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Hans-Peter Feldmann
Hans-Peter Feldmann (born 1941 in Düsseldorf, Germany) is a German visual artist. Feldmann's approach to art-making is one of collecting, ordering and re-presenting. Early life and career In the 1960s, Feldmann studied painting at the University of Arts and Industrial Design Linz in Austria. He began working in 1968, producing the first of the small handmade books that would become a signature part of his work. These modest books, simply entitled Bilde (Picture) or Bilder (Pictures), would include one or more reproductions from a certain type—knees of women, shoes, chairs, film stars, etc.--their subjects isolated in their ubiquity and presented without captions. In 1979 Feldmann decided to pull out of the art world and just make books and pictures for himself. In 1989 the curator Kasper König persuaded Feldmann to exhibit in a gallery again. Work Hans-Peter Feldmann is a figure in the conceptual art movement and practitioner in the artist book and multiple formats. Feldmann ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans-peter Feldman
Hans-Peter Feldmann (born 1941 in Düsseldorf, Germany) is a German visual artist. Feldmann's approach to art-making is one of collecting, ordering and re-presenting. Early life and career In the 1960s, Feldmann studied painting at the University of Arts and Industrial Design Linz in Austria. He began working in 1968, producing the first of the small handmade books that would become a signature part of his work. These modest books, simply entitled Bilde (Picture) or Bilder (Pictures), would include one or more reproductions from a certain type—knees of women, shoes, chairs, film stars, etc.--their subjects isolated in their ubiquity and presented without captions. In 1979 Feldmann decided to pull out of the art world and just make books and pictures for himself. In 1989 the curator Kasper König persuaded Feldmann to exhibit in a gallery again. Work Hans-Peter Feldmann is a figure in the conceptual art movement and practitioner in the artist book and multiple formats. Feldmann ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barcelona Museum Of Contemporary Art
The Barcelona Museum of Contemporary Art ( ca, Museu d'Art Contemporani de Barcelona, , MACBA) is a contemporary art museum situated in the Plaça dels Àngels, in El Raval, Ciutat Vella, Barcelona, Catalonia, Spain. The museum opened to the public on November 28, 1995. Previous directors include Daniel Giralt-Miracle (1988–1994), Miquel Molins Nubiola (1995–1998), Manuel J. Borja-Villel (1998–2007), Bartomeu Marí (2008-2015), and Ferran Barenblit (2015-2021), while the current director is Elvira Dyangani Ose. History In 1959, art critic Alexandre Cirici Pellicer formed a group of contemporary artists showing work in a series of 23 exhibitions with the hopes of beginning a collection for a new contemporary art museum in Barcelona. It was not until 1986 that the Barcelona City Council recommended the American architect Richard Meier & Partners (1987–1995) to design the museum. Art critics Francesc Miralles and Rosa Queralt were hired to write the museum’s mission sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serpentine Galleries
The Serpentine Galleries are two contemporary art galleries in Kensington Gardens, Hyde Park, Central London. Recently rebranded to just Serpentine, the organisation is split across Serpentine South, previously known as the Serpentine Gallery, and Serpentine North, previously known as the Sackler Gallery. The gallery spaces are within five minutes' walk of each other, linked by the bridge over the Serpentine Lake from which the galleries get their names. Their exhibitions, architecture, education and public programmes attract up to 1.2 million visitors a year. Admission to both galleries is free. The CEO is Bettina Korek, and the artistic director Hans Ulrich Obrist. Serpentine South Serpentine South, previously known as the Serpentine Gallery, was established in 1970 and is housed in a Grade II listed former tea pavilion built in 1933–34 by the architect James Grey West. Notable artists whose works have been exhibited there include Man Ray, Henry Moore, Jean-Michel Basquiat, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunsthalle Düsseldorf
Kunsthalle Düsseldorf is an exhibition hall for contemporary art in Düsseldorf. Building The present art centre was built in 1967 in Brutalist architecture by the architects Konrad Beckmann and Brockes. They used commercially available precast concrete Precast concrete is a construction product produced by casting concrete in a reusable mold or "form" which is then cured in a controlled environment, transported to the construction site and maneuvered into place; examples include precast b ... for the construction work. History Ever since the building on the Grabbeplatz opened, it has housed two independent institutions, the Kunsthalle and the Kunstverein für die Rheinlande und Westfalen. Not merely externally different from all of the other museums in Düsseldorf, the Kunsthalle's conceptual direction is also distinct. Hosting an array of exhibitions, but without its own collection, contemporary art movements and positions, as well as their historical and local poin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malmö Konsthall
Malmö Konsthall is an exhibition hall located in the center of Malmö, Sweden. It is one of the largest exhibition halls for contemporary art in Europe. Building The hall was designed by architect Klas Anshelm (1914-1980), who was inspired by the Paris studio of the sculptor Constantin Brâncuși. It was built between 1971-1974 and is constructed of concrete, glass, wood and aluminium. The ceiling is made of domes with natural and artificial light sources. The light well has a large sloping skylight admitting northern light. The building was awarded the 1974 Kasper Salin Prize by the Swedish Association of Architects. The gallery was renovated in 1994, connecting the older brick building next door (Hantverkshuset or Craft Building) with the exhibition hall, and thus gaining space for a book store selling books, posters and postcards, a children’s area and a restaurant that offers Swedish food. Exhibitions The hall arranges exhibitions of international work that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domplatz (Münster)
The Domplatz (German: "Cathedral Square") in Münster, Westphalia, is the square in front of Münster Cathedral. The square lies to the south of the cathedral. The traces of the 14th century Domburg are still recognisable in the modern Domplatz. The square was the centre of the Domimmunität. In the middle ages it contained the curia of the Domherren of the Münster Cathedral Chapter and St. Jacobi, the parish church for its servants. Immediately in front of the main door, the ''Michaelistor'', stands the City hall, erected in the 14th century as an assertion of the townsmen against the bishop. South of the Domplatz is the headquarters of the Münster Bezirksregierung, a branch of Deutsche Post, two cafes and the Westphalian State Museum of Art and Cultural History. On the west side the Domplatz is bordered by the ''Fürstenberghaus'' of the University of Münster and the Dishop's Balace, on the west side by the backs of the shops on Prinzipalmarkt and the buildings of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Münster (Westfalen)
Münster (; nds, Mönster) is an independent city (''Kreisfreie Stadt'') in North Rhine-Westphalia, Germany. It is in the northern part of the state and is considered to be the cultural centre of the Westphalia region. It is also a state district capital. Münster was the location of the Anabaptist rebellion during the Protestant Reformation and the site of the signing of the Treaty of Westphalia ending the Thirty Years' War in 1648. Today it is known as the bicycle capital of Germany. Münster gained the status of a ''Großstadt'' (major city) with more than 100,000 inhabitants in 1915. , there are 300,000 people living in the city, with about 61,500 students, only some of whom are recorded in the official population statistics as having their primary residence in Münster. Münster is a part of the international Euregio region with more than 1,000,000 inhabitants ( Enschede, Hengelo, Gronau, Osnabrück). History Early history In 793, Charlemagne sent out Ludger as a m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skulptur Projekte Münster
Skulptur Projekte Münster (English: Sculpture Projects Münster) is an exhibition of sculptures in public places in the town of Münster (Germany). Held every ten years since 1977, the exhibition shows works of invited international artists for free in different locations all over town, thereby confronting art with public places. After every exhibition, the city buys a few of the exhibited sculptures which are then installed permanently. The 4th exhibition in 2007 took place from 16 June to 30 September. The fifth exhibition in 2017 took place from 10 June to 1 October. History The story of the Sculpture Projects in Münster goes back to the 1970s when George Rickey placed his kinetic sculpture, ”Drei rotierende Quadrate” in the German city of Münster. At the time there was a significant public outcry against placement of the artwork. To address this dissatisfaction and to attempt to bridge understanding about art in public places, Klaus Bussmann (then director of the West ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weserburg
The Weserburg is a modern art museum in Bremen, Germany. Opened in 1991, it is located on the Teerhof peninsula next to the River Weser in an old factory building which was almost completely destroyed in the Second World War. Originally known as "New Museum Weserburg Bremen" (''Neues Museum Weserburg Bremen''), it was Europe's first "collectors' museum", in that it conserves no permanent collection but mounts changing exhibition of private collections. It is one of the largest modern art museum spaces in Germany. History In 1893, a cigarette factory was opened by Ad. Hagens & Co. on the Teerburg Peninsula in the middle of the Weser. Known as Hagensburg, the building's two Neogothic gate towers contrasted with the surrounding warehouses. After the Schilling Brothers (''Gebrüder Schilling'') acquired the building in 1923 for a coffee factory, the name was changed to Weserburg. Almost totally destroyed in the Second World War, the building was repaired and reopened in 1949. When ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portikus
Portikus is an exhibition hall for contemporary art in Frankfurt am Main, that was founded in 1987 by Kasper König. The museum is part of the Museumsufer. Portikus presents the work of internationally renowned artists, and exhibits younger, emerging artists. Almost always, art work is commissioned for the gallery space. History Its name is derived from the surviving portico of the Stadtbibliothek (public library) from 1825 that was destroyed during World War II. In 1987, the vestige of this classical building again fulfilled its architectural function as a facade when the Frankfurt-based architects Marie-Theres Deutsch and Klaus Dreißigacker built a simple white cube out of shipping containers. The city government decided to rebuild the destroyed library, however, awarding the contract to local architect Christoph Mäckler. In 2003, therefore, after 16 years and more than 100 exhibitions, Portikus moved into the ground floor of the historical building known as the Leinwandh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieze (magazine)
''frieze'' is a contemporary art magazine, published eight times a year from London. History ''frieze'' was founded in 1991 by Frieze Art Fair founders Amanda Sharp and Matthew Slotover with artist Tom Gidley. A Damien Hirst butterfly painting was featured in the first ''frieze'' issue. When ''frieze'' began both Sharp and Slotover served as editors, but ceased direct involvement in editorial decisions in 2001. In 2003, the year that Frieze Art Fair was founded, Sharp and Slotover assumed the roles of Publishing Directors of the magazine, and Directors of the fair. Sharp and Slotover maintain the overall direction of both the art fair and the magazine, but editorial decisions are made by the Editor Andrew Durbin and the Deputy Editor Amy Sherlock; Jennifer Higgie is the editor at large. In 2008, for the first time the talks programme at Frieze Art Fair was organised by the magazine editors. In 2016, Endeavor – a Hollywood-based entertainment group – acquired a reported 7 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
