Vermeer and Goya, and Georges de La Tour. History Origin in the chiaroscuro drawing The t ...
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Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the develo ...
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