Hangover Music Vol. VI
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Hangover Music Vol. VI
''Hangover Music Vol. VI'' is the fifth studio album by American heavy metal band Black Label Society, released April 20, 2004. This album is a much more mellow affair than any other Black Label Society album, and some fans have recognized it as a nod back to Zakk Wylde's solo effort, ''Book of Shadows'', from 1996. The album contains a piano version of Procol Harum's 1967 No. 1 song "A Whiter Shade of Pale" and a song entitled "Layne", which is written in memory of Layne Staley of Alice in Chains. The song "No Other" is a leftover track from '' The Blessed Hellride'' sessions, which explains why Zakk Wylde played bass on this song, whereas other bassists played on the rest of the album. The song was also recorded, mixed, and mastered by the same team that was responsible for the production on ''The Blessed Hellride''. This was the last album that Black Label Society recorded for Spitfire Records; it was recorded as a contract fulfilling obligation, and therefore received very l ...
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Black Label Society
Black Label Society is an American heavy metal band formed in Los Angeles, California in 1998 by guitarist/singer Zakk Wylde. To date, the band has released eleven studio albums, two live albums, two compilation albums, one EP, and three video albums. History ''Sonic Brew'' and Formation (1998–1999) In the early 1990s, Wylde had formed his own solo band Pride & Glory, playing a mixture of bluesy Southern rock with heavy metal. However, they disbanded in December 1994 after having released only one album. Wylde subsequently recorded an acoustic solo album, ''Book of Shadows'' (1996). In May 1998, after limited commercial success with ''Book of Shadows'', Wylde and drummer Phil Ondich recorded what became Black Label Society's debut album ''Sonic Brew''. It was decided, rather than the album being another solo album for Wylde, that they would form a long term band. It was known from the start that Nick Catanese would be retained as the second guitarist in the band (Catanes ...
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A Whiter Shade Of Pale
"A Whiter Shade of Pale" is a song by the English rock band Procol Harum that was issued as their debut record on 12 May 1967. The single reached number 1 in the UK Singles Chart on 8 June and stayed there for six weeks. Without much promotion, it reached number 5 on the US ''Billboard'' Hot 100. One of the anthems of the 1967 Summer of Love, it is one of the most commercially successful singles in history, having sold more than 10 million copies worldwide. In the years since, "A Whiter Shade of Pale" has become an enduring classic, with more than 1,000 known cover versions by other artists. With its Bach-derived instrumental melody, soulful vocals, and unusual lyrics, the music of "A Whiter Shade of Pale" was composed by Gary Brooker and Matthew Fisher, while the lyrics were written by Keith Reid. Originally, the writing credits only listed Brooker and Reid. In 2009, Fisher won co-writing credit for the music in a unanimous ruling from the Law Lords. In 1977, the song was na ...
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2004 Albums
4 (four) is a number, numeral and digit. It is the natural number following 3 and preceding 5. It is the smallest semiprime and composite number, and is considered unlucky in many East Asian cultures. In mathematics Four is the smallest composite number, its proper divisors being and . Four is the sum and product of two with itself: 2 + 2 = 4 = 2 x 2, the only number b such that a + a = b = a x a, which also makes four the smallest squared prime number p^. In Knuth's up-arrow notation, , and so forth, for any number of up arrows. By consequence, four is the only square one more than a prime number, specifically three. The sum of the first four prime numbers two + three + five + seven is the only sum of four consecutive prime numbers that yields an odd prime number, seventeen, which is the fourth super-prime. Four lies between the first proper pair of twin primes, three and five, which are the first two Fermat primes, like seventeen, which is the third. On the ot ...
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Mastering (audio)
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in case ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mi ...
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Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, de ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure. Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005). Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artis ...
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John DeServio
John "JD" DeServio is an American musician who has been the bassist of heavy metal band Black Label Society since 2005. He was also a member of Pride & Glory, a southern rock trio, for a short time in December 1994 (again as a replacement for Lomenzo), and was Black Label Society's original bassist, playing on the tour supporting their debut album, '' Sonic Brew''. DeServio also performed on Michael Romeo's solo albums '' War of the Worlds, Pt. 1'' (2018) and '' War of the Worlds, Pt. 2'' (2022). DeServio has his own band called ''Cycle of Pain'' whose debut album was released in April 2009 via ''Reform Records''. He endorses Schecter bass guitars and DR strings. DeServio has been a resident of Keyport, New Jersey Keyport is a borough in Monmouth County, New Jersey, United States. At the 2010 United States Census, the borough's population was 7,240,
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James LoMenzo
James LoMenzo (born January 13, 1959) is an American heavy metal bass guitarist. He was a member of the band White Lion, performing with them from 1984 to 1991. He was later the bassist for Black Label Society, Slash's Snakepit, and Megadeth. He was announced as Megadeth's touring bassist in August 2021 and in June 2022 he fully returned to the band. Outside music, he is known for being a contestant on the 21st season of the reality television series ''The Amazing Race''. Career Early days, White Lion, Zakk Wylde, and other projects (1977–2005) In the late 1970s, he started in a band called "Empty Sky", a rock band with hints of jazz. The band was based out of Brooklyn and was one of the biggest up-and-coming young bands. LoMenzo was the lead vocalist and bassist. The band consisted of Robert Littera at lead guitar, Julie Pontecorvo on trumpet, Marco Lagana on trombone, Frank Bonanno on tenor saxophone, Oscar Olivera on drums, Vincent Chirico on rhythm guitar and John Buccel ...
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John Tempesta
John Tempesta (born September 26, 1964) is an American drummer known for his work in hard rock and heavy metal. He has been a member of the Cult since 2006. Biography Previously, Tempesta played with several bands including Exodus, Testament and White Zombie. He worked with former White Zombie singer Rob Zombie as a solo artist and served as drum technician for Charlie Benante, drummer for the heavy metal band Anthrax earlier in his career. He is referenced in Anthrax's rendition of "Friggin' in the Riggin'" (from their 1989 EP '' Penikufesin''), with lyrics about the band's crew members. Additionally he also played the role of the "Not Man" during Anthrax's early live shows footage of which can be seen in the "Antisocial" music video. In 1997 he had a brief tenure as the drummer for the band Prong before they disbanded later the same year. In 2000, he played drums on the song "Meat", from Tony Iommi's self-titled solo album. He played with the band Helmet in 2004–20 ...
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Craig Nunenmacher
Craig Nunenmacher is an American musician, best known as the former drummer for heavy metal bands Black Label Society and Crowbar. He joined BLS in July 2000 while playing for Crowbar, who were touring with BLS at the time. The original BLS drummer, Phil Ondich, left the band mid-tour and, to keep the tour on the road, Nunenmacher filled in for Ondich, playing for both Crowbar and BLS for the rest of the tour. A few weeks into the tour, he was asked to join the band permanently. In 2003, during a short break from Black Label Society (as front-man Zakk Wylde was focusing on a full-time tour with Ozzy Osbourne), Nunenmacher reunited with Kirk Windstein and wrote and recorded Crowbar's '' Lifesblood for the Downtrodden'' album, which had Pantera's Rex Brown on bass guitar, and a guest performance on the track "Lifesblood" by former BLS bass guitarist Steve Gibb on guitar. In 2006, he launched his website. However, sometime since then the domain right expired and it is now overtaken ...
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